Jim & Marion Nicoll Paintings : the University of Calgary Art Gallery, Theatre Gallery, March 9th to March 20th, 1971

Jim & Marion Nicoll Paintings : the University of Calgary Art Gallery, Theatre Gallery, March 9th to March 20th, 1971 PDF Author: Jim Nicoll
Publisher: Calgary : University of Calgary Art Gallery
ISBN:
Category :
Languages : en
Pages : 4

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Jim & Marion Nicoll Paintings : the University of Calgary Art Gallery, Theatre Gallery, March 9th to March 20th, 1971

Jim & Marion Nicoll Paintings : the University of Calgary Art Gallery, Theatre Gallery, March 9th to March 20th, 1971 PDF Author: Jim Nicoll
Publisher: Calgary : University of Calgary Art Gallery
ISBN:
Category :
Languages : en
Pages : 4

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Marion Nicoll

Marion Nicoll PDF Author: Marion Nicoll
Publisher:
ISBN:
Category : Painting, Abstract
Languages : en
Pages : 20

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Marion Nicoll

Marion Nicoll PDF Author: Marion Nicoll
Publisher:
ISBN:
Category : Painting, Abstract
Languages : en
Pages : 0

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Marion Nicoll R.C.A.

Marion Nicoll R.C.A. PDF Author: Masters Gallery (Calgary, Alta.)
Publisher: Calgary : Masters Gallery
ISBN:
Category : Drawing
Languages : en
Pages : 157

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Marion Nicoll, Art and Influences

Marion Nicoll, Art and Influences PDF Author: Christopher E. Jackson
Publisher: Calgary : Glenbow Museum
ISBN: 9780919224544
Category :
Languages : en
Pages : 66

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Search for the Real

Search for the Real PDF Author: Hans Hofmann
Publisher: MIT Press
ISBN: 9780262580083
Category : Architecture
Languages : en
Pages : 100

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Book Description
The writings of the "dean of the New York School of Abstract-Expressionist Painting." "The creative process lies not in imitating, but in paralleling nature; translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive and every work of art should be alive." Thus Hans Hofmann wrote nearly half a century ago. He left the Old World, Germany, for the New, at the age of 50. In 1948, when the retrospective exhibition was held at the Addison Gallery of American Art, Hofmann was 68; he had been in the United States for 18 years, a citizen for seven years. Yet he was scarcely recognized in Europe or America as an artist of significance and had never had a full-scale retrospective exhibition of his work. Beginning with a group exhibition in Germany in 1909, he had been given 12 one-man shows and had been included in four group exhibitions before the exhibit at Andover. Subsequently, he was to have 33 one-man shows and to be in over 60 group exhibitions, including the 1960 Venice Biennale, in which he was one of the four artists chosen to represent America. The catalogue of the 1948 retrospective at the Addison Gallery incorporated Hofmann's writings, all originally written in German, some pieces translated fluently, others awkwardly paraphrasing the original. He had written them over a period of 40 years for periodicals journals, or his own teaching purposes; occasionally they overlapped; there was no sequence of development. In the original volume of Search for the Real, published in 1948, it was felt desirable to edit his writing as little as possible, nevertheless to present the essays in the most lucid English true to his meaning, printed only with his approval. "The Search for the Real in the Visual Arts," "Sculpture," and "Painting and Culture" were all printed in full. The section "Excerpts from the Teaching of Hans Hofmann" was composed of selections from his essays "On the Aims of Art" and "Plastic Creation." The last brief section, "Terms," was gleaned from the other essays, lectures, diagrams, notes, and cryptic memoranda written to himself, headed by one of Hoffman's diagrams. It was a further distillation of his own definitions in the nature of a vocabulary. In the last 18 years of his life, recognition was his, nationally and internationally, in proportion to the originality and depth of his thinking, his versatility and comprehensiveness, his productivity and vigor. His was a prophetic visual expression of action in a three-dimensional world on a vibrating two-dimensional surface. He was a dynamic teacher; the wide range of his influence is to be seen in the list of artists comprising an exhibition "Hans Hofmann and His Students," circulated in America and abroad during the three years before his death in 1966. Among the 32 painters and sculptors in this exhibition were students as varied in their developed personal idioms as Helen Frankenthaler, Larry Rivers, Louise Nevelson, Richard Stankiewicz, and Alan Kaprow. Running simultaneously and also shown in South America and Europe as well as in the United States, a one-man show of 40 major works initiated by the Museum of Modern Art, New York, is a testimony to the words of the "dean of the New York School of Abstract-Expressionist Painting."

