Author: John Pendergast
Publisher: Springer Nature
ISBN: 3030278891
Category : Performing Arts
Languages : en
Pages : 294
Book Description
This book examines the figure of Joan of Arc as depicted in stage works of the nineteenth and twentieth centuries, especially those based on or related to Schiller’s 1801 romantic tragedy, Die Jungfrau von Orleans (The Maid of Orleans). The author elucidates Schiller’s appropriation of themes from Euripides’s Iphigenia plays, chiefly the quality of “sublime sanctity,” which transforms Joan’s image from a victim of fate to a warrior-prophet who changes history through sheer force of will. Finding the best-known works of his time about her – Voltaire’s La pucelle d’Orléans and Shakespeare’s Henry VI, part I – utterly dissatisfying, Schiller set out to replace them. Die Jungfrau von Orleans was a smashing success and inspired various subsequent treatments, including Verdi’s opera Giovanna d’Arco and a translation by the father of Russian Romanticism, Vasily Zhukovsky, on which Tchaikovsky based his opera Orleanskaya deva (The Maid of Orleans). In turn, the book’s final chapter examines Shaw’s Saint Joan and finds that the Irish playwright’s vociferous complaints about Schiller’s “romantic flapdoodle” belie a surprising affinity for Schiller’s approach.
Joan of Arc on the Stage and Her Sisters in Sublime Sanctity
Author: John Pendergast
Publisher: Springer Nature
ISBN: 3030278891
Category : Performing Arts
Languages : en
Pages : 294
Book Description
This book examines the figure of Joan of Arc as depicted in stage works of the nineteenth and twentieth centuries, especially those based on or related to Schiller’s 1801 romantic tragedy, Die Jungfrau von Orleans (The Maid of Orleans). The author elucidates Schiller’s appropriation of themes from Euripides’s Iphigenia plays, chiefly the quality of “sublime sanctity,” which transforms Joan’s image from a victim of fate to a warrior-prophet who changes history through sheer force of will. Finding the best-known works of his time about her – Voltaire’s La pucelle d’Orléans and Shakespeare’s Henry VI, part I – utterly dissatisfying, Schiller set out to replace them. Die Jungfrau von Orleans was a smashing success and inspired various subsequent treatments, including Verdi’s opera Giovanna d’Arco and a translation by the father of Russian Romanticism, Vasily Zhukovsky, on which Tchaikovsky based his opera Orleanskaya deva (The Maid of Orleans). In turn, the book’s final chapter examines Shaw’s Saint Joan and finds that the Irish playwright’s vociferous complaints about Schiller’s “romantic flapdoodle” belie a surprising affinity for Schiller’s approach.
Publisher: Springer Nature
ISBN: 3030278891
Category : Performing Arts
Languages : en
Pages : 294
Book Description
This book examines the figure of Joan of Arc as depicted in stage works of the nineteenth and twentieth centuries, especially those based on or related to Schiller’s 1801 romantic tragedy, Die Jungfrau von Orleans (The Maid of Orleans). The author elucidates Schiller’s appropriation of themes from Euripides’s Iphigenia plays, chiefly the quality of “sublime sanctity,” which transforms Joan’s image from a victim of fate to a warrior-prophet who changes history through sheer force of will. Finding the best-known works of his time about her – Voltaire’s La pucelle d’Orléans and Shakespeare’s Henry VI, part I – utterly dissatisfying, Schiller set out to replace them. Die Jungfrau von Orleans was a smashing success and inspired various subsequent treatments, including Verdi’s opera Giovanna d’Arco and a translation by the father of Russian Romanticism, Vasily Zhukovsky, on which Tchaikovsky based his opera Orleanskaya deva (The Maid of Orleans). In turn, the book’s final chapter examines Shaw’s Saint Joan and finds that the Irish playwright’s vociferous complaints about Schiller’s “romantic flapdoodle” belie a surprising affinity for Schiller’s approach.
Tchaikovsky's Empire
Author: Simon Morrison
Publisher: Yale University Press
ISBN: 0300280580
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
A thrilling new biography of Pyotr Ilyich Tchaikovsky—composer of some of the world’s most popular orchestral and theatrical music Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire’s worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky’s complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky’s music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky’s Empire unsettles everything we thought we knew—and gives us a vivid new appreciation of Russia’s most popular composer.
Publisher: Yale University Press
ISBN: 0300280580
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
A thrilling new biography of Pyotr Ilyich Tchaikovsky—composer of some of the world’s most popular orchestral and theatrical music Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire’s worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky’s complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky’s music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky’s Empire unsettles everything we thought we knew—and gives us a vivid new appreciation of Russia’s most popular composer.
