Author: Joe Bob Briggs
Publisher: Universe Publishing(NY)
ISBN: 9780789308443
Category : Art
Languages : en
Pages : 260
Book Description
What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.
Profoundly Disturbing
Author: Joe Bob Briggs
Publisher: Universe Publishing(NY)
ISBN: 9780789308443
Category : Art
Languages : en
Pages : 260
Book Description
What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.
Publisher: Universe Publishing(NY)
ISBN: 9780789308443
Category : Art
Languages : en
Pages : 260
Book Description
What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.
Profoundly Erotic
Author: Joe Bob Briggs
Publisher: Universe Publishing(NY)
ISBN:
Category : Erotic films
Languages : en
Pages : 308
Book Description
Movie stars do it better, or so it seems. Sex on the silver screen unfolds in such a perfect way and we get sucked in. Whether we want to admit it or not, much of our sexual behavior has been learned from the movies. From Joe Bob Briggs comes Profoundly Erotic, a collection of essays on sex in film. This guide explores the most seminal films―from cult classics to Hollywood blockbusters―that both shaped and reflected America’s changing mores and codes about sex. Briggs, who has been called the Leonard Maltin of cult movies, makes good on his reputation as an off-kilter and daring movie guru in this revealing look at filmed fornication. Profoundly Erotic follows Joe Bob’s popular Profoundly Disturbing. Now Joe Bob takes on the key films that turn us on, such as It Happened One Night (1938), Lolita (1962), Belle de Jour (1967), and sex, lies, and videotape (1989). Illustrated with lurid stills and posters, the book strips down the hottest screen moments in history with the bodies we adore, from Rudolf Valentino and Mae West to Brigitte Bardot and Sharon Stone. In addition to the ten main movies, the book features a hundred more capsule reviews in “For Further Frisson” sidebars. Praise for Profoundly Disturbing: “A valuable and entertaining survey of movies that broke taboos.” ―Leonard Maltin “The book merits attention from fans tired of high-minded essays about classics such as Citizen Kane, and explains why crass, tasteless pictures often make more impact than those released with the stamp of respectability.” ―Publishers Weekly
Publisher: Universe Publishing(NY)
ISBN:
Category : Erotic films
Languages : en
Pages : 308
Book Description
Movie stars do it better, or so it seems. Sex on the silver screen unfolds in such a perfect way and we get sucked in. Whether we want to admit it or not, much of our sexual behavior has been learned from the movies. From Joe Bob Briggs comes Profoundly Erotic, a collection of essays on sex in film. This guide explores the most seminal films―from cult classics to Hollywood blockbusters―that both shaped and reflected America’s changing mores and codes about sex. Briggs, who has been called the Leonard Maltin of cult movies, makes good on his reputation as an off-kilter and daring movie guru in this revealing look at filmed fornication. Profoundly Erotic follows Joe Bob’s popular Profoundly Disturbing. Now Joe Bob takes on the key films that turn us on, such as It Happened One Night (1938), Lolita (1962), Belle de Jour (1967), and sex, lies, and videotape (1989). Illustrated with lurid stills and posters, the book strips down the hottest screen moments in history with the bodies we adore, from Rudolf Valentino and Mae West to Brigitte Bardot and Sharon Stone. In addition to the ten main movies, the book features a hundred more capsule reviews in “For Further Frisson” sidebars. Praise for Profoundly Disturbing: “A valuable and entertaining survey of movies that broke taboos.” ―Leonard Maltin “The book merits attention from fans tired of high-minded essays about classics such as Citizen Kane, and explains why crass, tasteless pictures often make more impact than those released with the stamp of respectability.” ―Publishers Weekly
Eccentric Orbits
Author: John Bloom
Publisher: Open Road + Grove/Atlantic
ISBN: 0802192823
Category : Technology & Engineering
Languages : en
Pages : 604
Book Description
