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Author: Gabriel Banat
Publisher: Pendragon Press
ISBN: 9781576471098
Category : Biography & Autobiography
Languages : en
Pages : 600
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Book Description
Banat, a concert violinist and teacher, describes the life of this virtuoso violinist, who is thought to be the earliest black European composer, born on his father's plantation on Guadeloupe.
Author: Gabriel Banat
Publisher: Pendragon Press
ISBN: 9781576471098
Category : Biography & Autobiography
Languages : en
Pages : 600
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Book Description
Banat, a concert violinist and teacher, describes the life of this virtuoso violinist, who is thought to be the earliest black European composer, born on his father's plantation on Guadeloupe.
Author: Walter E. Smith
Publisher: AuthorHouse
ISBN: 141840795X
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
Long before the word Super Star was coined, Saint-Georges was the original. Many people throughout history have been famous for one reason or another. Many have made great contributions to civilization and left great legacies. Their paintings and sculptures we still admire. Their discoveries have made our lives better; their music we still play and sing, but no one in history was as talented in so many areas as Saint-Georges. For a time, he was the greatest fencer in the world. He was an exceptional violinist and along with his teacher, Gossec, he pioneered the composition of the String Quartet. Even Mozart came to Paris to study this new form of music. Saint-Georges was an unequaled equestrian, an exceptional marksman and an elegant dancer. The wealthy copied the way he dressed, and the common people admired him as he walked through the streets, and whispered his name. He was a true Renaissance man and a super star in the Paris of King Louis XVI and Marie Antoinette. What is even more remarkable was the fact that he was a mulatto.
Author: Amélie-Mai Wright
Publisher:
ISBN:
Category :
Languages : en
Pages : 26
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Book Description
Review A WORD ABOUT THE CHEVALIER ST. GEORGE "I have been writing about African and African Diaspora history for a long time, but I remain inspired by the youth. And rarely have I been more inspired and excited as I am about this current work by such a youthful author on one of the most fascinating personalities in our history. It is a wonderful work and I am so very proud of the author! God bless you! And may this be only the first of the many fine works that you are destined to gift to us!" Runoko Rashidi, Historian Product Description ★ We've all heard of Martin Luther King Jnr., Rosa Parks and George Washington Carver, but not many have heard about the multi-talented Knight of Saint-George.★ Doesn't ring a bell? Keep reading! From his birth to his death, this book will take you back in time to the 18th century on a journey through the life of Joseph Bologne Le Chevalier de Saint-George, the first black classical composer. Focusing on the major talents and key life events which shaped him into a melanin-powered super-star! This amazing book is authored by an 8-year-old little girl who wished to bring forgotten and hidden black history personalities back into our everyday consciousness. An amazing story of an outstanding man to remember during black history month. ⚠ Don't miss out on a unique opportunity to dig deeper into black history by purchasing this book on Joseph Bologne Le Chevalier de Saint-George today! ⚠
Author: Alain Guédé
Publisher: Picador
ISBN: 1250091489
Category : Music
Languages : en
Pages : 339
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Book Description
The first full biography of one of the greatest figures of eighteenth-century Europe, known in his time as the "Black Mozart" Virtually forgotten until now, his life is the stuff of legend. Born in 1739 in Guadeloupe to a slave mother and a French noble father, he became the finest swordsman of his age, an insider at the doomed court of Louis XVI, and, most of all, a virtuosic musician. A violinist, he directed the Olympic Society of Concerts, which was considered the finest in Europe in an age of great musicians, including Haydn, from whom he commissioned a symphony, and Mozart, to whom he was often compared. He also became the first Freemason of color, embracing the French Revolution with the belief that it would end the racism against which-despite his illustrious achievements-he struggled his whole life. This is the life of Joseph Bologne, known variously as Monsieur de Saint-George, the "Black Mozart," and, because of his origins, "the American." Alain Guédé offers a fascinating account of this extraordinary individual, whose musical compositions are at long last being revived and whose story will never again be forgotten.
Author: Lesa Cline-Ransome
Publisher: Schwartz & Wade
ISBN: 0307982491
Category : Juvenile Fiction
Languages : en
Pages : 41
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Book Description
The musical superstar of 18th-century France was Joseph Boulogne—a black man. This inspiring story tells how Joseph, the only child of a black slave and her white master, becomes "the most accomplished man in Europe." After traveling from his native West Indies to study music in Paris, young Joseph is taunted about his skin color. Despite his classmates' cruel words, he continues to devote himself to his violin, eventually becoming conductor of a whole orchestra. Joseph begins composing his own operas, which everyone acknowledges to be magnifique. But will he ever reach his dream of performing for the king and queen of France? This lushly illustrated book by Lesa Cline-Ransome and James E. Ransome introduces us to a talented musician and an overlooked figure in black history.
