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Author: Klaus Berger
Publisher: Cambridge University Press
ISBN: 9780521373210
Category : Art
Languages : en
Pages : 415
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Book Description
Author: Klaus Berger
Publisher: Cambridge University Press
ISBN: 9780521373210
Category : Art
Languages : en
Pages : 415
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Book Description
Author: Roger Priddy
Publisher: Macmillan
ISBN: 0312508174
Category : Juvenile Nonfiction
Languages : en
Pages : 23
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Book Description
"Girls can develop counting and sorting skills as they search for the hundreds of hidden things in this engaging, bright and busy Treasure Hunt book."--Page 4 of cover
Author: Ayako Ono
Publisher: Routledge
ISBN: 1136625100
Category : History
Languages : en
Pages : 302
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Book Description
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
Author: Jessica Warren
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 176
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Book Description
Following the opening of Japan to the West in the mid-nineteenth century, many artists began to incorporate Japanese stylistic elements and objects into their works. James McNeill Whistler was one of the most dedicated adherents to japonisme, the new style born of the combination between Eastern and Western art. Like many others, he appropriated elements of this style not to produce a genuinely Japanese creation, but a European piece infused with Japanese elements. Japonisme, as a sub-category of Orientalism, carried with it connotations of Oriental passivity, questionable morality, and an objectification that invited the Western male gaze. This thesis investigates the connection between Whistler's biography and the connotations of japonisme within his art. The application of japonisme in Whistler's art serves to create an image of the Other as juxtaposed with the Western viewer. The human figures within Whistler's japonisme works are either de-emphasized as the decorative quality of the art takes over, or they are eroticized as the Western painter asserts the moral inferiority of the East and invites the Westerner to gaze upon the depicted individuals. Due to the fact that Whistler represented women from his personal life in his japonisme paintings, these works reveal a private narrative for Whistler of mastery over the female subject. Taking a psychoanalytic approach, this thesis argues that Whistler made a conscious decision to depict women in this style, fully knowing the social and cultural implications of japonisme. This decision was born of psychological issues that he had regarding the lack of mastery over females in his own life. Thus, despite his conscious decision to apply an Orientalist aesthetic, he may not have made the connection between his latent personal issues of mastery and his use of Orientalism. These works demonstrate the way in which, through this objectification and subjugation, Whistler symbolically takes back some of the authority that he had relinquished to the females in his personal life. These japonsime works can be seen as a means for Whistler to assert personal mastery through the depiction of cultural and social mastery.
Author: Siegfried Wichmann
Publisher:
ISBN: 9785557938655
Category :
Languages : en
Pages : 432
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Book Description
The impact of Japan on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan's door to the outside world in 1858--ending a 200-year period of total isolation--a wealth of visual information from the superb Japanese traditions of ceramics, metalwork, architecture, printmaking, and painting reached the West and brought with it electrifying new ideas of composition, color, and design. One has only to see a celebrated painting by Monet, Degas, Whistler, or van Gogh, a print by Toulouse-Lautrec, an Art Nouveau glass vase, or a lacquered hair comb side by side with its Japanese source to see how these ideas have inspired European artists. Nor is the influence a superficial one: Japanese conventions of symbolism underlie the use of decorative motifs in European Symbolism and Art Nouveau, and the Zen idea of spontaneity is the ultimate source of both the apparently capricious shapes of Art Nouveau objects and the development of an abstract "calligraphy" in Abstract Expressionism.
Author: Catherine C. Bock Weiss
Publisher: Routledge
ISBN: 1317947762
Category : Art
Languages : en
Pages : 793
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Book Description
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Siegfried Wichmann
Publisher: New York : Harmony Books
ISBN: 9780517545072
Category : Art
Languages : en
Pages : 432
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Book Description
Author: Pamela A. Genova
Publisher: Northwestern University Press
ISBN: 0810132206
Category : Literary Criticism
Languages : en
Pages : 545
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Book Description
In her book, Pamela Genova suggests that as critics move in general from a literal to a more metaphoric understanding and presentation of Japonisme, the mutability of the phenomenon is highlighted in a rich and illuminating manner. By exploring the conditions of the creation of these works, accenting the original aims of the artists, the manipulations carried out by art dealers, gallery owners, and boutique managers, as well as the gestures of explanation, interpretation, and judgment offered by the professional and amateur critics, Japonisme takes on an even more versatile nature. Further, a complex web of correspondence germinates among these artists—both French and Japanese—and their many critics. It is in this light that the truly rich character of Japonisme comes forth, since the undesirability, even the impossibility of the attempt to reduce it to a single genre, style, era, or cultural cadre attests to its elusiveness and its Protean nature. Japonisme does not correspond to a single dictionary definition, no matter how subtle or self-aware that definition might be. By situating the dynamics of Japonisme as a response on the part of French culture to the culture of Japan, we gain a keener sense of the multiplicity of modern French sensibility itself, of how the awareness of a nation’s language, history, and art forms can be creatively reflected in the images of a culture seemingly radically different from its own.
Author: Ayako Ono
Publisher: Routledge
ISBN: 1136625038
Category : History
Languages : en
Pages : 273
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Book Description
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
Author: Francis X. Winters
Publisher: Routledge
ISBN: 1351904515
Category : Political Science
Languages : en
Pages : 379
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Book Description
Taking the example of the nuclear bombing of Hiroshima as a case in point, Francis Winters analyzes the ethics of warfare, demonstrating how the examples of World War II hold relevance to the contemporary world. The volume examines the ethics of Japan's refusal to surrender and seeks to balance the verdict of responsibility for Hiroshima by extending the analysis to the ethics of the end of the war. It also illustrates how two displays of American naval and munitions power had an impact on Japan comparable to the September 11, 2001 assaults on America. Linking his study with two contemporary films on Iwo Jima, the author illustrates how the 1940s were an era of costly triumph that can still inspire national pride in American citizens. Unique in concept and approach, this volume will have relevance to scholars interested in both historical and contemporary politics, US-Japan relations as well as foreign policy and the ethics of warfare.
