Author: Lyckle de Vries
Publisher: BRILL
ISBN: 9004691383
Category : History
Languages : en
Pages : 290
Book Description
The nucleus of Weyerman’s (1677-1747) literary oeuvre is the weekly periodical he published under varying titles from 1720 to the end of his life. He was its only contributor and editor. This book consists of key excerpts supplemented by a scholarly apparatus that contextualizes Weyerman's witty and satirical comments on the customs and manners of his cocitizens. His moralizing observations constitute a mirror of Dutch society in the second quarter of the eighteenth century in the decades before new socio-cultural paradigms associated with the Enlightenment and Romanticism took hold.
Jacob Campo Weyerman’s Comments on the Customs and Manners of his Time
Author: Lyckle de Vries
Publisher: BRILL
ISBN: 9004691383
Category : History
Languages : en
Pages : 290
Book Description
The nucleus of Weyerman’s (1677-1747) literary oeuvre is the weekly periodical he published under varying titles from 1720 to the end of his life. He was its only contributor and editor. This book consists of key excerpts supplemented by a scholarly apparatus that contextualizes Weyerman's witty and satirical comments on the customs and manners of his cocitizens. His moralizing observations constitute a mirror of Dutch society in the second quarter of the eighteenth century in the decades before new socio-cultural paradigms associated with the Enlightenment and Romanticism took hold.
Publisher: BRILL
ISBN: 9004691383
Category : History
Languages : en
Pages : 290
Book Description
The nucleus of Weyerman’s (1677-1747) literary oeuvre is the weekly periodical he published under varying titles from 1720 to the end of his life. He was its only contributor and editor. This book consists of key excerpts supplemented by a scholarly apparatus that contextualizes Weyerman's witty and satirical comments on the customs and manners of his cocitizens. His moralizing observations constitute a mirror of Dutch society in the second quarter of the eighteenth century in the decades before new socio-cultural paradigms associated with the Enlightenment and Romanticism took hold.
Jacob Campo Weyerman and His Collection of Artists' Biographies
Author: Lyckle de Vries
Publisher: Brill's Studies in Intellectua
ISBN: 9789004421806
Category : Art
Languages : en
Pages : 384
Book Description
Painted and written genre scenes -- Failed artists -- Portraiture -- Art in the public sphere -- Art criticism -- Pliny, Durand and Weyerman -- Epilogue -- Appendix 1: Biography of Willem de Fouchier -- Appendix 2: Disquisition on the art of the ancients.
Publisher: Brill's Studies in Intellectua
ISBN: 9789004421806
Category : Art
Languages : en
Pages : 384
Book Description
Painted and written genre scenes -- Failed artists -- Portraiture -- Art in the public sphere -- Art criticism -- Pliny, Durand and Weyerman -- Epilogue -- Appendix 1: Biography of Willem de Fouchier -- Appendix 2: Disquisition on the art of the ancients.
Art in History/History in Art
Author: David Freedberg
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Rubrics, Images and Indulgences in late Medieval Netherlandish Manuscripts
Author: Kathryn M. Rudy
Publisher: BRILL
ISBN: 9004326960
Category : Art
Languages : en
Pages : 338
Book Description
What role did images play in the mania for indulgences during the decades prior to the Protestant Reformation? Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts considers how indulgences (the remission of time in Purgatory) were used to market certain images. Conversely, images helped to spread indulgences, such as those attached to the Virgin in sole and the Mass of St Gregory. Images also began depicting the effects of indulgences: souls escaping Purgatory. Drawing on numerous unpublished sources, Kathryn M. Rudy demonstrates how rubrics modified behaviour and expectations around image-centred devotion. Her work is the first to analyse systematically the way that indulgences and images interacted – indeed, shaped each other – prior to the Reformation.
Publisher: BRILL
ISBN: 9004326960
Category : Art
Languages : en
Pages : 338
Book Description
What role did images play in the mania for indulgences during the decades prior to the Protestant Reformation? Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts considers how indulgences (the remission of time in Purgatory) were used to market certain images. Conversely, images helped to spread indulgences, such as those attached to the Virgin in sole and the Mass of St Gregory. Images also began depicting the effects of indulgences: souls escaping Purgatory. Drawing on numerous unpublished sources, Kathryn M. Rudy demonstrates how rubrics modified behaviour and expectations around image-centred devotion. Her work is the first to analyse systematically the way that indulgences and images interacted – indeed, shaped each other – prior to the Reformation.
Gateways to the Book
Author: Gitta Bertram
Publisher: BRILL
ISBN: 9004464522
Category : Art
Languages : en
Pages : 635
Book Description
An investigation of the complex image-text relationships between frontispieces and illustrated title pages with the following texts in European books published between 1500 and 1800.
Publisher: BRILL
ISBN: 9004464522
Category : Art
Languages : en
Pages : 635
Book Description
An investigation of the complex image-text relationships between frontispieces and illustrated title pages with the following texts in European books published between 1500 and 1800.
