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Author: Antonín Dufek
Publisher: Kant
ISBN: 9788074371073
Category : Photography
Languages : en
Pages : 0
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Book Description
This is the first substantial monograph to examine the photography of Jaromír Funke (1896-1945), an innovator of modernist photography, comparable to contemporaries such as Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albery Renger-Patzsch, Aleksander Rodchenko, Paul Strand and Edward Weston. Funke initially worked within abstract photography, but eventually he invented his own genre called "photogenism"; in the 1920s, he was one of the first to embrace Surrealist innovations in photography. Also aligned with the Bauhaus, Funke was additionally influenced by Cubism, New Objectivity and Constructivism. In the second half of the 1930s, Funke established what he called "emotional photography," based on theories and writings by Surrealist André Breton. Made in cooperation with Funke's daughter, this book focuses primarily on the ideas that shaped and transformed Funke's work, while placing it within the context of European avant-garde photography and culture.
Author: Antonín Dufek
Publisher: Kant
ISBN: 9788074371073
Category : Photography
Languages : en
Pages : 0
Get Book Here
Book Description
This is the first substantial monograph to examine the photography of Jaromír Funke (1896-1945), an innovator of modernist photography, comparable to contemporaries such as Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albery Renger-Patzsch, Aleksander Rodchenko, Paul Strand and Edward Weston. Funke initially worked within abstract photography, but eventually he invented his own genre called "photogenism"; in the 1920s, he was one of the first to embrace Surrealist innovations in photography. Also aligned with the Bauhaus, Funke was additionally influenced by Cubism, New Objectivity and Constructivism. In the second half of the 1930s, Funke established what he called "emotional photography," based on theories and writings by Surrealist André Breton. Made in cooperation with Funke's daughter, this book focuses primarily on the ideas that shaped and transformed Funke's work, while placing it within the context of European avant-garde photography and culture.
Author: Howard Greenberg
Publisher:
ISBN:
Category : Photography
Languages : cs
Pages : 238
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Book Description
Edited by Howard Greenberg, Annette Kicken, Rudolf Kicken. Preface by Suzanne Pastor. Text by Vladimir Birgus, et. al.
Author:
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 108
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Book Description
Author: Vladimír Birgus
Publisher:
ISBN: 9788074370274
Category : Photography
Languages : en
Pages : 0
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Book Description
"Czech Photography of the 20th Century, published simultaneously in Czech and English versions, is the first book to present the main trends, figures, and works of Czech photography from the beginning to the end of the last century to such a large extent. Its 517 plates include not only the most important, well-known photographs and photomontages, but also works that have long been forgotten or are published for the first time. The book is arranged in seventeen chapters, supplemented with chronologies of the most important events in twentieth-century Czech photography and history." --Publisher's website.
Author: Kenneth Josephson
Publisher: University of Texas Press
ISBN: 9781477309384
Category : Photography
Languages : en
Pages : 0
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Book Description
Kenneth Josephson is one of the foremost conceptual photographers in America. Since the early 1960s, when institutions such as MoMA privileged photography in the documentary mode, Josephson has championed the photograph as an object "made," not taken, by an artist pursuing an idea. Using innovative techniques such as placing images within images and including his own body in photographs, Josephson has created an outstanding body of work that is startlingly contemporary and full of ideas that stimulate the digital generation—ideas about the nature of seeing, of "reality," and of human aspirations, and about what it means to be a human observing the world. The Light of Coincidence is the definitive, career-spanning retrospective of Kenneth Josephson's work and one of the few volumes ever published on this major artist. Josephson has worked in series over long periods of time, and this book beautifully reproduces representative selections from every series, including Josephson's best-known Images within Images. Lynne Warren places Josephson's art in historical context, from his early studies with Aaron Siskind and Harry Callahan at the Institute of Design and with Minor White at the Rochester Institute of Technology, to his mature work, which shares affinities with that of conceptual artists such as Cindy Sherman and Ed Ruscha, to his shaping influence on generations of students at the School of the Art Institute of Chicago, where he taught for over thirty-five years. Preeminent photo historian Gerry Badger's foreword confirms Josephson's stature as an artist who has explored "in a thoroughly creative and complex, yet accessible, way, the perhaps narrow but infinitely deep gap between actuality and image."
Author: Jaromír Funke
Publisher:
ISBN:
Category : Photography
Languages : fr
Pages : 254
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Book Description
Étudiant à Prague, Funke rencontre Josef Sudek en 1922, il réalisa des abstractions et des photogrammes dans les années 20. Professeur en 31, il publie de nombreuses critiques dans la presse et participe aux activités des jeunes mouvements artistiques tchécoslo-vaques influencés par le surréalisme.¦
Author: Eugen Wiškovský
Publisher:
ISBN:
Category : Photography, Artistic
Languages : cs
Pages :
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Book Description
Author: Mitra Abbaspour
Publisher: Museum of Modern Art, New York
ISBN: 9780870709418
Category : Photography
Languages : en
Pages : 400
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Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Author: Judith Keller
Publisher: Getty Publications
ISBN: 0892363177
Category : Photography
Languages : en
Pages : 436
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Book Description
Walker Evans is widely recognized as one of the greatest American photographers of the twentieth century, and the J. Paul Getty Museum owns one of the most comprehensive collections of his work, including more of his vintage prints than any other museum in the world. This lavishly illustrated volume brings together for the first time all of the Museum’s Walker Evans holdings. Included here are familiar images—such as Evans’s photographs of tenant farmers and their families, made in the 1930s and later published in Let Us Now Praise Famous Men—and images that are much less familiar—such as the photographs Evans made in the 1940s of the winter quarters of the Ringling Brothers circus, or his very late Polaroids, made in the 1970s. In addition, many previously unpublished Evans photographs, and variant croppings of classic images, appear here for the first time. Author Judith Keller has written a lively, informative text that places these photographs in the larger context of Evans’s life and career and the culture—especially the popular culture—of the time. In so doing, she has produced an indispensible volume for anyone interested in the history of photography or American culture in the twentieth century. Also included is the most comprehensive bibliography on Walker Evans published to date.
Author: Thomas Schütte
Publisher: Snoeck Publishing Company
ISBN: 9783940953544
Category : Architectural models
Languages : en
Pages : 0
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Book Description
Since the early 1980's, Thomas Schütte--a three-times participant in the documenta in Kassel, winner of the 2010 Düsseldorf Art Prize, and best individual artist at the 2005 Venice Biennale--has worked on architectural models, scenes, and figurative scenarios. Replete with notes on relative dimensions or accompanied by small figures, they correspond to the realization on a larger scale, with many originally small models having been converted into large-scale works over time. The interplay between the small and the large, between the model and its realization, and between the notions of art as a model and the models as art are recurring themes throughout Thomas Schütte's oeuvre. He both instigated the publication of this voluminous book about the show in Bonn and laid down its specific detail, so there is scarcely a single group of works missing from this chronological survey of the past thirty years. The model itself is not just the nucleus of both a fantastical oeuvre, but takes on a more seismographic function and rediscovers the architectural arts on behalf of fine art.
