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Author: Tom Mes
Publisher: Taylor & Francis
ISBN: 1000855287
Category : Social Science
Languages : en
Pages : 187
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Book Description
This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how studios and directors worked quickly to capitalize on niche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by "Japanese cinema".
Author: Tom Mes
Publisher: Taylor & Francis
ISBN: 1000855287
Category : Social Science
Languages : en
Pages : 187
Get Book Here
Book Description
This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how studios and directors worked quickly to capitalize on niche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by "Japanese cinema".
Author: Dominic Lash
Publisher: Bloomsbury Publishing
ISBN: 1839025964
Category : Performing Arts
Languages : en
Pages : 106
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Book Description
Kiyoshi Kurosawa's 1997 psychological horror, Cure, follows a detective (played by Koji Yakusho) as he investigates a string of gruesome murders in Tokyo, where each victim has an 'X' carved into their neck. Dominic Lash provides an in-depth analysis of Cure's themes, generic conventions, cinematography, editing, mise-en-scène, sound, and legacy. In examining the film's aesthetics he highlights the unique way in which it balances meticulous precision with a persistent and purposeful ambiguity. Lash goes on to situate Cure within its various contexts; firstly, as Kurosawa's 'breakthrough' film following a decade of mostly straight-to-video work and then its position in relation to the J-Horror boom of the late 1990s and early 2000s. Through a close reading of Cure's key scenes, particularly its final scene, Lash analyses the motivations behind Kurosawa's resistance to a definitive resolution. He argues that, just like its hypnotist antagonist, Mamiya, Cure unsettles some of our basic psychological assumptions. In doing so, he attempts to understand what it is about the film that lingers so disturbingly, long after the credits have rolled.
Author: Daisuke Miyao
Publisher: Oxford University Press
ISBN: 0199731667
Category : History
Languages : en
Pages : 497
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Book Description
This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
Author: Mitsuhiro Yoshimoto
Publisher: Duke University Press
ISBN: 9780822325192
Category : History
Languages : en
Pages : 500
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Book Description
This work will become not only the newly definitive study of Kurosawa, but will redefine the field of Japanese cinema studies, particularly as the field exists in the west.
Author: Lauren Tarshis
Publisher: Scholastic Inc.
ISBN: 0545560101
Category : Juvenile Fiction
Languages : en
Pages : 79
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Book Description
The disaster felt around the world . . . Visiting his dad's hometown in Japan four months after his father's death would be hard enough for Ben. But one morning the pain turns to fear: first, a massive earthquake rocks the quiet coastal village, nearly toppling his uncle's house. Then the ocean waters rise and Ben and his family are swept away-and pulled apart-by a terrible tsunami.Now Ben is alone, stranded in a strange country a million miles from home. Can he fight hard enough to survive one of the most epic disasters of all time?
Author: Ken Provencher
Publisher: Bloomsbury Publishing USA
ISBN: 1501319671
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as “mainstream” or as “exploitation” have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as “art” or “trash,” regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”
Author: Alexander Jacoby
Publisher: Stone Bridge Press
ISBN: 1611725313
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and without academic jargon, Jacoby examines the works of over 150 filmmakers to uncover what makes their films worth watching. Included are artistic profiles of everyone from Yutaka Abe to Isao Yukisada, including masters like Kinji Fukasaku, Juzo Itami, Akira Kurosawa, Takashi Miike, Kenji Mizoguchi, Yasujiro Ozu, and Yoji Yamada. Each entry includes a critical summary and filmography, making this book an essential reference and guide. UK-based Alexander Jacoby is a writer and researcher on Japanese film.
Author: Ronald L. Jackson
Publisher: Routledge
ISBN: 0415623073
Category : Language Arts & Disciplines
Languages : en
Pages : 264
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Book Description
For years, research concerning masculinities has explored the way that men have dominated, exploited, and dismantled societies, asking how we might make sense of marginalized masculinities in the context of male privilege. This volume asks not only how terms such as men and masculinity are socially defined and culturally instantiated, but also how the media has constructed notions of masculinity that have kept minority masculinities on the margins. Essays explore marginalized masculinities as communicated through film, television, and new media, visiting representations and marginalized identity politics while also discussing the dangers and pitfalls of a media pedagogy that has taught audiences to ignore, sidestep, and stereotype marginalized group realities. While dominant portrayals of masculine versus feminine characters pervade numerous television and film examples, this collection examines heterosexual and queer, military and civilian, as well as Black, Japanese, Indian, White, and Latino masculinities, offering a variance in masculinities and confronting male privilege as represented on screen, appealing to a range of disciplines and a wide scope of readers.
Author: Keiko I. McDonald
Publisher: University of Hawaii Press
ISBN: 9780824829933
Category : Drama
Languages : en
Pages : 308
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Book Description
Reading a Japanese Film, written by a pioneer of Japanese film studies in the United States, provides viewers new to Japanese cinema with the necessary tools to construct a deeper understanding of some of the most critically acclaimed and thoroughly entertaining films ever made. In her introduction, Keiko McDonald presents a historical overview and outlines a unified approach to film analysis. Sixteen "readings" of films currently available on DVD with English subtitles put theory into practice as she considers a wide range of work, from familiar classics by Ozu and Kurosawa to the films of a younger generation of directors.
Author: Yau Shuk-ting, Kinnia
Publisher: Routledge
ISBN: 1135219478
Category : Business & Economics
Languages : en
Pages : 283
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Book Description
Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.
