Johann Sebastian Bach's "Goldberg Variations" Reimagined PDF Download
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Author: Erinn E. Knyt
Publisher: Oxford University Press
ISBN: 0197690629
Category : Music
Languages : en
Pages : 361
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Book Description
This book offers the first detailed reception history of adaptations of Johann Sebastian Bach's Goldberg Variations from 1800-2020. By focusing on ways the piece has been arranged, transcribed, and reworked, or quoted in in film, dance, literature, visual art, and digital media, it reveals changing views about the role of the composer and score that have impacted recent performance practices and notions of the work concept. Beyond this, it features the work of composers, many from underrepresented backgrounds, who have recently deconstructed Bach by reimagining the subjects, compositional procedures, and forms, using contemporary compositional approaches.
Author: Erinn E. Knyt
Publisher: Oxford University Press
ISBN: 0197690629
Category : Music
Languages : en
Pages : 361
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Book Description
This book offers the first detailed reception history of adaptations of Johann Sebastian Bach's Goldberg Variations from 1800-2020. By focusing on ways the piece has been arranged, transcribed, and reworked, or quoted in in film, dance, literature, visual art, and digital media, it reveals changing views about the role of the composer and score that have impacted recent performance practices and notions of the work concept. Beyond this, it features the work of composers, many from underrepresented backgrounds, who have recently deconstructed Bach by reimagining the subjects, compositional procedures, and forms, using contemporary compositional approaches.
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521001939
Category : Music
Languages : en
Pages : 132
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Book Description
A detailed guide to one of Bach's most popular keyboard works.
Author: Johann Sebastian Bach
Publisher: Read Books Ltd
ISBN: 1473380790
Category : Music
Languages : en
Pages : 50
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Johann Sebastian Bach
Publisher:
ISBN: 9781479159758
Category :
Languages : en
Pages : 60
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Book Description
This open source edition of Bach's Goldberg Variations was created as part of the Open Goldberg Variations project. The funding for the project came from donations made by music lovers via the crowd-funding website Kickstarter.com. The dedications at the bottom of most variations reflect the sentiments of the backers of the Kickstarter project. A special thanks to the many people who supported the creation of this score. This edition is released without any copyright to encourage its use and enjoyment by as wide an audience as possible. You may make copies of this text. The edition was made by Werner Schweer utilizing the free and open source MuseScore music notation program, and has been refined through an open process of public peer review. A digital version of the score, and the corresponding recording made by Kimiko Ishizaka, can be obtained online.
Author: Johann Sebastian Bach
Publisher: Independently Published
ISBN: 9781729042830
Category :
Languages : en
Pages : 56
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Book Description
The Goldberg Variations, BWV 988, are a work written for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, the work is one of the most important examples of variation form. They are named after Johann Gottlieb Goldberg, who may have been the first performer.Rather unusually for Bach's works, the Goldberg Variations were published in his own lifetime, in 1741. The publisher was Bach's friend Balthasar Schmid of Nuremberg. Schmid printed the work by making engraved copper plates (rather than using movable type); thus the notes of the first edition are in Schmid's own handwriting. The edition contains various printing errors. Nineteen copies of the first edition survive today. Of these, the most valuable is the "Handexemplar," discovered in 1974 in Strasbourg by the French musicologist Olivier Alain and now kept in the Biblioth
Author: Johann Sebastian Bach
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 58
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Book Description
Goldberg Variations BWV 988 Piano Publisher: Roisber Narvaez Urtext Edition Medium: Softcover Piano Composer: Johann Sebastian Bach
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 1470628686
Category : Music
Languages : en
Pages : 68
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Book Description
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Goldberg Variations, BWV 988 is based on Bischoff's analysis of the first edition, a copy of the "Aria" contained in the Clavierbüchlein of Anna Magdalena Bach, and several manuscripts from the Royal Library in Berlin. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Author: Peter F. Williams
Publisher:
ISBN: 9789780807351
Category : Bach
Languages : en
Pages : 112
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Book Description
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 76
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Book Description
According to Bach's first biography, the "Goldbergs" were written for one of the composer's most talented pupils, who used them to entertain and soothe his insomniac master during bouts of sleeplessness. Subsequent historians have had their doubts about the story's authenticity, but the composer certainly intended his work as a diversion for listeners. Upon its 1742 publication, Bach entitled it "Keyboard Practice, consisting of an Aria with Diverse Variations, for the Harpsichord with 2 Manuals. Composed for Music Lovers, to Refresh their Spirits." As Glenn Gould remarked, the title offers a very down-to-earth description of a monumental work. Long regarded as the Baroque era's most important set of variations, the Goldbergs were relatively unknown when he chose them for his recording debut in the 1950s. The sensation created by his still-popular recordings revivified the piece in concert performances, in which spectators delight in its virtuosic hand-crossings. This affordable edition of the widely performed and appreciated work is essential for all serious pianists and music lovers.
Author: Esther M. Morgan-Ellis
Publisher: Taylor & Francis
ISBN: 1040016812
Category : Education
Languages : en
Pages : 236
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Book Description
At a time of transformation in the music history classroom and amid increasing calls to teach a global music history, Navigating Stylistic Boundaries in the Music History Classroom adds nuance to the teaching of varied musical traditions by examining the places where they intersect and the issues of musical exchange and appropriation that these intersections raise. Troubling traditional boundaries of genre and style, this collection of essays helps instructors to denaturalize the framework of Western art music and invite students to engage with other traditions—vernacular, popular, and non-Western—on their own terms. The book draws together contributions by a wide range of active scholars and educators to investigate the teaching of music history around cases of stylistic borders, exploring the places where different practices of music and values intersect. Each chapter in this collection considers a specific case in which an artist or community engages in what might be termed musical crossover, exchange, or appropriation and delves deeper into these concepts to explore questions of how musical meaning changes in moving across worlds of practice. Addressing works that are already widely taught but presenting new ways to understand and interpret them, this volume enables instructors to enrich the perspectives on music history that they present and to take on the challenge of teaching a more global music history without flattening the differences between traditions.
