Jenny Lind - A Record and Analysis of the 'Method' of the Late Madame Jenny Lind-Goldschmidt PDF Download
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Author: W. S. Rockstro
Publisher: Read Books Ltd
ISBN: 1473351820
Category : Biography & Autobiography
Languages : en
Pages : 63
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Book Description
Originally published in 1894, this early works is a fascinating and informative look at the subject. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: W. S. Rockstro
Publisher: Read Books Ltd
ISBN: 1473351820
Category : Biography & Autobiography
Languages : en
Pages : 63
Get Book Here
Book Description
Originally published in 1894, this early works is a fascinating and informative look at the subject. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: William Smyth Rockstro
Publisher:
ISBN:
Category : Embellishment (Vocal music).
Languages : en
Pages : 58
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Book Description
Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 1800643357
Category : Music
Languages : en
Pages : 250
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Book Description
The fields of performance studies, empirical musicology, and the musicology of recordings have seen a tremendous development in recent years, shedding new light on the recent history of our performing tradition and conveying essential information to music practitioners, critics and audiences. This innovative work considers the notion of bel canto and the manner in which this vibrant tradition lives in the records of Luisa Tetrazzini (1871-1940), one of the most celebrated sopranos ever. Tetrazzini, whose discographic career includes about 120 recordings, belongs to that generation of inspirational performers who heralded the dawn of a new era of music appreciation, alongside such iconic figures as Enrico Caruso, Adelina Patti and Nellie Melba. Drawing on a vast body of scholarship and a number of contemporary reviews, Massimo Zicari establishes Tetrazzini’s role in the Italian operatic tradition and its much disputed set of performing conventions. His transcriptions of her recorded interpretations from Rossini, Donizetti, Bellini and Verdi will prove invaluable to singers and conductors interested in a tradition that goes back to legendary figures such as Jenny Lind and Maria Malibran. The author also discusses her voice quality and technique, tempo flexibility, her use of vibrato and portamento—features of musical performance that question several widely-held, normative views about aesthetics and interpretative tradition. The volume includes eighty-eight musical examples and its closing section consists of the vocal scores of thirteen operatic arias. The musical material (both examples and transcriptions) is entirely original. This unique approach seeks to combine an academic perspective with the making of the music, in the hope that the plea for originality may be enhanced by models from the past.
Author: Jaimie Baron
Publisher: Oxford University Press
ISBN: 0197563627
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
"Media Ventriloquism repurposes the term "ventriloquism," which has traditionally referred to the act of throwing one's voice into an object that appears to speak, to reflect our complex vocal relationship with media technologies. Indeed, media technologies have the potential to separate voice from body and to constitute new relationships between them that could scarcely have been imagined before such technologies' invention and mass circulation. Radio, cinema, television, video games, digital technologies, and other media have each fundamentally transformed the relationship between voice and body in myriad and often unexpected ways. Our volume interrogates the categorical definitions of voice and body as they operate within mediated environments, exploring the experiences of ventriloquism facilitated by media technologies and theorizing some of the political and ethical implications of separating bodies from voices. We build in particular on Steven Connor's notion of the vocalic body, which he coined to identify an imaginary body that is created and maintained primarily through voice. In modifying Connor's term to theorize the "technovocalic body," we focus our study on cases in which the relationship between voice and body has been modified specifically by media technologies. The essays in the collection demonstrate not only how particular bodies and voices have been been (mis)represented through media ventriloquism but also how marginalized groups - racialized, gendered, queered, etc. - have used media ventriloquism to claim their agency and power"--
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Category : Church music
Languages : en
Pages : 710
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Category :
Languages : en
Pages : 864
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Category :
Languages : en
Pages : 1644
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ISBN:
Category : Music
Languages : en
Pages : 522
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Category : Church music
Languages : en
Pages : 704
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Author:
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Category : Music
Languages : en
Pages : 588
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