“Good corporate drama . . . an enlightening narrative of how new communications infrastructures often come about.” —The Economist, “A Book of the Year 2016” In the early 1990s, Motorola developed a revolutionary satellite system called Iridium that promised to be its crowning achievement. Its constellation of 66 satellites in polar orbit was a mind-boggling technical accomplishment, surely the future of communication. The only problem was that Iridium the company was a commercial disaster. Only months after launching service, it was $11 billion in debt, burning through $100 million a month and crippled by baroque rate plans and agreements that forced calls through Moscow, Beijing, Fucino, Italy, and elsewhere. Bankruptcy was inevitable—the largest to that point in American history. And when no real buyers seemed to materialize, it looked like Iridium would go down as just a “science experiment.” That is, until Dan Colussy got a wild idea. Colussy, a former head of Pan-Am now retired and working on his golf game in Palm Beach, heard about Motorola’s plans to “de-orbit” the system and decided he would buy Iridium and somehow turn around one of the biggest blunders in the history of business. Impeccably researched and wonderfully told, Eccentric Orbits is a rollicking, unforgettable tale of technological achievement, business failure, the military-industrial complex, and one of the greatest deals of all time. “Deep reporting put forward with epic intentions . . . a story that soars and jumps and dives and digresses . . . [A] big, gutsy, exciting book.” —The Wall Street Journal, “A Top 10 Nonfiction Book of 2016” “Spellbinding . . . A tireless researcher, Bloom delivers a superlative history . . . A tour de force.” —Kirkus Reviews (starred review)
Publisher: Open Road + Grove/Atlantic
ISBN: 0802192823
Category : Technology & Engineering
Languages : en
Pages : 604
Book Description
“Good corporate drama . . . an enlightening narrative of how new communications infrastructures often come about.” —The Economist, “A Book of the Year 2016” In the early 1990s, Motorola developed a revolutionary satellite system called Iridium that promised to be its crowning achievement. Its constellation of 66 satellites in polar orbit was a mind-boggling technical accomplishment, surely the future of communication. The only problem was that Iridium the company was a commercial disaster. Only months after launching service, it was $11 billion in debt, burning through $100 million a month and crippled by baroque rate plans and agreements that forced calls through Moscow, Beijing, Fucino, Italy, and elsewhere. Bankruptcy was inevitable—the largest to that point in American history. And when no real buyers seemed to materialize, it looked like Iridium would go down as just a “science experiment.” That is, until Dan Colussy got a wild idea. Colussy, a former head of Pan-Am now retired and working on his golf game in Palm Beach, heard about Motorola’s plans to “de-orbit” the system and decided he would buy Iridium and somehow turn around one of the biggest blunders in the history of business. Impeccably researched and wonderfully told, Eccentric Orbits is a rollicking, unforgettable tale of technological achievement, business failure, the military-industrial complex, and one of the greatest deals of all time. “Deep reporting put forward with epic intentions . . . a story that soars and jumps and dives and digresses . . . [A] big, gutsy, exciting book.” —The Wall Street Journal, “A Top 10 Nonfiction Book of 2016” “Spellbinding . . . A tireless researcher, Bloom delivers a superlative history . . . A tour de force.” —Kirkus Reviews (starred review)
Evidence of Love
Author: John Bloom
Publisher: Open Road Media
ISBN: 1504042646
Category : True Crime
Languages : en
Pages : 339
Book Description
The “fascinating” true story behind the HBO Max and Hulu series about Texas housewife Candy Montgomery and the bizarre murder that shocked a community (Los Angeles Times Book Review). Candy Montgomery and Betty Gore had a lot in common: They sang together in the Methodist church choir, their daughters were best friends, and their husbands had good jobs working for technology companies in the north Dallas suburbs known as Silicon Prairie. But beneath the placid surface of their seemingly perfect lives, both women simmered with unspoken frustrations and unanswered desires. On a hot summer day in 1980, the secret passions and jealousies that linked Candy and Betty exploded into murderous rage. What happened next is usually the stuff of fiction. But the bizarre and terrible act of violence that occurred in Betty’s utility room that morning was all too real. Based on exclusive interviews with the Gore and Montgomery families, Edgar Award finalist Evidence of Love is the “superbly written” account of a gruesome tragedy and the trial that made national headlines when the defendant entered the most unexpected of pleas: not guilty by reason of self-defense (Fort Worth Star-Telegram). Adapted into the Emmy and Golden Globe Award–winning television movie A Killing in a Small Town—as well as the new limited series Candy on Hulu and Love and Death on HBO Max—this chilling tale of sin and savagery will “fascinate true crime aficionados” (Kirkus Reviews).
