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Author: John Baldessari
Publisher: Walther Konig Verlag
ISBN: 9783960988304
Category :
Languages : en
Pages : 108
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Book Description
On Baldessari's final painting series, a perfect encapsulation of his lifelong exploration of the chasms between words and things The 30 paintings on canvas by John Baldessari (1931-2020) compiled here explore the gaps in meaning between word and image, foreground and background, photography and painting, presence and absence. Quintessentially Baldessarian in their witty, sometimes absurd pairings of objects and text, they feature imagery from film stills and found photographs, partially covered by gestural fields of white-and-black paint that direct our attention to particular elements in each scene, while obscuring others. Certain themes reveal themselves across the series, including body parts, gestures and tools. Baldessari's final series beautifully encapsulates the thrust of his artistic project as a whole: to explore the amorphous spaces between things, people and ideas. The book features essays by Russell Ferguson, curator, author and professor at University of California, Los Angeles; Hans Ulrich Obrist, curator, critic and artistic director at Serpentine Galleries, London; and artists Barbara Bloom and David Salle; along with a portrait by artist Catherine Opie.
Author: John Baldessari
Publisher: Walther Konig Verlag
ISBN: 9783960988304
Category :
Languages : en
Pages : 108
Get Book
Book Description
On Baldessari's final painting series, a perfect encapsulation of his lifelong exploration of the chasms between words and things The 30 paintings on canvas by John Baldessari (1931-2020) compiled here explore the gaps in meaning between word and image, foreground and background, photography and painting, presence and absence. Quintessentially Baldessarian in their witty, sometimes absurd pairings of objects and text, they feature imagery from film stills and found photographs, partially covered by gestural fields of white-and-black paint that direct our attention to particular elements in each scene, while obscuring others. Certain themes reveal themselves across the series, including body parts, gestures and tools. Baldessari's final series beautifully encapsulates the thrust of his artistic project as a whole: to explore the amorphous spaces between things, people and ideas. The book features essays by Russell Ferguson, curator, author and professor at University of California, Los Angeles; Hans Ulrich Obrist, curator, critic and artistic director at Serpentine Galleries, London; and artists Barbara Bloom and David Salle; along with a portrait by artist Catherine Opie.
Author: Matilda Olof-Ors
Publisher: Walther Konig Verlag
ISBN: 9783960987956
Category : Conceptual art
Languages : en
Pages : 0
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Book Description
By combining and colliding the unexpected, the US artist John Baldessari (1931-2020), created conceptual works that raise questions regarding what art is, how art is made, and what art can look like. After concluding in the 1960s that a photographic image or a text were more adequate expressions of his artistic intentions than painting, John Baldessari's practice took a new direction. Since then, Baldessari has combined subjects from the imagery of popular culture with linguistic examinations, creating works that challenge artistic norms and boundaries. Besides the two essays the book also includes a wide selection of Baldessari's own writings from 1968-2011.
Author: John Baldessari
Publisher: Museum of Contemporary Art, San Diego
ISBN:
Category : Art
Languages : en
Pages : 122
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Book Description
The Profits of Charity examines the contemporary law governing the involvement of charity in commerce and explores the reasons why this involvement is dramatically changing. From a perspective familiar to charity lawyers, NGO managers, and scholars, Kerry O'Halloran identifies the concepts and the law underpinning charities and their profits by tracing legal developments in the field and identifying the resulting opportunities and challenges for the future. At a time when many leading nations are confronting economic recession, the threat of terrorism, and the retreat of the 'welfare state,' this book explores why governments are turning to charities in their quest to cultivate social capital, consolidate civil society, and promote civic engagement. In The Profits of Charity, Professor O'Halloran undertakes a comparative analysis of the balance struck among government, charity, and commerce in five leading common law nations, including the United States, Canada, England andWales, New Zealand, and Australia. He uses analysis of legislation, outcomes of charity law reviews, and recent case law to illustrate jurisdictional differences, and concludes with an assessment of the extent and significance of the recalibrated relationship and considers the overarching issues that arise between charity law and social policy.
Author: John Baldessari
Publisher:
ISBN: 9780300225051
Category : ART
Languages : en
Pages : 0
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Book Description
"This heavily illustrated and comprehensive volume brings to light about 500 works produced between 1956 and 1974 by John Baldessari that mark a major shift in his artistic practice"--
Author: Mary Jane Jacob
Publisher: University of Chicago Press
ISBN: 0226389626
Category : Art
Languages : en
Pages : 391
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Book Description
The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,” artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually—at the center of an art world that careens across institutions, markets, and disciplines. A companion for anyone engaged with the spectacular sites of art at its making, The Studio Reader reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
Author: John Baldessari
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 114
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Book Description
Essays by Tracey Bashkoff, John Hanhardt, Frederic Tuten and Russell Ferguson.
Author: John Baldessari
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Judith Seligson
Publisher: Cambridge Scholars Publishing
ISBN: 1527567230
Category : Social Science
Languages : en
Pages : 814
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Book Description
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 112
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Book Description
Author: Walter Robinson
Publisher:
ISBN: 9780991558575
Category : Art, Modern
Languages : en
Pages : 620
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Book Description
This facsimile edition collects all 19 issues of 'Art-Rite' magazine, edited by art critics Walter Robinson and Edit DeAk from 1973 to 1978. Robinson, DeAk and a third editor, Joshua Cohn, met as art history students at Columbia University, and were inspired to found the magazine by their art criticism teacher, Brian O'Doherty. 'Art-Rite', cheaply produced on newsprint, served as an important alternative to the established art magazines of the period. 'Art-Rite' ran for only five years, and published only 19 issues. But in that time the magazine featured contributions from hundreds of artists, a list that now reads like a who's-who of 1970s art: Yvonne Rainer, Gordon Matta-Clark, Alan Vega (Suicide), William Wegman, Nancy Holt, Jack Smith, Dorothea Rockburne, Robert Morris, Adrian Piper, Laurie Anderson, Carolee Schneemann and Carl Andre; critics such as Lucy Lippard contributed writing. Through its single-artist issues and its thematic issues on performance, video and artists' books, 'Art-Rite' championed the new art of its era.
