Josef Mysliveček (1737-1781) PDF Download
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Author: Angela Noble Evans
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 202
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Book Description
Author: Angela Noble Evans
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 202
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Book Description
Author: Anthony R. DelDonna
Publisher: Routledge
ISBN: 1317085396
Category : Music
Languages : en
Pages : 341
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Book Description
The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.
Author: Bertil H. Van Boer
Publisher: Scarecrow Press
ISBN: 0810871831
Category : Music
Languages : en
Pages : 665
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Book Description
When we speak of "classical music" it often refers rather loosely to serious "art" music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of today's repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today. This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers.
Author: Renato Meucci
Publisher: Yale University Press
ISBN: 0300274955
Category : Music
Languages : en
Pages : 604
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Book Description
A rich and fascinating account of one of music history’s most ancient, varied, and distinctive instruments From its origins in animal horn instruments in classical antiquity to the emergence of the modern horn in the seventeenth century, the horn appears wherever and whenever humans have made music. Its haunting, timeless presence endures in jazz and film music, as well as orchestral settings, to this day. In this welcome addition to the Yale Musical Instrument Series, Renato Meucci and Gabriele Rocchetti trace the origins of the modern horn in all its variety. From its emergence in Turin and its development of political and diplomatic functions across European courts, to the revolutionary invention of valves, the horn has presented in innumerable guises and forms. Aided by musical examples and newly discovered sources, Meucci and Rocchetti’s book offers a comprehensive account of an instrument whose history is as complex and fascinating as its music.
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 0807836613
Category : History
Languages : en
Pages : 740
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Book Description
The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow. A History of the Oratorio is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Jaroslav J. Zmrhal
Publisher:
ISBN:
Category : Bohemia (Czech Republic)
Languages : en
Pages : 74
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Book Description
Author: Robert Dearling
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838623350
Category : Music
Languages : en
Pages : 244
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Book Description
Giving special attention to contemporary recordings and performances which show Mozart's symphonies in their best light, this study explains how his individual sound is achieved, considers problems of eighteenth-century instrumentation, and advances new theories on the composer's life.
Author:
Publisher:
ISBN:
Category : Europe, Eastern
Languages : en
Pages : 862
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Book Description
Author: Ray W. Moore
Publisher: Hal Leonard Corporation
ISBN: 1574672401
Category : Performing Arts
Languages : en
Pages : 116
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Book Description
(Amadeus). Everyone loves to laugh, to wonder, and to be amazed. High Notes and Low presents interesting and unusual anecdotal information about classical music and musicians in a down-to-earth, easily readable form. Free of technical jargon, the book is appealing not only to the musician but to the general reader as well, and offers information that all can enjoy. The book is divided into six sections that provide general categories of anecdotes Composers, Performers, Critics, Conductors, Compositions, and This and That and encompasses information from all periods of music history. Whether it's camels onstage during the performance of an opera, a conductor's faux pas with a queen, an enraged wife burning her husband's only copy of a symphony, or a look into the many complexities of the Metropolitan Opera building at Lincoln Center, readers will find a vast assortment of fascinating, unexpected, and often unusual facts to keep them enthralled. No other book on the market provides such a wide, enthusiastic, and all-encompassing look into the facts and foibles of classical music. Originally designed for broadcast on KLRE-FM, Arkansas' premier classical music station, High Notes and Low proves that the world of the classical musician is indeed a wonderful, and sometimes zany, place to visit!
