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Author: Sheena Wagstaff
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 90
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Book Description
"Jeff Wall is one of the most highly regarded artists at work in the world today and has played a key role in establishing photography as a contemporary art form. Jeff Wall: Photographs 1978-2004 has been developed in close collaboration with the artist and accompanies a major retrospective exhibition at Tate Modern, London. Featuring Wall's best known works, the large-scale carefully staged scenes presented as illuminated lightboxes, as well as black-and-white photographs, the book includes an insightful essay by Sheena Wagstaff. In it she examines the impact of art history and cinema on Wall's practice, revealing how he combines documentary techniques with meticulous staging and digital collage to realise his extraordinary vision."--BOOK JACKET.
Author: Sheena Wagstaff
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 90
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Book Description
"Jeff Wall is one of the most highly regarded artists at work in the world today and has played a key role in establishing photography as a contemporary art form. Jeff Wall: Photographs 1978-2004 has been developed in close collaboration with the artist and accompanies a major retrospective exhibition at Tate Modern, London. Featuring Wall's best known works, the large-scale carefully staged scenes presented as illuminated lightboxes, as well as black-and-white photographs, the book includes an insightful essay by Sheena Wagstaff. In it she examines the impact of art history and cinema on Wall's practice, revealing how he combines documentary techniques with meticulous staging and digital collage to realise his extraordinary vision."--BOOK JACKET.
Author: Curran Hatleberg
Publisher:
ISBN: 9781942953500
Category :
Languages : en
Pages :
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Book Description
Author: Jeff Wall
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
Essays by Peter Brger, Homay King, Tom Holert, Achim Hochdorfer, Fred Orton, Kaja Silverman, Gregor Stemmrich and Friedrich Tietjen.
Author: Jeff Wall
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 0
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Book Description
Author: Schaulager (Bâle, Suisse)
Publisher:
ISBN: 9783865211361
Category :
Languages : en
Pages : 0
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Author: Jeff Wall
Publisher:
ISBN: 9780870707087
Category : Photography
Languages : en
Pages : 352
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Book Description
Throughout his career, Jeff Wall has written periodically on a variety of subjects, covering everything from the work of his Vancouver colleagues to the role of photography in conceptual art. This selection of his best essays and interviews is the first collection of Wall's texts to be published in English.
Author: Aaron Peck
Publisher: Figure 1 Publishing
ISBN: 9781927958872
Category : Art
Languages : en
Pages : 0
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Book Description
Jeff Wall has lived in his hometown of Vancouver for all but four years of his life. Most of the images he has created are shot in and around that city, yet his art transcends these local subjects and addresses universal themes of history and memory. That explains why his work is celebrated around the world and has been the subject of countless international exhibitions from the Tate Modern, to MoMa, to the Art Institute of Chicago. His importance to photoconceptualism is recognized throughout the art world and his cinematographic pictures are immensely popular with the public and the academy alike. The images he has chosen for North and West explore the meaning of history and how we remember the cities we inhabit. The towns imprinted in our minds no longer exist. Urban landscapes constantly change but the remnants of the past remain and history's influence never ends. North and West is a succinct and indispensable look into the profoundly moving and influential oeuvre of Jeff Wall.
Author: Darby English
Publisher:
ISBN: 9781633450349
Category : Art
Languages : en
Pages : 488
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Book Description
Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.
Author: David Campany
Publisher: MIT Press
ISBN: 1846381789
Category : Art
Languages : en
Pages : 50
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Book Description
Examining a work that marked the emergence of photography as an art made for the gallery wall instead of the printed page. Jeff Wall's Picture for Women (1979) marks the transition of photography as an art form from the printed page to the gallery wall. Before this, photographs—from the orthodox photographic work of Walker Evans to the Conceptual photography of Dan Graham—seemed intended for the page even when hung in a gallery. In Picture for Women, a woman looks outward, as if at the viewer; a camera occupies the center of the photograph; the photographer stands on the right. Modeled on Manet's famous painting Un bar aux Folies-Bergère, in which a barmaid seems to look directly out of the painting, observed by a man on the right, Picture for Women establishes its own art historical genealogy, claiming its rightful position within the canon. Wall's photograph is an ambitious attempt to relate the artistic and spectatorial demands of the late 1970s to a modernist pictorial art that had been too hastily rejected by Conceptualism. In this illustrated study, David Campany offers an account of Wall's move from a Conceptual approach to a reengagement with the idea of a singular (as opposed to serial) picture. He shows that Wall's decision to present his work as a large-scale back-lit transparency, together with his commitment to a singular image, amounted to a radical departure. He contrasts Wall's idea of the photograph as a tableau or “picture,” inherited from the history of painting, with the works of the “Pictures Generation” - including Richard Prince, Cindy Sherman, and Jack Goldstein—and argues that Picture for Women is inseparable from the modern fate of the picture in general
Author: Stefan Banz
Publisher: Moderne Kunst Verlag Fur
ISBN: 9783869840796
Category : Photography, Artistic
Languages : en
Pages : 0
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Book Description
In his impressive analysis Stefan Banz examines how Jeff Wall uses camera, computer, actors and specialists to generate a visual performance that provokes epistemological questions in the viewer; illustrates how the artist - beyond avant-garde criteria - develops a sophisticated and engaging visual feel, which deals both with the everyday but also with the history of art; and explores meticulously how he reflects the role of the recipient in his compositions.In this sense, Banz shows with the eyes of an active observer how art has an inexhaustible metaphorical power for Wall, which enriches and upsets our visual concepts. And he also creates new, startling references between his photographic works and paintings by such different artists like Diego Velázquez, Jan Vermeer, Claude Monet, Frederic Remington, Hans Emmenegger, Marcel Duchamp and Salvador Dalí.
