John McCarty's Official Splatter Movie Guide, Volume 2

John McCarty's Official Splatter Movie Guide, Volume 2 PDF Author: John McCarty
Publisher: St Martins Press
ISBN: 9780312070465
Category : Biography & Autobiography
Languages : en
Pages : 199

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Book Description
Provides plot summaries, cast, credits, and brief comments for horror films from "Alien Nation" to "Zombie Lake"

John McCarty's Official Splatter Movie Guide, Volume 2

John McCarty's Official Splatter Movie Guide, Volume 2 PDF Author: John McCarty
Publisher: St Martins Press
ISBN: 9780312070465
Category : Biography & Autobiography
Languages : en
Pages : 199

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Book Description
Provides plot summaries, cast, credits, and brief comments for horror films from "Alien Nation" to "Zombie Lake"

The Official Splatter Movie Guide

The Official Splatter Movie Guide PDF Author: McCarthy
Publisher: Saint Martin's Griffin
ISBN: 9780312292409
Category :
Languages : en
Pages :

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Book Description


The Official Splatter Movie Guide, Volumes: 1963-1992

The Official Splatter Movie Guide, Volumes: 1963-1992 PDF Author: John McCarty
Publisher: Crossroad Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 634

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Book Description
Combining both volumes of the original print editions, The Official Splatter Movie Guide, Volumes I & II is a dream come true for splatter aficionados: a film-by-film guide to more than eight hundred masterworks of blood and gore. Each listing contains the film's movie studio, date of release, running time, director, producer, writer, and actors, along with a synopsis and review of the film.

The Films of Mel Gibson

The Films of Mel Gibson PDF Author: John McCarty
Publisher: Citadel Press
ISBN: 9780806522265
Category : Biography & Autobiography
Languages : en
Pages : 260

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Book Description


Body Gothic

Body Gothic PDF Author: Xavier Aldana Reyes
Publisher: University of Wales Press
ISBN: 1783160934
Category : Literary Criticism
Languages : en
Pages : 243

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Book Description
The gothic, particularly in its contemporary incarnations, is often constructed around largely disembodied concepts such as spectrality or the haunted. Body Gothic offers a counter-narrative that reinstates the importance of viscerality to the gothic mode. It argues that contemporary discourses surrounding our bodies are crucial to our understanding of the social messages in fictional mutilation and of the pleasures we may derive from it. This book considers a number of literary and cinematic movements that have, over the past three decades, purposely turned the body into a meaningful gothic topos. Each chapter in Body Gothic is dedicated to a different corporeal subgenre: splatterpunk, body horror, the new avant-pulp, the slaughterhouse novel, torture porn and surgical horror are all covered in its pages. Close readings of key texts by Clive Barker, Richard Laymon, Joseph D'Lacey, Matthew Stokoe, Tony White or Stanley Manly are provided alongside in-depth analyses of landmark films such as Re-Animator (1985), The Fly (1986), Saw (2004), Hostel (2005), The Human Centipede (2011) and American Mary (2012). Contents Introduction: From Gothic Bodies to Body Gothic Chapter 1 – Splatterpunk Chapter 2 – Body Horror Chapter 3 – The New Avant-Pulp Chapter 4 – The Slaughterhouse Novel Chapter 5 – Torture Porn Chapter 6 – Surgical Horror Conclusion: The Gothic and the Body Notes Works Cited Filmography

Wes Craven

Wes Craven PDF Author: John Kenneth Muir
Publisher: McFarland
ISBN: 9780786419234
Category : Performing Arts
Languages : en
Pages : 332

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Book Description
Filmmaker Wes Craven has consistently and imaginatively scared movie audiences since the early 1970s. His films encompass a variety of styles, elements and themes, from the nihilistic existentialism of The Last House on the Left to the successful A Nightmare on Elm Street (which sent horror in a bold new direction), to the hallucinatory dreamscapes of The Serpent and the Rainbow. And in the nineties, Craven returned with the Scream films, which were simultaneously funny, clever and scary films that overturned the horror cliches of the eighties. The present work provides a history of Craven's film career since 1972, examining all the themes and techniques the filmmaker explored. For each film, a synopsis, cast and credits, historical context, and critical commentary are provided. Also covered in detail are Craven's forays into television, including movies such as Stranger in the House and work on such series as The New Twilight Zone.

The Encyclopedia of Hell

The Encyclopedia of Hell PDF Author: Miriam Van Scott
Publisher: Macmillan
ISBN: 146689119X
Category : Body, Mind & Spirit
Languages : en
Pages : 517

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Book Description
The Encyclopedia of Hell is a comprehensive survey of the underworld, drawing information from cultures around the globe and eras throughout history. Organized in a simple-to-use alphabetic format, entries cover representations of the dark realm of the dead in mythology, religion, works of art, opera, literature, theater, music, film, and television. Sources include African legends, Native American stories, Asian folktales, and other more obscure references, in addition to familiar infernal chronicles from Western lore. The result is a catalog of underworld data, with entries running the gamut from descriptions of grisly pits of torture to humorous cartoons lampooning the everlasting abyss. Its extensive cross-referencing also supplies links between various concepts and characters from the netherworld and provides further information on particular theories. Peruse these pages and find out for yourself what history's greatest imaginations have envisioned awaiting the wicked on the other side of the grave.

International Dictionary of Films and Filmmakers

International Dictionary of Films and Filmmakers PDF Author: Hillstrom
Publisher: Saint James Press
ISBN: 9781558623019
Category : Biography & Autobiography
Languages : en
Pages : 1360

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Book Description
Each of the 635 entries in this revised and illustrated edition includes a biography and a complete filmography for each of the film stars.

Celluloid Vampires

Celluloid Vampires PDF Author: Stacey Abbott
Publisher: University of Texas Press
ISBN: 0292716966
Category : Performing Arts
Languages : en
Pages : 279

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Book Description
In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.

Deformed and Destructive Beings

Deformed and Destructive Beings PDF Author: George Ochoa
Publisher: McFarland
ISBN: 0786486546
Category : Performing Arts
Languages : en
Pages : 236

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Book Description
Why are audiences drawn to horror films? Previous answers to that question have included everything from a need to experience fear to a hunger for psychotherapy. This critical text proposes that the horror film's primary purpose is to present monsters, best understood as deformed and destructive beings. These monsters satisfy the audience's desire to know these beings, in particular those beings too fantastic and dangerous to know in real life. The text illuminates many aspects of the horror film genre, including epistemology, ethics, evaluation, history, monster taxonomy, and filmmaking techniques.