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Author: Ann Collins
Publisher: Alfred Music Publishing
ISBN: 9780739010327
Category : Music
Languages : en
Pages : 100
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Book Description
Jazz Works is a beginning jazz piano method created for the classically trained pianist who plays and reads on the intermediate level. Concepts and skills are presented through example and explanation in each chapter. Practice exercises prepare the player to apply the new skills to the tunes included in each chapter. Pieces are presented in lead sheet format: melody lines with alphabet chord symbols. Accompaniment tracks for most exercises and all tunes are recorded on the 2 CDs included and are also available separately in General MIDI Disk format.
Author: Ann Collins
Publisher: Alfred Music Publishing
ISBN: 9780739010327
Category : Music
Languages : en
Pages : 100
Get Book Here
Book Description
Jazz Works is a beginning jazz piano method created for the classically trained pianist who plays and reads on the intermediate level. Concepts and skills are presented through example and explanation in each chapter. Practice exercises prepare the player to apply the new skills to the tunes included in each chapter. Pieces are presented in lead sheet format: melody lines with alphabet chord symbols. Accompaniment tracks for most exercises and all tunes are recorded on the 2 CDs included and are also available separately in General MIDI Disk format.
Author: Whitney Balliett
Publisher: Macmillan
ISBN: 9780312270087
Category : Music
Languages : en
Pages : 892
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Book Description
Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest—and perhaps only original—musical form. Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines—a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made. Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting—a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"—and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz."
Author:
Publisher: Alfred Music
ISBN: 9781562240622
Category : Music
Languages : en
Pages : 0
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Book Description
A "must have" for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the "real world." Highly endorsed "Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I've already started practicing " ---Kenny Barron "In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one's technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one's ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands." ---Todd Coolman "It is understood that all musicians must play piano. Emiko's book fills a void for non-pianists addressing specific technical problems which will help towa
Author: Jürgen E. Grandt
Publisher: Ohio State University Press
ISBN: 0814209807
Category : Language Arts & Disciplines
Languages : en
Pages : 180
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 784
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Book Description
Author: David Berkman
Publisher:
ISBN: 9781883217792
Category : Chords (Music)
Languages : en
Pages : 206
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Book Description
This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material.
Author: Miller Williams
Publisher: University of Illinois Press
ISBN: 9780252067747
Category : Poetry
Languages : en
Pages : 308
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Book Description
Here one of our best-loved poets gathers his most representative work from twelve collections and adds some new pieces as well. An American original, Miller Williams involves the readers emotions and imagination with an effective illusion of plain talk, continually rediscovering what is vital and musical in the language we speak and imagine by.
Author: Hyunjoon Shin
Publisher: Routledge
ISBN: 1317645731
Category : Music
Languages : en
Pages : 311
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Book Description
Made in Korea: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Korean popular music. Each essay covers the major figures, styles, and social contexts of pop music in Korea, first presenting a general description of the history and background of popular music in Korea, followed by essays, written by leading scholars of Korean music, that are organized into thematic sections: History, Institution, Ideology; Genres and Styles; Artists; and Issues.
Author: Joe Calloway
Publisher: John Wiley & Sons
ISBN: 0470116269
Category : Business & Economics
Languages : en
Pages : 161
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Book Description
A guide to creating joyful success in work and in life What the world needs is more showoffs. Showing off is a good thing. Showing off is a mindset. Showing off is about living life and doing work in a way that creates joy, jazz, and a kick in our lives and in the lives of those around us. This is a business book for almost everyone–from executives and managers to receptionists and sales clerks. Here’s the key: success is an inside job. After 26 years of studying and working with top performers, Joe Calloway shares the key factors in creating success–without pulling any punches. Work Like You’re Showing Off! isn’t for sissies; it’s a tough, realistic approach to getting the most out of life by giving more to others. This book proves that not only is "working like you’re showing off" the smartest way to get ahead in a career, it’s also the most joyful and rewarding way to live.Work Like You're Showing Off! the absolute keys to personal and professional success including: Never be as good as you're going to be What you think of me is none of my business Expect to connect Get back inside the box Grand stupidity and absurd bravery What have you done for me next?
Author: Tony Whyton
Publisher: Oxford University Press
ISBN: 0199993114
Category : Music
Languages : en
Pages : 173
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Book Description
Recorded by his quartet in a single session in 1964, A Love Supreme is widely considered John Coltrane's magnum opus and one of the greatest jazz albums of all time. In Beyond A Love Supreme, Tony Whyton explores both the musical complexities of A Love Supreme and the album's seminal importance in jazz history. Marking Coltrane's transition from the bebop and hard bop of his earlier recordings to the free jazz style perfected throughout the rest of his career, the album also embodies the deep spirituality that characterized the final years of his life. The titles of the four part suite--"Acknowledgment," "Resolution," "Pursuance," and "Psalm"--along with the poem Coltrane composed for inclusion in the liner notes, which he "recites" instrumentally in "Psalm," reflect the religious aspect of the album, a quality that contributes to its mystique and symbolic importance within the canon of major jazz recordings. But Whyton also shows how A Love Supreme challenges many of the traditional, unreflective assumptions that permeate jazz culture--the binary oppositions between improvisation and composition, black music and white music, live performance and studio recording. He critically examines many of the mythologizing narratives about how the album was conceived and recorded and about what it signifies in terms of the trajectory of Coltrane's personal life. Sifting through the criticism of late Coltrane, Whyton suggests ways of listening to these recordings that go beyond the conventional ideologies of mainstream jazz practice and open the music to a wider range of responses. Filled with fresh insights into one of the most influential recordings in jazz history, Beyond A Love Supreme is an indispensable resource for jazz scholars, jazz musicians, and fans and aficionados at all levels.
