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Author: John Paul Meyers
Publisher: Univ. Press of Mississippi
ISBN: 1496850882
Category : Music
Languages : en
Pages : 163
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Book Description
Popular music and its listeners are strongly associated with newness and youth. Young people can stay up late dancing to the latest hits and use cutting-edge technology for listening to and sharing fresh music. Many young people incorporate their devotion to new artists and styles into their own developing personalities. However, if popular music is a genre meant for the youthful, what are listeners to make of the widespread sampling of music from decades-old R&B tracks, sold-out anniversary tours by aging musicians, retrospective box sets of vintage recordings, museum exhibits, and performances by current pop stars invoking music and images of the past? In Same Old Song: The Enduring Past in Popular Music, John Paul Meyers argues that these phenomena are part of what he calls “historical consciousness in popular music.” These deep relationships with the past are an important but underexamined aspect of how musicians and listeners engage with this key cultural form. In chapters ranging across the landscape of twentieth- and twenty-first-century music, Meyers finds indications of historical consciousness at work in multiple genres. Rock music canonizes its history in tribute performances and museums. Jazz and pop musicians cover tunes from the “Great American Songbook.” Hip-hop and contemporary R&B singers invoke Black popular music from the 1960s and 1970s. Examining the work of influential artists like Ella Fitzgerald, Bob Dylan, Miles Davis, Kanye West, Prince, D’Angelo, and Janelle Monáe, Meyers argues that contemporary artists’ homage to the past is key for understanding how music-lovers make meaning of popular music in the present.
Author: John Paul Meyers
Publisher: Univ. Press of Mississippi
ISBN: 1496850882
Category : Music
Languages : en
Pages : 163
Get Book Here
Book Description
Popular music and its listeners are strongly associated with newness and youth. Young people can stay up late dancing to the latest hits and use cutting-edge technology for listening to and sharing fresh music. Many young people incorporate their devotion to new artists and styles into their own developing personalities. However, if popular music is a genre meant for the youthful, what are listeners to make of the widespread sampling of music from decades-old R&B tracks, sold-out anniversary tours by aging musicians, retrospective box sets of vintage recordings, museum exhibits, and performances by current pop stars invoking music and images of the past? In Same Old Song: The Enduring Past in Popular Music, John Paul Meyers argues that these phenomena are part of what he calls “historical consciousness in popular music.” These deep relationships with the past are an important but underexamined aspect of how musicians and listeners engage with this key cultural form. In chapters ranging across the landscape of twentieth- and twenty-first-century music, Meyers finds indications of historical consciousness at work in multiple genres. Rock music canonizes its history in tribute performances and museums. Jazz and pop musicians cover tunes from the “Great American Songbook.” Hip-hop and contemporary R&B singers invoke Black popular music from the 1960s and 1970s. Examining the work of influential artists like Ella Fitzgerald, Bob Dylan, Miles Davis, Kanye West, Prince, D’Angelo, and Janelle Monáe, Meyers argues that contemporary artists’ homage to the past is key for understanding how music-lovers make meaning of popular music in the present.
Author: Elizabeth Hellmuth Margulis
Publisher: Oxford University Press, USA
ISBN: 0199990824
Category : Computers
Languages : en
Pages : 225
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Book Description
On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.