Rossetti
Author: Evelyn Waugh
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 262
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 262
Book Description
The Anglo American
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 710
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 710
Book Description
The Atlantic Monthly
Author:
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 1012
Book Description
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 1012
Book Description
World War I
Author: Ross F. Collins
Publisher: Bloomsbury Publishing USA
ISBN: 0313349614
Category : History
Languages : en
Pages : 425
Book Description
Primary documents from the World War I era bring to life the causes, events and consequences of those tumultuous and violent years. Varied perspectives provide a valuable overview of the many and often complicated reactions by Americans to Pre-war European politics, Archduke Ferdinand's assassination, the sinking of the Lusitania by a German submarine, the major battles fought, and of the eventual and controversial entry into the war by the United States, among others. Will be a valued resource for researchers seeking to tap into contemporary attitudes toward events long gone.
Publisher: Bloomsbury Publishing USA
ISBN: 0313349614
Category : History
Languages : en
Pages : 425
Book Description
Primary documents from the World War I era bring to life the causes, events and consequences of those tumultuous and violent years. Varied perspectives provide a valuable overview of the many and often complicated reactions by Americans to Pre-war European politics, Archduke Ferdinand's assassination, the sinking of the Lusitania by a German submarine, the major battles fought, and of the eventual and controversial entry into the war by the United States, among others. Will be a valued resource for researchers seeking to tap into contemporary attitudes toward events long gone.
The Cambridge Introduction to Russian Literature
Author: Caryl Emerson
Publisher: Cambridge University Press
ISBN: 1139471686
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Russian literature arrived late on the European scene. Within several generations, its great novelists had shocked - and then conquered - the world. In this introduction to the rich and vibrant Russian tradition, Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries. Beginning with traditional Russian narratives (saints' lives, folk tales, epic and rogue narratives), the book moves through literary history chronologically and thematically, juxtaposing literary texts from each major period. Detailed attention is given to canonical writers including Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Bulgakov and Solzhenitsyn, as well as to some current bestsellers from the post-Communist period. Fully accessible to students and readers with no knowledge of Russian, the volume includes a glossary and pronunciation guide of key Russian terms as well as a list of useful secondary works. The book will be of great interest to students of Russian as well as of comparative literature.
Publisher: Cambridge University Press
ISBN: 1139471686
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Russian literature arrived late on the European scene. Within several generations, its great novelists had shocked - and then conquered - the world. In this introduction to the rich and vibrant Russian tradition, Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries. Beginning with traditional Russian narratives (saints' lives, folk tales, epic and rogue narratives), the book moves through literary history chronologically and thematically, juxtaposing literary texts from each major period. Detailed attention is given to canonical writers including Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Bulgakov and Solzhenitsyn, as well as to some current bestsellers from the post-Communist period. Fully accessible to students and readers with no knowledge of Russian, the volume includes a glossary and pronunciation guide of key Russian terms as well as a list of useful secondary works. The book will be of great interest to students of Russian as well as of comparative literature.
The Cambridge Companion to Rossini
Author: Emanuele Senici
Publisher: Cambridge University Press
ISBN: 9780521001953
Category : Music
Languages : en
Pages : 290
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521001953
Category : Music
Languages : en
Pages : 290
Book Description
Publisher Description
Tiger-lilies
Author: Sidney Lanier
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
"Tiger-Lilies is actually a somewhat autobiographical book. In it, Lanier analyzes the relationship between a Northerner and a Southerner throughout the Civil War. As a Southerner who had fought for the Confederate army, Lanier had experienced the war firsthand, both on the battlefield and as a prisoner of war. These experiences are recognizable in the battle scenes especially, which are considered some of the most realistic representations of Civil War combat in literature. Ultimately, Tiger-Lilies can be interpreted as an anti-war novel and one of Lanier's less successful endeavors in the course of his career."--The History Engine
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
"Tiger-Lilies is actually a somewhat autobiographical book. In it, Lanier analyzes the relationship between a Northerner and a Southerner throughout the Civil War. As a Southerner who had fought for the Confederate army, Lanier had experienced the war firsthand, both on the battlefield and as a prisoner of war. These experiences are recognizable in the battle scenes especially, which are considered some of the most realistic representations of Civil War combat in literature. Ultimately, Tiger-Lilies can be interpreted as an anti-war novel and one of Lanier's less successful endeavors in the course of his career."--The History Engine
The Volume Library
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 884
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 884
Book Description