Publisher: Open Road Media
ISBN: 1504042646
Category : True Crime
Languages : en
Pages : 339
Book Description
The “fascinating” true story behind the HBO Max and Hulu series about Texas housewife Candy Montgomery and the bizarre murder that shocked a community (Los Angeles Times Book Review). Candy Montgomery and Betty Gore had a lot in common: They sang together in the Methodist church choir, their daughters were best friends, and their husbands had good jobs working for technology companies in the north Dallas suburbs known as Silicon Prairie. But beneath the placid surface of their seemingly perfect lives, both women simmered with unspoken frustrations and unanswered desires. On a hot summer day in 1980, the secret passions and jealousies that linked Candy and Betty exploded into murderous rage. What happened next is usually the stuff of fiction. But the bizarre and terrible act of violence that occurred in Betty’s utility room that morning was all too real. Based on exclusive interviews with the Gore and Montgomery families, Edgar Award finalist Evidence of Love is the “superbly written” account of a gruesome tragedy and the trial that made national headlines when the defendant entered the most unexpected of pleas: not guilty by reason of self-defense (Fort Worth Star-Telegram). Adapted into the Emmy and Golden Globe Award–winning television movie A Killing in a Small Town—as well as the new limited series Candy on Hulu and Love and Death on HBO Max—this chilling tale of sin and savagery will “fascinate true crime aficionados” (Kirkus Reviews).
The Cosmic Wisdom of Joe Bob Briggs
Author: Joe Bob Briggs
Publisher: Random House (NY)
ISBN: 9780394588902
Category : Humor
Languages : en
Pages : 300
Book Description
Joe Bob Briggs, the sage of Grapevine, Texas, looks at America, and he doesn't like what he sees.
Publisher: Random House (NY)
ISBN: 9780394588902
Category : Humor
Languages : en
Pages : 300
Book Description
Joe Bob Briggs, the sage of Grapevine, Texas, looks at America, and he doesn't like what he sees.
Iron Joe Bob
Author: Joe Bob Briggs
Publisher: Atlantic Monthly Press
ISBN: 9780871135537
Category : Humor
Languages : en
Pages : 272
Book Description
A spoof of the Men's Movement includes the five phases of the path to manhood, descriptions of "I'm Not a Wimp, Goldang It!" weekends, and essays on love, marriage, phone sex, feminism, and aerobics as an Olympic sport
Publisher: Atlantic Monthly Press
ISBN: 9780871135537
Category : Humor
Languages : en
Pages : 272
Book Description
A spoof of the Men's Movement includes the five phases of the path to manhood, descriptions of "I'm Not a Wimp, Goldang It!" weekends, and essays on love, marriage, phone sex, feminism, and aerobics as an Olympic sport
Horror at the Drive-In
Author: Gary D. Rhodes
Publisher: McFarland
ISBN: 1476610517
Category : Performing Arts
Languages : en
Pages : 313
Book Description
Drive-in movie theaters and the horror films shown at them during the 1950s, 60s, and early 70s may be somewhat outdated, but they continue to enthrall movie buffs today. More than just fodder for the satirical cannons of Joe Bob Briggs and Mystery Science Theatre 3000, they appeal to knowledgeable fans and film scholars who understand their influence on American popular culture. This book is a collection of eighteen essays by various scholars on the classic drive-in horror film experience. Those in Section One emphasize the roles of the drive-in theater in the United States--and its cultural cousin, Australia. Section Two examines how horror operated at the drive-in, the rhetoric used in coming attraction trailers, horror film premieres at drive-ins, double features, and the preproduction, production, and marketing of Last House on the Left. Section Three addresses the effects of the Vietnam War and counter-culture on The Texas Chainsaw Massacre, and the Cold War on Cat Women of the Moon. Section Four explores gender issues and sexuality, two of the most common and most important subjects of horror film analysis. Section Five covers drive-in culture via Hush...Hush, Sweet Charlotte, 2000 Maniacs, and the films of Mario Bava. Section Six investigates a variety of issues, such as the drive-in horror film's embrace of DNA, the use of cinematic form to create a non-Hollywood look in Wizard of Gore, and the many different prints and running times of I Drink Your Blood.
