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Author: Lucas Carpenter
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Lucas Carpenter argues that the tendency to view Fletcher as an Imagist turned Fugitive-Agrarian obscures the complexity of the poet's work and that Fletcher is instead the prototype of the Southern modernist writer.
Author: Lucas Carpenter
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Lucas Carpenter argues that the tendency to view Fletcher as an Imagist turned Fugitive-Agrarian obscures the complexity of the poet's work and that Fletcher is instead the prototype of the Southern modernist writer.
Author:
Publisher: University of Arkansas Press
ISBN: 9781610751506
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
This biography of John Gould Fletcher examines his Modernist work as poet and critic and his life as child, writer, husband, and lover. Fletcher moved in high literary circles, often causing confusion among his critics and followers with his writing--was he Imagist, Agrarian, or Modernist? Or was he simply John Gould Fletcher, the man, caught up in tumultuous times and events, seeking no particular label to pin on his writing, but rather reflecting the changing world as he saw and lived it?
Author: David A. Davis
Publisher: Univ. Press of Mississippi
ISBN: 1496815424
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.
Author:
Publisher: University of Arkansas Press
ISBN: 9781610753715
Category : Biography & Autobiography
Languages : en
Pages : 342
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Book Description
John Gould Fletcher, the Pulitzer Prize-winning poet and essayist, was a prolific correspondent who, during the course of his life, wrote hundreds of letters to such literary luminaries as Harriet Monroe, T. S. Eliot, Amy Lowell, Conrad Aiken, H. D., John Crowe Ransom, Allen Tate, and Donald Davidson. Because he was prominent in both the Imagist and Fugitive-Agrarian groups, Fletcher's letters offer a unique insight into the many crosscurrents and personalities that characterize the Modernist movement. Included here are also letters that shed light on the composition of Fletcher's own works, on his influential theories of poetry and poetics, and on the many conflicts and conjunctions that arose between Fletcher and his contemporaries in the course of a writing career that spanned nearly four decades. Leighton Rudolph's introduction to this astutely selected correspondence presents a valuable overview of Fletcher's life. With this volume, the entire John Gould Fletcher Series from the University of Arkansas Press is completed.
Author: John Gould Fletcher
Publisher: University of Arkansas Press
ISBN: 9781610753739
Category : Poetry, Modern
Languages : en
Pages : 378
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Book Description
Author: Mark Whalan
Publisher: Cambridge University Press
ISBN: 1108808026
Category : Literary Criticism
Languages : en
Pages : 948
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Book Description
The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.
Author: John Caldwell Guilds
Publisher: University of Arkansas Press
ISBN: 9781557285232
Category : Fiction
Languages : en
Pages : 642
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Book Description
From the expeditions of de Soto in the sixteenth century to the celebrated work of such contemporary writers as Maya Angelou, Ellen Gilchrist, and Miller Williams, Arkansas has enjoyed a rich history of letters. These two volumes gather the best work from Arkansas's rich literary history celebrating the variety of its voices and the national treasure those voices have become.
Author: T. S. Eliot
Publisher: Yale University Press
ISBN: 0300218052
Category : Literary Collections
Languages : en
Pages : 933
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Book Description
This fifth volume of the collected letters of poet, playwright, essayist, and literary critic Thomas Stearns Eliot covers the years 1930 through 1931. It was during this period that the acclaimed American-born writer earnestly embraced his newly avowed Anglo-Catholic faith, a decision that earned him the antagonism of friends like Virginia Woolf and Herbert Read. Also evidenced in these correspondences is Eliot’s growing estrangement from his wife Vivien, with the writer’s newfound dedication to the Anglican Church exacerbating the unhappiness of an already tormented union. Yet despite his personal trials, this period was one of great literary activity for Eliot. In 1930 he composed the poems Ash-Wednesday and Marina, and published Coriolan and a translation of Saint-John Perse’s Anabase the following year. As director at the British publishing house Faber & Faber and editor of The Criterion, he encouraged W. H. Auden, Stephen Spender, Louis MacNeice, and Ralph Hogdson, published James Joyce’s Haveth Childers Everywhere, and turned down a book proposal from Eric Blair, better known by his pen name, George Orwell. Through Eliot’s correspondences from this time the reader gets a full-bodied view of a great artist at a personal, professional, and spiritual crossroads.
Author: Zhaoming Qian
Publisher: Duke University Press
ISBN: 9780822316695
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Chinese culture held a well-known fascination for modernist poets like Ezra Pound and William Carlos Williams. What is less known but is made fully clear by Zhaoming Qian is the degree to which oriental culture made these poets the modernists they became. This ambitious and illuminating study shows that Orientalism, no less than French symbolism and Italian culture, is a constitutive element of Modernism. Consulting rare and unpublished materials, Qian traces Pound's and Williams's remarkable dialogues with the great Chinese poets--Qu Yuan, Li Bo, Wang Wei, and Bo Juyi--between 1913 and 1923. His investigation reveals that these exchanges contributed more than topical and thematic ideas to the Americans' work and suggests that their progressively modernist style is directly linked to a steadily growing contact and affinity for similar Chinese styles. He demonstrates, for example, how such influences as the ethics of pictorial representation, the style of ellipsis, allusion, and juxtaposition, and the Taoist/Zen-Buddhist notion of nonbeing/being made their way into Pound's pre-Fenollosan Chinese adaptations, Cathay, Lustra, and the Early Cantos, as well as Williams's Sour Grapes and Spring and All. Developing a new interpretation of important work by Pound and Williams, Orientalism and Modernism fills a significant gap in accounts of American Modernism, which can be seen here for the first time in its truly multicultural character.
Author: Andrew Thacker
Publisher: Northcote House Pub Limited
ISBN: 0746310021
Category : Literary Criticism
Languages : en
Pages : 149
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Book Description
A clear and incisive account of the Imagists, the first significant group of modernist poets writing in English.