Author: Earl Ofari Hutchinson
Publisher: Middle Passage Press
ISBN: 9780692781876
Category : Music
Languages : en
Pages : 128
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Book Description
Groundbreaking Book Explores the Black Impact on Classical Music Earl Ofari Hutchinson meticulously details in his It's Our Music Too The Black Experience in Classical Music the black impact on classical music. Hutchinson notes that there are numerous books which have dissected and re-dissected every possible aspect of classical music-the composers, performers, their compositions, the musical structure, the history, and even the gossip and minutiae about the composers and performers. Yet, there are almost no books that focus on the significant part that black composers and performers played in influencing and in turn being influenced by classical music "The list of Africans, African-Americans and Afro-European composers, conductors, instrumental performers, and singers," says Hutchinson, "is and always has been, rich, varied, and deep. Sadly, the recognition of this has almost always come in relation to the work of a major European or white American composer." Hutchinson's aim in It's Our Music Too The Black Experience in Classical Music is not to update a book on blacks and classical music, or list the many notable individual breakthroughs of top flight black classical music performers and composers through the years. Instead he tells the story of how blacks have actually influenced the development, history and structure of classical music in its major varied forms; opera, chamber pieces, symphonies, and concertos. It's a story that's filled with tragedy and triumph, heart break and heroism. Hutchinson gives an exciting and entertaining glimpse into Mozart's "borrowing" a musical idea from the black violin virtuoso Chevalier Saint-Georges in the eighteenth century, Dvorak's basing a major part of his New World Symphony on Negro Spirituals in the nineteenth century, and composers such as Gershwin, Copeland. Stravinsky and Ravel, wildly embracing jazz and blues in some of their popular and acclaimed works in the twentieth century. It's Our Music Too The Black Experience in Classical Music is a fast paced, reader friendly, easy to understand look at just exactly what and how the greats in classical music have borrowed from and paid homage to jazz, blues, ragtime, boogie woogie and Negro spirituals. "Throughout I name and recommend many pieces to listen to by the greats of classical music," notes Hutchinson, "who were directly inspired by black musical forms as well as the works of black composers who have written exceptional works that have influenced the works of other classical composers." Hutchinson also tells how black performers such as Roland Hayes with his unique interpretations of German leider, and Marian Anderson and Jessye Norman with their distinctive tones and vibrant, fresh renderings of, and subsequent path breaking performances in the major works of opera giants, Giuseppi Verdi and Richard Wagner have greatly altered how these master's works are heard today. It's Our Music Too The Black Experience in Classical Music, takes the reader on an exciting, eye opening, and revealing journey through the world of classical music in which the major critics, composers and performers tell in their words their appreciation of the major contribution blacks made to classical music. "It is no exaggeration or overstatement to say that classical music does owe a debt to the black experience in classical music," says Hutchinson, "And the goal is to show music lovers and readers how that debt continues to be paid in concert halls everywhere."
Author:
Publisher: Schirmer Trade Books
ISBN: 9781736533406
Category :
Languages : en
Pages : 48
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Book Description
Florence loved her mother's piano playing and wanted to be just like her. When she was just four years old she played her first piano concert and as she grew up she studied and wrote music hoping one day to hear her own music performed by an orchestra. This is the story of a brilliant musician who prevailed against race and gender prejudices to become the first Black woman to be recognised as a symphonic composer and be performed by a major American orchestra in 1933.
Author: Claire de Duras
Publisher: Modern Language Association
ISBN: 1603292292
Category : Fiction
Languages : en
Pages : 86
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Book Description
John Fowles presents a remarkable translation of a nineteenth-century work that provided the seed for his acclaimed novel The French Lieutenant's Woman and that will astonish and haunt modern readers. Based on a true story, Claire de Duras's Ourika relates the experiences of a Senegalese girl who is rescued from slavery and raised by an aristocratic French family during the time of the French Revolution. Brought up in a household of learning and privilege, she is unaware of her difference until she overhears a conversation that suddenly makes her conscious of her race--and of the prejudice it arouses. From this point on, Ourika lives her life not as a French woman but as a black woman who feels "cut off from the entire human race." As the Reign of Terror threatens her and her adoptive family, Ourika struggles with her unusual position as an educated African woman in eighteenth-century Europe. A best-seller in the 1820s, Ourika captured the attention of Duras's peers, including Stendhal, and became the subject of four contemporary plays. The work represents a number of firsts: the first novel set in Europe to have a black heroine; the first French literary work narrated by a black female protagonist; and, as Fowles points out in the foreword to his translation, "the first serious attempt by a white novelist to enter a black mind."
Author: Roberto Pagano
Publisher:
ISBN: 9781576471081
Category : Music
Languages : en
Pages : 381
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Book Description
Pagano provides a study of the relationship between composer Alessandro Scarlatti and his son Domenico (also a composer), in the context of seventeenth-century Sicilian culture. He addresses many of the research questions that have persisted in scholarship since Ralph Kirkpatrick's monograph, such as Domenico's role at the Portuguese court, reasons
Author: Paul Griffiths
Publisher: New York Review of Books
ISBN: 168137580X
Category : Fiction
Languages : en
Pages : 313
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Book Description
Shortlisted for the 2020 Goldsmiths Prize Based on the German composer's own correspondence, this inventive, counterfactual work of historical fiction imagines Beethoven traveling to America to write an oratorio based on the Book of Job. It is a matter of historical record that in 1823 the Handel and Haydn Society of Boston (active to this day) sought to commission Beethoven to write an oratorio. The premise of Paul Griffiths’s ingenious novel is that Beethoven accepted the commission and traveled to the United States to oversee its first performance. Griffiths grants the composer a few extra years of life and, starting with his voyage across the Atlantic and entry into Boston Harbor, chronicles his adventures and misadventures in a new world in which, great man though he is, he finds himself a new man. Relying entirely on historically attested possibilities to develop the plot, Griffiths shows Beethoven learning a form of sign language, struggling to rein in the uncertain inspiration of Reverend Ballou (his designated librettist), and finding a kindred spirit in the widowed Mrs. Hill, all the while keeping his hosts guessing as to whether he will come through with his promised composition. (And just what, the reader also wonders, will this new piece by Beethoven turn out to be?) The book that emerges is an improvisation, as virtuosic as it is delicate, on a historical theme.