Reproducing Images and Texts / La reproduction des images et des textes
Author:
Publisher: BRILL
ISBN: 9004468331
Category : Literary Criticism
Languages : fr
Pages : 426
Book Description
This volume explores how reproduction and reproducibility impact artistic and literary creation while also examining the ways in which reproducibility impacts our practices and disciplines. Ce volume explore l’impact de la reproduction et de la reproductibilité sur la création artistique et littéraire, mais aussi l’impact de la reproductibilité sur nos pratiques et sur nos disciplines.
Publisher: BRILL
ISBN: 9004468331
Category : Literary Criticism
Languages : fr
Pages : 426
Book Description
This volume explores how reproduction and reproducibility impact artistic and literary creation while also examining the ways in which reproducibility impacts our practices and disciplines. Ce volume explore l’impact de la reproduction et de la reproductibilité sur la création artistique et littéraire, mais aussi l’impact de la reproductibilité sur nos pratiques et sur nos disciplines.
The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510–1610
Author: Karl A.E. Enenkel
Publisher: BRILL
ISBN: 9004387250
Category : Art
Languages : en
Pages : 499
Book Description
This study reexamines the invention of the emblem book and discusses the novel textual and pictorial means that applied to the task of transmitting knowledge. It offers a fresh analysis of Alciato’s Emblematum liber, focusing on his poetics of the emblem, and on how he actually construed emblems. It demonstrates that the “father of emblematics” had vernacular forebears, most importantly Johann von Schwarzenberg who composed two illustrated emblem books between 1510 and 1520. The study sheds light on the early development of the Latin emblem book 1531–1610, with special emphasis on the invention of the emblematic commentary, on natural history, and on advanced methods of conveying emblematic knowledge, from Junius to Vaenius.
Publisher: BRILL
ISBN: 9004387250
Category : Art
Languages : en
Pages : 499
Book Description
This study reexamines the invention of the emblem book and discusses the novel textual and pictorial means that applied to the task of transmitting knowledge. It offers a fresh analysis of Alciato’s Emblematum liber, focusing on his poetics of the emblem, and on how he actually construed emblems. It demonstrates that the “father of emblematics” had vernacular forebears, most importantly Johann von Schwarzenberg who composed two illustrated emblem books between 1510 and 1520. The study sheds light on the early development of the Latin emblem book 1531–1610, with special emphasis on the invention of the emblematic commentary, on natural history, and on advanced methods of conveying emblematic knowledge, from Junius to Vaenius.
Anonymous Art at Auction
Author: Anne-Sophie V. Radermecker
Publisher: BRILL
ISBN: 9004460209
Category : Art
Languages : en
Pages : 340
Book Description
Working with a data set accounting for 13,000 auction sales results, Anne-Sophie V. Radermecker explores what contemporary buyers value when purchasing paintings of unknown or uncertain authorship, and which variables influence price formation mechanisms in this market segment. The principle finding of this book is not only that historical names matter in the art market, but so do all other alternative identification strategies that art market players use to label anonymous paintings. Indirect names, provisional names, and spatiotemporal designations function as substitutes for real names that simulate identities, create ex-post stories around the artworks offered for sale, and, consequently, reduce information asymmetry about an artist’s identity, with, at time, quite unexpected effects on price.
Publisher: BRILL
ISBN: 9004460209
Category : Art
Languages : en
Pages : 340
Book Description
Working with a data set accounting for 13,000 auction sales results, Anne-Sophie V. Radermecker explores what contemporary buyers value when purchasing paintings of unknown or uncertain authorship, and which variables influence price formation mechanisms in this market segment. The principle finding of this book is not only that historical names matter in the art market, but so do all other alternative identification strategies that art market players use to label anonymous paintings. Indirect names, provisional names, and spatiotemporal designations function as substitutes for real names that simulate identities, create ex-post stories around the artworks offered for sale, and, consequently, reduce information asymmetry about an artist’s identity, with, at time, quite unexpected effects on price.
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Refresh the Book
Author: Viola Hildebrand-Schat
Publisher: Critical Studies
ISBN: 9789004440845
Category : Art
Languages : en
Pages : 530
Book Description
"Refresh the Book contains reflections on the multimodal nature of the book, focusing on its changing perception, functions, forms, and potential in the digital age. Offering an overview of key concepts and approaches, such as liberature, technotexts, and bookishness, this volume of essays addresses the specificity of the printed book as a complex cultural phenomenon. It discusses diverse forms of representation and expression, both in literary and non-literary texts, as well as in artist's books. Of special interest are these aspects of the book which resist remediation into the digital form. Finally, the volume contains an extensive section devoted to artistic practice as research, discussing the book as the synthesis of the arts, and site for performative aesthetic activity"--
Publisher: Critical Studies
ISBN: 9789004440845
Category : Art
Languages : en
Pages : 530
Book Description
"Refresh the Book contains reflections on the multimodal nature of the book, focusing on its changing perception, functions, forms, and potential in the digital age. Offering an overview of key concepts and approaches, such as liberature, technotexts, and bookishness, this volume of essays addresses the specificity of the printed book as a complex cultural phenomenon. It discusses diverse forms of representation and expression, both in literary and non-literary texts, as well as in artist's books. Of special interest are these aspects of the book which resist remediation into the digital form. Finally, the volume contains an extensive section devoted to artistic practice as research, discussing the book as the synthesis of the arts, and site for performative aesthetic activity"--