Author: Richard Steier
Publisher: SUNY Press
ISBN: 1438449542
Category : Political Science
Languages : en
Pages : 305
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Book Description
Veteran labor journalist Richard Steier explores the tensions between New York Citys public employee unions, their critics, and city and state politicians. Since 1980 Richard Steier has had a unique vantage point to observe the gains, losses, and struggles of municipal labor unions in New York City. He has covered those unions and city government as a reporter and labor columnist for the New York Post and, since 1998, as editor and featured columnist of the Chief-Leader, a century-old independent newspaper that covers city and state government in greater detail than todays mainstream news organizations. Drawing from his column with the Chief-Leader, Razzle Dazzle, Enough Blame to Go Around describes in vivid terms how the changed economy has drastically altered the citys labor landscape, and why it has been difficult for municipal unions to adapt. There can be no doubt, he writes, that public employee unions have contributed to the problems that confront them today, including corruption and failed leadership. But at the same time and for all their flaws, he believes unions represent the best chance for ordinary people to receive fair economic treatment. No one knows New York Citys working men and women better than journalist Richard Steier. Whether hes depicting the heroic exploits of legendary union leaders or exposing the excesses of corrupt labor bosses or recounting pivotal battles over labor contracts, Steier always provides fresh, behind-the-scenes insight into the vast world of municipal workers, a group that too often is unfairly maligned. And he does it all with a powerful bare-knuckle style that will leave you wishing for more. Juan Gonzalez, staff columnist, New York Daily News If you want to know about municipal unions in New York City, you need to read Richard Steier. I sometimes disagree with him, but for more than two decades he has been one of the most informative and provocative chroniclers of the ins and outs of public sector labor. Joshua B. Freeman, author of American Empire: The Rise of a Global Power, the Democratic Revolution at Home, 19452000 New York Citys labor unions have been luckier than they deserved to have had reporter and editor Richard Steier around to spotlight their occasional triumphs and their much more frequent failures. Like Murray Kempton, another great New York columnist who loved the men and women of labor but who never suffered the fools who sometimes ran their unions, Steiers columns are filled with news, insight, and always compassion for those who ride (and drive) the early trains and buses to work. Tom Robbins, CUNY Graduate School of Journalism Steier presents an impassioned case for public sector unions and the benefits they have won, along with fascinating tales of the machinations inside several of the largest unions in New York CityDistrict Council 37, Transport Workers Union Local 100 and the 2005 strike that paralyzed the city, and the United Federation of Teachers. Alair Townsend, former New York City Budget Director and Deputy Mayor
Author: Andrew Flory
Publisher: University of Michigan Press
ISBN: 0472036866
Category : Music
Languages : en
Pages : 345
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Book Description
Investigates how the music of Motown Records functioned as the center of the company's creative and economic impact worldwide
Author: Paul Williams
Publisher: Hal Leonard Corporation
ISBN: 9780634029585
Category : Music
Languages : en
Pages : 326
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Book Description
When 17-year-old Paul Williams began publishing Crawdaddy! magazine in 1966, just as the American counterculture was poised to explode, the world was only beginning to take rock music as seriously as the intelligencia took folk and jazz. Preceding both Rolling Stone and Creem, Crawdaddy! has gone down in history as the pioneer of rock journalism, and was the training ground for many rock writers who would later become stars in their own right. Now, Paul Williams has gathered the best of Crawdaddy! into a revealing anthology that captures a fascinating historical moment when Jimi Hendrix, the Doors, the Grateful Dead and Buffalo Springfield were unknown and as yet unheard, and inspired writers were struggling to find the language with which to describe this new, vital music. Peter Guralnick, Ralph Gleason, Richard Farina, Jon Landau, Samuel R. Delany and Richard Meltzer are just a few of the later-day luminaries who cut their teeth writing for Crawdaddy! and who are showcased in this stunning collection. Featuring essays and notes by Williams and over 25 photos, The Crawdaddy! Book is a must for anyone who loves the spirit of Rock 'n' Roll. Paul Williams is the author of more than 25 books, of which the best-known are Outlaw Blues, Das Energi and Bob Dylan, Performing Artist, the acclaimed three-part series. He is a world-renowned scholar and leading authority on the works of musicians Bob Dylan, Brian Wilson and Neil Young, and science fiction writers Philip K. Dick and Theodore Sturgeon. His most recent book is The 20th Century's Greatest Hits (A "Top 40" List) (Forge/St. Martins, 2000). Williams currently lives in San Diego, California.
Author: Jesse Gerlach Ulmer
Publisher: McFarland
ISBN: 147665042X
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
For more than three decades, Joel and Ethan Coen have produced some of the most memorable and influential American roots music soundtracks in film history. From Raising Arizona (1987) to O Brother, Where Art Thou? (2000) to Inside Llewyn Davis (2013), the Coens, along with musical archivist and producer T-Bone Burnett, have curated half-forgotten yet unforgettable genres, artists and songs from America's cultural past for new audiences. This book is the first devoted to giving a full account of this rich cinematic legacy.