Publisher: McFarland
ISBN: 1476610517
Category : Performing Arts
Languages : en
Pages : 313
Book Description
Drive-in movie theaters and the horror films shown at them during the 1950s, 60s, and early 70s may be somewhat outdated, but they continue to enthrall movie buffs today. More than just fodder for the satirical cannons of Joe Bob Briggs and Mystery Science Theatre 3000, they appeal to knowledgeable fans and film scholars who understand their influence on American popular culture. This book is a collection of eighteen essays by various scholars on the classic drive-in horror film experience. Those in Section One emphasize the roles of the drive-in theater in the United States--and its cultural cousin, Australia. Section Two examines how horror operated at the drive-in, the rhetoric used in coming attraction trailers, horror film premieres at drive-ins, double features, and the preproduction, production, and marketing of Last House on the Left. Section Three addresses the effects of the Vietnam War and counter-culture on The Texas Chainsaw Massacre, and the Cold War on Cat Women of the Moon. Section Four explores gender issues and sexuality, two of the most common and most important subjects of horror film analysis. Section Five covers drive-in culture via Hush...Hush, Sweet Charlotte, 2000 Maniacs, and the films of Mario Bava. Section Six investigates a variety of issues, such as the drive-in horror film's embrace of DNA, the use of cinematic form to create a non-Hollywood look in Wizard of Gore, and the many different prints and running times of I Drink Your Blood.
Dwarfsploitation
Author: Brad Paulson
Publisher:
ISBN: 9781593932763
Category : Biography & Autobiography
Languages : en
Pages : 320
Book Description
Dwarfsploitation is an entertaining and educational look into the world of dwarf cinema. From Freaks to Willow, Dwarfsploitaton analyzes a wide variety of both independent and mainstream films, chronicling the number of ways in which little people are exploited. It is a must have for any fan of little people or film itself. "Dwarfish reviews about dwarf films seems an odd basis for a book, but it's surprisingly entertaining and enlightening and respectful about the little folk. A snappy, unique guide to all films Dwarf." - Joe R. Lansdale, author of Bubba Ho-Tep "This book is truly a one-of-a-kind. An inspired idea, and an equally-inspired book. Chris Watson and Brad Paulson have created something special with "Dwarfsploitation." In an age when there seems to be books about every aspect of cinema, these authors have discovered a niche that had yet to be explored. Kudos." - Andrew J. Rausch, author of Turning Points in Film History "The first time I went to the Library of Congress to do research on midgets in film, I was directed to a single tattered volume produced by the MGM publicist on "The Wizard of Oz." I was astounded. The literature was virtually non-existent. Later I had a special assignment involving dwarf-tossing, and I sought out any dwarf-tossing trade association that could possibly be of any assistance. Again, my exertions were frustrated. That's why, when I first heard that "Dwarfsploitation" was in the works, I was cautiously hopeful but still ready for a Billy Barty headbutt to the nuts. I'm happy to say that the resulting book is a resource that we've needed for 60 years, and should take up permanent residence on the Ikea children's-room book shelves of anyone shorter than 4-foot-4." - Joe Bob Briggs, author of Joe Bob Goes to the Drive-In "Brad and Chris's book stands head and shoulders above the run of the mill cinema book types. It makes little people everywhere stand a little." - James Bryan, director of Don't Go in the Woods "Paulson and Watson's book is a unique perspective to say the least. We seem to have books on everything these days, so, why not something that is entertaining, informative and celebrates our little friends in cinema." - Robert Davi, actor from License to Kill "It was a short read and I loved it. Don't overlook it!" - Joe Estevez, actor from Soultaker ""Wow, I'm impressed! This has to be the most comprehensive guide to cinematic dwarves that you'll ever read. Meticulously researched, with hysterically funny yet genuinely fond comments by the authors, running the gamut from dwarfsploitation to 'normal' life. A must-have for any film-fan's library." - scream queen Brinke Stevens "A salute to Little People everywhere that belongs on every film aficionado's desk . Horror film makers: A demented dwarf is icing on the cake. I am working one into my next film. I'm the man that discovered both Luis Dejesus and Herve and can say without fear of contradiction what they lacked in height they made up in talent and length." - Joel M. Reed, director of Bloodsucking Freaks
