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Author: Caspar Melville
Publisher: Manchester University Press
ISBN: 1526131269
Category : Social Science
Languages : en
Pages : 352
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Book Description
This book is a record of the Black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London’s precious, embattled multiculture. It tells the story of the linked Black musical scenes of the city, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s. Melville argues that these demonstrate enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.
Author: Caspar Melville
Publisher: Manchester University Press
ISBN: 1526131269
Category : Social Science
Languages : en
Pages : 352
Get Book Here
Book Description
This book is a record of the Black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London’s precious, embattled multiculture. It tells the story of the linked Black musical scenes of the city, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s. Melville argues that these demonstrate enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.
Author: Caspar Melville
Publisher: Music and Society
ISBN: 9781526131232
Category : History
Languages : en
Pages : 272
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Book Description
This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture. It conceives of the linked scenes around black music in London, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s, as demonstrating enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.
Author: Jonathan M. Bloom
Publisher: Yale University Press
ISBN: 0300243472
Category : Art
Languages : en
Pages : 348
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Book Description
A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."
Author: Tim Crabbe
Publisher: Routledge
ISBN: 1134440898
Category : Social Science
Languages : en
Pages : 230
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Book Description
The everyday makeup of contemporary sport is increasingly characterised by a perceived explosion of 'deviance' - violence, drug taking, racism, homophobia, misogyny, corruption and excess. Whereas once these behaviours may have been subject to the moral judgments of authority, in the face of dramatic socio-cultural change they become more a matter of populist consumer gaze. In addressing these developments this book provides a new and insightful approach toward the study of 'deviance' in the realm of sport. New Perspectives in Sport and 'Deviance' awakens the sociology of sport to the possibilities of re-imagining 'deviance' and offers an evocative approach which will appeal both to academics and students in the field of sociology of sport and sociology of deviance.
Author: Elke Weesjes
Publisher: Taylor & Francis
ISBN: 1040005500
Category : Music
Languages : en
Pages : 239
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Book Description
This edited volume concentrates on the period from the 1940s to the present, exploring how popular music forms such as blues, disco, reggae, hip hop, grime, metal and punk evolved and transformed as they traversed time and space. Within this framework, the collection traces how music and subcultures travel through, to and from democracies, autocracies and anocracies. The chosen approach is multidisciplinary and deliberately diverse. Using both archival sources and oral testimony from a wide variety of musicians, promoters, critics and members of the audience, contributors from a range of academic disciplines explore music and subcultural forms in countries across Asia, Europe, Oceania, North America and Africa. They investigate how far the meaning of music and associated subcultures change as they move from one context to another and consider whether they transcend or blur parameters of class, race, gender and sexuality.
Author: Simon Reynolds
Publisher: Catapult
ISBN: 1593764073
Category : Music
Languages : en
Pages : 609
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Book Description
Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s. England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon. Read on, and learn why is nitrous oxide is called “hippy crack.”
Author: Alan Collins
Publisher: Routledge
ISBN: 1317998820
Category : Science
Languages : en
Pages : 242
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Book Description
This book contains a collection of cutting-edge chapters that explore various connections between urban living, sexuality and sexual desire around the world. The key themes featured address a number of topical issues including: the controversies and debates raging around the evolution, defining patterns and appropriate regulation of commercial sex zones and markets in the urban landscape how gay public spaces, districts and 'gay villages' emerged and developed in various towns and cities around the world how changing attitudes to, and the usage of urban sexual spaces, as depicted in iconic television series such as Sex and the City and Queer as Folk, reflect the reality of working women's or gay men's changing life experiences. With detailed case studies, and a strong interdisciplinary appeal, this book will be a valuable reference for postgraduates and advanced students in the fields of cultural studies as well as human, urban and social geography. This book was previously published as a special issue of the journal Urban Studies.
Author: Jeffrey Boakye
Publisher: Influx Press
ISBN: 1910312428
Category : Music
Languages : en
Pages : 350
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Book Description
Hold Tight is the book that kick started the 'Grime Library'. Bursting into bookshops in July 2017 to rave reviews and a sold out event at Rough Trade East, Hold Tight paved the way for Grime-related books such as Wiley's Eskiboy, Dan Hancox's Inner City Pressure and DJ Target's Grime Kids.This new edition of Hold Tight features new chapters, a brand new introduction from Boakye and a brand new cover. Celebrating over sixty key songs that make up Grime's DNA, Jeffrey Boakye explores the meaning of the music and why it has such resonance in the UK. Boakye also examines the representation of masculinity in the music and the media that covers it. Both a love letter to Grime and an investigation into life as a black man in Britain today, Hold Tight is insightful, very funny and stacked with sentences you'll want to pull up and read again and again.
Author: Sean Sutherland
Publisher: Bloomsbury Publishing
ISBN: 113740289X
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
This practical textbook introduces students to a range of tools and techniques used in discourse analysis. The perfect starting point for those new to the field, it explores a wide range of fundamental concepts in discourse analysis, including sociolinguistic variables that affect language use, register, cohesion and coherence, discourse markers and Grice's maxims. Excerpts from novels, songs, newspaper articles and spoken conversations illustrate key concepts and enrich students' understanding of the subject. This introductory guide is an invaluable resource for undergraduates studying discourse analysis, sociolinguistics and applied linguistics modules or courses. It is also ideal for students of related disciplines which entail an understanding of discourse analysis, such as communication studies, sociology, anthropology, management and psychology.
Author: Michael Cragg
Publisher: Nine Eight Books
ISBN: 1788707257
Category : Music
Languages : en
Pages : 447
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Book Description
A Times Book of the Year A Telegraph Book of the Year A Guardian Book of the Year A Rock 'n' Roll Book Club Book of the Year A Guardian 50 Best Holiday Reads An Independent Book of the Year A Mojo Music Book of the Year A Resident Book of the Year A Classic Pop Book of the Year 'This really is a wonderful book for pop kids everywhere' - RICHARD OSMAN Using the arrival of the Spice Girls as a jumping-off point, this fascinating new narrative will explore, celebrate and contextualise the thus-far-uncharted period of British pop that flourished between 1996 and 2006. A double-denim-loving time before the glare of social media and the accession of streaming. The bastions of '00s pop - armed with buoyant, immaculately crafted, carefree anthems - provided entertainment, escapism and fun for millions. It was a heady, chorus-heavy decade - populated by the likes of Steps, S Club 7, Blue, 5ive, Mis-Teeq, Hear'Say, Busted, Girls Aloud, McFly, Craig David and Atomic Kitten, among countless others - yet the music was often dismissed as inauthentic, juvenile, not 'worthy' enough: ultimately, a 'guilty pleasure'. Now, music writer Michael Cragg aims to redress that balance. Using the oral-history format, Cragg goes beneath the surface of the bubblegum exterior, speaking to hundred's of the key players about the reality of their experiences. Compiled from interviews with popstars, songwriters, producers, choreographers, magazine editors, record-company executives, TV moguls and more, this is a complete behind-the-scenes history of the last great movement in British pop - a technicolour turning-point ripe for re-evaluation, documented here in astonishing, honest and eye-opening detail.
