Jane Campion's The Piano PDF Download
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Author: Harriet Elaine Margolis
Publisher: Cambridge University Press
ISBN: 9780521597210
Category : Fiction
Languages : en
Pages : 224
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Book Description
An examination of Jane Campion's The Piano from a variety of critical perspectives.
Author: Harriet Elaine Margolis
Publisher: Cambridge University Press
ISBN: 9780521597210
Category : Fiction
Languages : en
Pages : 224
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Book Description
An examination of Jane Campion's The Piano from a variety of critical perspectives.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Jane Campion
Publisher: Bloomsbury Publishing
ISBN: 9780747529132
Category : Married women
Languages : en
Pages : 224
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Book Description
Delving deeply into the characters' pasts, this novel reveals why Ada has stopped speaking, the history of the piano and the secret of Flora's conception. Baines's mysterious past is also revealed, and readers discover what lies behind Stewart's stark loneliness.
Author: Hilary Radner
Publisher: Wayne State University Press
ISBN: 9780814334324
Category : Art
Languages : en
Pages : 350
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Book Description
An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.
Author: Felicity Coombs
Publisher: Indiana University Press
ISBN: 9781864620351
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
Essays on the film "The Piano".
Author: Kathleen McHugh
Publisher: University of Illinois Press
ISBN: 0252074475
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
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Author: Dana Polan
Publisher: Bloomsbury Publishing
ISBN: 1838716491
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
With the phenomenal success of 'The Piano' (1993), Jane Campion became revered by many as the leading female film director of the 1990s. In this book, Dana Polan examines the phenomenon of 'The Piano' and how it develops from the early shorts and first features which evoke an often surreal and critical distanced style of looking at everyday issues. Looking at all of Campion's work before and since, including 'Holy Smoke' (1999), which returned again to the battleground of gender politics, the author concludes his survey of the director's work by offering some hypotheses about the erotic thriller 'The Cut' (2001) whilst asking what variety of approaches to the study of directors might now be fruitful.
Author: John Sayles
Publisher: Univ. Press of Mississippi
ISBN: 9781578060832
Category : Motion picture producers and directors
Languages : en
Pages : 264
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Book Description
Collected interviews with the New Zealand director of The Piano and Portrait of a Lady
Author: Alistair Fox
Publisher: Indiana University Press
ISBN: 0253223016
Category : Biography & Autobiography
Languages : en
Pages : 286
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Book Description
Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship.
Author: Dana Polan
Publisher: Bloomsbury Publishing
ISBN: 1838716505
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
With the phenomenal success of 'The Piano' (1993), Jane Campion became revered by many as the leading female film director of the 1990s. In this book, Dana Polan examines the phenomenon of 'The Piano' and how it develops from the early shorts and first features which evoke an often surreal and critical distanced style of looking at everyday issues. Looking at all of Campion's work before and since, including 'Holy Smoke' (1999), which returned again to the battleground of gender politics, the author concludes his survey of the director's work by offering some hypotheses about the erotic thriller 'The Cut' (2001) whilst asking what variety of approaches to the study of directors might now be fruitful.
