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Author: Ben Hickman
Publisher: Edinburgh University Press
ISBN: 0748644768
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
A study of how we should read one of America's most important poets. Ben Hickman argues that we must attend to Ashbery's radical conception of reading if we are to understand the originality of his writing. His study focuses on Ashbery's reading of English poets, including Andrew Marvell, John Donne, William Wordsworth, John Clare, T. S. Eliot and W. H. Auden, and examines Ashbery's writing in terms of an 'aesthetic of inattention'. Hickman critiques the Americanisation of Ashbery's work as well as common assumptions about his Romanticism, his avant-garde Modernism and his engagement with the historical present. He demonstrates that Ashbery's generosity as a writer is closely tied to his generosity, inattention and situatedness as a reader.
Author: Ben Hickman
Publisher: Edinburgh University Press
ISBN: 0748644768
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
A study of how we should read one of America's most important poets. Ben Hickman argues that we must attend to Ashbery's radical conception of reading if we are to understand the originality of his writing. His study focuses on Ashbery's reading of English poets, including Andrew Marvell, John Donne, William Wordsworth, John Clare, T. S. Eliot and W. H. Auden, and examines Ashbery's writing in terms of an 'aesthetic of inattention'. Hickman critiques the Americanisation of Ashbery's work as well as common assumptions about his Romanticism, his avant-garde Modernism and his engagement with the historical present. He demonstrates that Ashbery's generosity as a writer is closely tied to his generosity, inattention and situatedness as a reader.
Author: David Herd
Publisher: Manchester University Press
ISBN: 9780719055973
Category : American poetry
Languages : en
Pages : 262
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Book Description
A discussion of the poetry of John Ashbery. Showing that a sense of occasion - the sense that the poem should be fit for its occasion - was a binding principle for the poets of the New York School, David Herd traces the development of Ashbery's poetry in the light of this idea. The book is a study of Ashbery's career and also a history of the period in which that career has taken shape. The development of Ashbery's poetic is set against such culturally defining issues as: the institutionalisation of literature; the rise and fall of the avant-garde; mass culture; Vietnam; the absence of a divine presence; the erosion of tradition; the growth of celebrity; and the emergence of AIDS. Ashbery's responses to such issues are set against the work of Lowell, Berryman, O'Hara, Koch, Burroughs, Ginsberg, Oppen and Larkin.
Author: John Ashbery
Publisher: Open Road Media
ISBN: 1480459089
Category : Poetry
Languages : en
Pages : 147
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Book Description
One of Ashbery’s most acclaimed and beloved collections since Self-Portrait in a Convex Mirror, filled with his signature wit and generous intelligence The poems in John Ashbery’s award-winning 1984 collection A Wave address the impermanence of language, the nature of mortality, and the fluidity of consciousness—matters of life and death that in other hands might run the risk of sentimentality. For John Ashbery, however, these considerations provide an opportunity to display his prodigious poetic gifts: the unerring ear for our evolving modern language and its ever-expanding universe of meanings, the fierce eye trained on glimmers underwater, and the wry humor that runs through observations both surprising and familiar. As the poem “The Path to the White Moon” has it, “We know what is coming, that we are moving / Dangerously and gracefully / Toward the resolution of time / Blurred but alive with many separate meanings / Inside this conversation.” The long title poem of A Wave, which closes the book, is considered one of Ashbery’s most distinguished works, praised by critic Helen Vendler for its “genius for a free and accurate American rendition of very elusive inner feelings, and especially for transitive states between feelings.” Winner of both the Lenore Marshall Poetry Prize and the Bollingen Prize, this book is one to be read, reread, and remembered.
Author: John Ashbery
Publisher: Penguin
ISBN: 0140585532
Category : Poetry
Languages : en
Pages : 369
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Book Description
Selections from the first three decades of the poetry of John Ashbery, author of Self-Portrait in a Convex Mirror, winner of the Pulitzer Prize and the National Book Award The late John Ashbery was a poet whose “teasing, delicate, soulful lines made him one of the most influential figures of late-20th and early 21st century American literature.” (The New York Times) This important volume gathers work from his first ten collections of poetry, from Some Trees, which was chosen by W.H. Auden for the Yale Younger Poets Series (1956), to A Wave (1984). The 138 poems in this volume include short lyrics, haikus, prose poems, and many of Ashbery’s major long poems, including “Self-Portrait in a Convex Mirror,” offering a beautiful distillation of the first thirty years of his remarkable, groundbreaking work.
Author: Oli Hazzard
Publisher: Oxford University Press
ISBN: 0198822014
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
This book shows how Ashbery's poetry has been centrally concerned with questions of national identity and intercultural poetic exchange. Through detailed close readings of his poetry, original interviews, and extensive archival research, a new account of Ashbery's aesthetic, and a significant re-mapping of post-war English poetry, is presented.
Author: John Ashbery
Publisher: Penguin
ISBN: 0140586687
Category : Poetry
Languages : en
Pages : 98
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Book Description
John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).
Author: Langdon Hammer
Publisher: Knopf
ISBN: 0375413332
Category : Biography & Autobiography
Languages : en
Pages : 978
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Book Description
"A biography of the acclaimed poet James Merrill"--
Author: Benjamin Studevent-Hickman
Publisher:
ISBN: 9780748649211
Category :
Languages : en
Pages :
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Book Description
Author: John Ashbery
Publisher: Open Road Media
ISBN: 1480459151
Category : Poetry
Languages : en
Pages : 121
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Book Description
Is poetry the act of putting something together, or the art of taking something apart? Houseboat Days, one of John Ashbery’s most celebrated collections, offers its own answer Remarkable for its introspection and for the response it elicited when it was first published in 1977, Houseboat Days is Ashbery’s much-discussed follow-up to his 1975 masterpiece Self-Portrait in a Convex Mirror, and remains one of his most studied books to date. Houseboat Days begins with the moving, unforgettable poem “Street Musicians,” an allegory of artistic and personal loss that came ten years after the death of Ashbery’s friend and fellow New York poet Frank O’Hara. But while many of the poems in Houseboat Days are strikingly personal, especially when compared to Ashbery’s work from the 1950s and 1960s, the collection is less about the poet than about the act of writing poetry. In such widely anthologized poems as “Wet Casements,” “Syringa,” “And Ut Pictura Poesis Is Her Name,” and “What Is Poetry,” Ashbery embraces the challenge of his own ars poetica, exploring and exploding the trusses, foundations, and underground caverns that underlie the creative act, and specifically, the act of creating a poem. Marjorie Perloff of the Washington Post Book World called Houseboat Days “the most exciting, most original book of poems to have appeared in the 1970s.”
Author: Joan Murray
Publisher: New York Review of Books
ISBN: 1681371839
Category : Poetry
Languages : en
Pages : 297
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Book Description
The first appearance of this award-winning writer's work since the 1940s, this collection, which includes an introduction by John Ashbery, restores Joan Murray's striking poetry to its originally intended form. Though John Ashbery hailed Joan Murray as a key influence on his work, Murray’s sole collection, Poems, published after her death at the early age of twenty-four and selected by W. H. Auden for inclusion in the Yale Series of Younger Poets, has been almost entirely unavailable for the better part of half a century. Poems was put together by Grant Code, a close friend of Murray’s mother, and when Murray’s papers, long thought to be lost, reappeared in 2013, it became clear that Code had exercised a heavy editorial hand. This new collection, edited by Farnoosh Fathi from Murray’s original manuscripts, restores Murray’s raw lyricism and visionary lines, while also including a good deal of previously unpublished work, as well as a selection of her exuberant letters.