Publisher:
ISBN: 9781593932763
Category : Biography & Autobiography
Languages : en
Pages : 320
Book Description
Dwarfsploitation is an entertaining and educational look into the world of dwarf cinema. From Freaks to Willow, Dwarfsploitaton analyzes a wide variety of both independent and mainstream films, chronicling the number of ways in which little people are exploited. It is a must have for any fan of little people or film itself. "Dwarfish reviews about dwarf films seems an odd basis for a book, but it's surprisingly entertaining and enlightening and respectful about the little folk. A snappy, unique guide to all films Dwarf." - Joe R. Lansdale, author of Bubba Ho-Tep "This book is truly a one-of-a-kind. An inspired idea, and an equally-inspired book. Chris Watson and Brad Paulson have created something special with "Dwarfsploitation." In an age when there seems to be books about every aspect of cinema, these authors have discovered a niche that had yet to be explored. Kudos." - Andrew J. Rausch, author of Turning Points in Film History "The first time I went to the Library of Congress to do research on midgets in film, I was directed to a single tattered volume produced by the MGM publicist on "The Wizard of Oz." I was astounded. The literature was virtually non-existent. Later I had a special assignment involving dwarf-tossing, and I sought out any dwarf-tossing trade association that could possibly be of any assistance. Again, my exertions were frustrated. That's why, when I first heard that "Dwarfsploitation" was in the works, I was cautiously hopeful but still ready for a Billy Barty headbutt to the nuts. I'm happy to say that the resulting book is a resource that we've needed for 60 years, and should take up permanent residence on the Ikea children's-room book shelves of anyone shorter than 4-foot-4." - Joe Bob Briggs, author of Joe Bob Goes to the Drive-In "Brad and Chris's book stands head and shoulders above the run of the mill cinema book types. It makes little people everywhere stand a little." - James Bryan, director of Don't Go in the Woods "Paulson and Watson's book is a unique perspective to say the least. We seem to have books on everything these days, so, why not something that is entertaining, informative and celebrates our little friends in cinema." - Robert Davi, actor from License to Kill "It was a short read and I loved it. Don't overlook it!" - Joe Estevez, actor from Soultaker ""Wow, I'm impressed! This has to be the most comprehensive guide to cinematic dwarves that you'll ever read. Meticulously researched, with hysterically funny yet genuinely fond comments by the authors, running the gamut from dwarfsploitation to 'normal' life. A must-have for any film-fan's library." - scream queen Brinke Stevens "A salute to Little People everywhere that belongs on every film aficionado's desk . Horror film makers: A demented dwarf is icing on the cake. I am working one into my next film. I'm the man that discovered both Luis Dejesus and Herve and can say without fear of contradiction what they lacked in height they made up in talent and length." - Joel M. Reed, director of Bloodsucking Freaks
Joe Bob Briggs Goes to the Drive-in
Author: Joe B. Briggs
Publisher:
ISBN: 9780440543688
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780440543688
Category :
Languages : en
Pages :
Book Description
The Drive-In
Author: Guy Barefoot
Publisher: Bloomsbury Publishing USA
ISBN: 1501365908
Category : Performing Arts
Languages : en
Pages : 273
Book Description
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
Publisher: Bloomsbury Publishing USA
ISBN: 1501365908
Category : Performing Arts
Languages : en
Pages : 273
Book Description
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.