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Author: Donald Fleming
Publisher: University of Pennsylvania Press
ISBN: 1512801704
Category : Biography & Autobiography
Languages : en
Pages : 220
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Book Description
A whole chapter of nineteenth-century history is condensed in the phrase "the conflict between religion and science," with our Mother Eve and the proto-Ape jostling for places at the head of the family tree. An outstanding figure in the center of this intellectual conflict was John William Draper, author of History of the Intellectual Development of Modern Europe and The Conflict Between Religion and Science, which played an important part in intellectual debates for many years. Draper helped break new ground for an age of science, and brought to the level of laymen some of the issues with which they must grapple in the future. However, he had the gift of the great popularizer for seeming to leaven the loaf of tradition, instead of throwing it away, and succeeded in lending to new ideas the appearance of old ones. His work is an excellent case history of the way in which innovations are knit up into continuity with tradition and revolutions in thought are made palatable.
Author: Donald Fleming
Publisher: University of Pennsylvania Press
ISBN: 1512801704
Category : Biography & Autobiography
Languages : en
Pages : 220
Get Book Here
Book Description
A whole chapter of nineteenth-century history is condensed in the phrase "the conflict between religion and science," with our Mother Eve and the proto-Ape jostling for places at the head of the family tree. An outstanding figure in the center of this intellectual conflict was John William Draper, author of History of the Intellectual Development of Modern Europe and The Conflict Between Religion and Science, which played an important part in intellectual debates for many years. Draper helped break new ground for an age of science, and brought to the level of laymen some of the issues with which they must grapple in the future. However, he had the gift of the great popularizer for seeming to leaven the loaf of tradition, instead of throwing it away, and succeeded in lending to new ideas the appearance of old ones. His work is an excellent case history of the way in which innovations are knit up into continuity with tradition and revolutions in thought are made palatable.
Author: James C. Ungureanu
Publisher: University of Pittsburgh Press
ISBN: 0822987112
Category : Science
Languages : en
Pages : 363
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Book Description
The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Draper (1811–1882) and Andrew Dickson White (1832–1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. Unravelling its origins, James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another—a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between “science and religion” were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the “conflict thesis” was just one of the many unintended consequences of the Protestant Reformation.
Author: Sarah Kate Gillespie
Publisher: MIT Press
ISBN: 0262334100
Category : Photography
Languages : en
Pages : 227
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Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.
Author: Zondervan,
Publisher: Zondervan Academic
ISBN: 0310496063
Category : Religion
Languages : en
Pages : 704
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Book Description
The definitive reference work on science and Christian belief How does Christian theology relate to scientific inquiry? What are the competing philosophies of science, and do they "work" with a Christian faith based on the Bible? No reference work has covered this terrain sufficiently--until now. Featuring entries from over 140 international contributors, the Dictionary of Christianity and Science is a deeply-researched, peer-reviewed, fair-minded work that illuminates the intersection of science and Christian belief. In one volume, you get reliable summaries and critical analyses of over 450 relevant concepts, theories, terms, movements, individuals, and debates. You will find answers to your toughest questions about faith and science, from the existence of Adam and Eve to the age of the earth, evolution and string theory. FEATURES INCLUDE: Over 450 entries that will help you think through some of today's most challenging scientific topics, including climate change, evolution, bioethics, and much more Essays from over 140 leading international scholars, including Francis Beckwith, Michael Behe, Darrell Bock, William Lane Craig, Hugh Ross, Craig Keener, Davis Young, John Walton, and many more Multiple-view essays on controversial topics allow you to understand and compare differing Christian viewpoints Learn about flesh-and-blood figures who have shaped the interaction of science and religion: Augustine, Aquinas, Bacon, Darwin, and Stephen Hawking are just the beginning Fully cross-referenced, entries include references and recommendations for further reading Advance Praise: "Every Christian studying science will want a copy within arm’s reach." --Scot McKnight, Northern Seminary "This is an invaluable resource that belongs in every Christian's library. I will be keeping my copy close by when I’m writing." --Lee Strobel, Elizabeth and John Gibson chair of apologetics, Houston Baptist University "Sparkles with passion, controversy, and diverse perspectives."--Karl Giberson, professor of science and religion, Stonehill College "An impressive resource that presents a broad range of topics from a broad tent of evangelical scholars."--Michael R. Licona, Houston Baptist University "I am certain that this dictionary will serve the church for many years in leading many to demonstrate that modern science can glorify our Creator and honor his creation." --Denis O. Lamoureux, University of Alberta "'Dictionary' is too humble a label for what this is! I anticipate that this will offer valuable guidance for Christian faithfulness." --C. John Collins, Covenant Theological Seminary Get answers to the difficult questions surround faith and science! Adam and Eve | the Age of the Earth | Climate Change | Evolution | Fossil Record | Genesis Flood | Miracles | Cosmology | Big Bang theory | Bioethics | Darwinism Death | Extraterrestrial Life | Multiverse | String theory | and much, much more
Author: M. Susan Barger
Publisher: JHU Press
ISBN: 9780801864582
Category : History
Languages : en
Pages : 276
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Book Description
Our scientific work gave us the opportunity to take a new look and interpretation of the scientific and technological literature on the daguerreotype and to reevaluate its technical history.--from the Preface to the 1999 edition
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 586
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Author: Nicole Hudgins
Publisher: Routledge
ISBN: 1000213161
Category : Photography
Languages : en
Pages : 274
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Book Description
It would be unthinkable now to omit early female pioneers from any survey of photography's history in the Western world. Yet for many years the gendered language of American, British and French photographic literature made it appear that women's interactions with early photography did not count as significant contributions. Using French and English photo journals, cartoons, art criticism, novels, and early career guides aimed at women, this volume will show why and how early photographic clubs, journals, exhibitions, and studios insisted on masculine values and authority, and how Victorian women engaged with photography despite that dominant trend. Focusing on the period before 1890, when women were yet to develop the self-assurance that would lead to broader recognition of the value of their work, this study probes the mechanisms by which exclusion took place and explores how women practiced photography anyway, both as amateurs and professionals. Challenging the marginalization of women’s work in the early history of photography, this is essential reading for students and scholars of photography, history and gender studies.
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 588
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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1142
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Author:
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 328
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Book Description