Jock Macdonald

Jock Macdonald PDF Author: Michelle Jacques
Publisher: Black Dog Pub Limited
ISBN: 9781908966810
Category : Art
Languages : en
Pages : 207

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Book Description
Scottish-born artist Jock Macdonald initially moved to Canada to take up a lecturing position at the Vancouver School of Decorative and Applied Arts, and went on to become a key, formative figure in the Painters Eleven, a group of painters who vigorously promoted abstract painting across Canada. Released to coincide with an ambitious new retrospective exhibition organised by the Art Gallery of Greater Victoria, the Robert McLaughlin Gallery and the Vancouver Art Gallery, Jock Macdonald: Evolving Form includes contributions by academics and writers including Anna Hudson, Assistant Professor in Canadian Art and Curatorial Studies at York University, Michelle Jacques, Chief Curator at Art Gallery of Greater Victoria, Linda Jansma, Senior Curator at The Robert Mclaughlin Gallery, Oshawa and Ian Thom, Senior Curator at Vancouver Art Gallery. Previous publications dedicated to Macdonald's work have not analyzed the artist's use of colour which, as an abstractionist and later a borderline Surrealist, was arguably the most significant part of his practice. In this lavishly illustrated book colour reproductions of Macdonald's works can be seen alongside the writings of leading experts in the field of Canadian art history.

Molly Lamb Bobak

Molly Lamb Bobak PDF Author: Michelle Gewurtz
Publisher: Canadian Art Library
ISBN: 9781487102050
Category : Painters
Languages : en
Pages : 144

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Book Description
"The life and work of Canadian artist Molly Lamb Bobak."--

Stravinsky

Stravinsky PDF Author: Eric Walter White
Publisher: Univ of California Press
ISBN: 9780520039858
Category : Biography & Autobiography
Languages : en
Pages : 664

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Book Description
In the second edition of the definitive account of Igor Stravinsky's life and work, arranged in two separate sections, Eric Walter White revised the whole book, completing the biographical section by taking it up to Stravinsky's death in 1971. To the list of works, the author added some early pieces that have recently come to light, as well as the late compositions, including the Requiem Canticles and The Owl and the Pussycat. Four more of Stravinsky's own writings appear in the Appendices, and there are several important additions to the bibliography.

Landscapes and Societies

Landscapes and Societies PDF Author: I. Peter Martini
Publisher: Springer Science & Business Media
ISBN: 904819413X
Category : Science
Languages : en
Pages : 475

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Book Description
This book contains case histories intended to show how societies and landscapes interact. The range of interest stretches from the small groups of the earliest Neolithic, through Bronze and Iron Age civilizations, to modern nation states. The coexistence is, of its very nature reciprocal, resulting in changes in both society and landscape. In some instances the adaptations may be judged successful in terms of human needs, but failure is common and even the successful cases are ephemeral when judged in the light of history. Comparisons and contrasts between the various cases can be made at various scales from global through inter-regional, to regional and smaller scales. At the global scale, all societies deal with major problems of climate change, sea-level rise, and with ubiquitous problems such as soil erosion and landscape degradation. Inter-regional differences bring out significant detail with one region suffering from drought when another suffers from widespread flooding. For example, desertification in North Africa and the Near East contrasts with the temperate countries of southern Europe where the landscape-effects of deforestation are more obvious. And China and Japan offer an interesting comparison from the standpoint of geological hazards to society - large, unpredictable and massively erosive rivers in the former case, volcanoes and accompanying earthquakes in the latter. Within the North African region localized climatic changes led to abandonment of some desertified areas with successful adjustments in others, with the ultimate evolution into the formative civilization of Egypt, the "Gift of the Nile". At a smaller scale it is instructive to compare the city-states of the Medieval and early Renaissance times that developed in the watershed of a single river, the Arno in Tuscany, and how Pisa, Siena and Florence developed and reached their golden periods at different times depending on their location with regard to proximity to the sea, to the main trunk of the river, or in the adjacent hills. Also noteworthy is the role of technology in opening up opportunities for a society. Consider the Netherlands and how its history has been formed by the technical problem of a populous society dealing with too much water, as an inexorably rising sea threatens their landscape; or the case of communities in Colorado trying to deal with too little water for farmers and domestic users, by bringing their supply over a mountain chain. These and others cases included in the book, provide evidence of the successes, near misses and outright failures that mark our ongoing relationship with landscape throughout the history of Homo sapiens. The hope is that compilations such as this will lead to a better understanding of the issue and provide us with knowledge valuable in planning a sustainable modus vivendi between humanity and landscape for as long as possible. Audience: The book will interest geomorphologists, geologists, geographers, archaeologists, anthropologists, ecologists, environmentalists, historians and others in the academic world. Practically, planners and managers interested in landscape/environmental conditions will find interest in these pages, and more generally the increasingly large body of opinion in the general public, with concerns about Planet Earth, will find much to inform their opinions. Extra material: The color plate section is available at http://extras.springer.com