Author: Duncan Harris
Publisher: Sonicbond Publishing Ltd
ISBN: 1789522307
Category : Music
Languages : en
Pages : 222
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Book Description
Motorhead were arguably the greatest rock and roll band in history, but it took many years to win that accolade. As a result, this is the story of the band that refused to die. The band had to deal with wayward producers, hostile record companies, a couple of false starts and even the ignominy of being proclaimed the Worst Band in the World by the NME! Famed for their loudness and their singular anthem, ‘Ace Of Spades’, Motorhead not only proved inspirational for a host of newer bands but also, accidentally, created two sub-genres of heavy music - speed and thrash metal. Not bad for a band who announced themselves with: ‘We are Motorhead, and we play rock and roll.’ at live gigs. This book covers every studio album, combined with many rarities and the more significant solo work from Lemmy. Beginning with the highly regarded trio of albums that ended the 1970s, the book continues through the line-up hardships and turmoil of the 1980s to the occasionally awkward musical experiments of the early 1990s. It finally closes with the band’s triumphant two-decade-long career revival, making this book an essential companion to the entire studio output of a unique and iconic band. Duncan Harris started as a music journalist and interviewer in the 1980s, writing for fanzines and magazines. He contributed to the Rough Guides music series and, until recently, maintained a long series of reviews for the Internet website The Dreaded Press. This book is the result, a labour of love for an iconic band. Duncan continues to live in Wiltshire, UK, with his remarkable wife, their dog Willow and their cat Lily.
Author: Jennifer Pellechio-Lukowiak
Publisher: AuthorHouse
ISBN: 1468571877
Category : Biography & Autobiography
Languages : en
Pages : 191
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Book Description
Every year 5% of all breast cancer diagnosis occur in women under the age of forty. They do not have the time to be sick, stop their lives or even take the time to care for themselves. This book is for them-the women outside the common statistics, like me. Someone who has been rocked by a scary diagnosis but continues to rock-on. Someone who needs to laugh in the face of fear. It is scary-but hey, if I can get through it, anyone can. The one thing I know for sure, laughter heals. I realized long ago, before cancer, that if I didnt laugh, Id cry. I choose to laugh. I hope you do too.
Author: Frank Decaro
Publisher: Rizzoli International Publications
ISBN: 0847899616
Category : Music
Languages : en
Pages : 242
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Book Description
This dazzling volume shines new light on the songs, styles, and enduring pop culture impact of the 1970s musical genre that emerged from Black and Latin queer culture to take the world by storm. Half a century after the drug-fueled, DJ-driven, glamour-drenched musical phenomenon of disco was born at a New York City loft party, disco’s musical and fashion influences live on in popular culture. This is a frolicking, entertaining, yet serious tribute to the overlooked art form of disco, which has never been given its proper due, nor taken its true place in the historic struggle for LGBTQ+, gender, and racial equality. Painting a vivid portrait of this provocative era, DeCaro explores the cultural importance of disco and how the music and dance that originated in queer Black and Latin clubs of the day became a mainstream phenomenon, changing our culture along the way. With glamorous photos from disco’s heyday up through today, DeCaro examines disco’s pervasive influence on pop culture over the last fifty years—exploring disco in film and television as well as in fashion and interior design. Through entertaining texts—as well as interviews with artists and celebrities of the era, such as Donna Summer and Grace Jones, among others—this book champions the diverse origins of disco while celebrating its influence on today’s groundbreaking artists such as Lady Gaga, Duo Lipa, and Miley Cyrus. A must for all lovers of music, style, and pop culture.
Author: Sally Banes
Publisher: Wesleyan University Press
ISBN: 0819571814
Category : Performing Arts
Languages : en
Pages : 435
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Book Description
Drawing of the postmodern perspective and concerns that informed her groundbreaking Terpsichore in Sneakers, Sally Banes’s Writing Dancing documents the background and developments of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions, and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire. Ebook Edition Note: Ebook edition note: All images have been redacted.
