Scenery, Set, and Staging in the Italian Renaissance PDF Download
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Author: Christopher Cairns
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Essays by experts on Renaissance theatre practice and in particular on aspects of staging and set-design. Contains many photographs and drawings.
Author: Christopher Cairns
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Essays by experts on Renaissance theatre practice and in particular on aspects of staging and set-design. Contains many photographs and drawings.
Author: Elizabeth Bruni
Publisher:
ISBN:
Category : Theaters
Languages : en
Pages : 62
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Book Description
Author: Mario Monteverdi
Publisher: Legare Street Press
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Giulio Troili
Publisher: Berkeley : University of California Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Author: Lily B. Campbell
Publisher: Cambridge University Press
ISBN: 1107620848
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
This 1923 book studies the development of English staging during the Renaissance, and its relationship with the classical revival of stage decoration in Italy. The text attempts to show how from the beginning of the classical revival of drama in Italy, staging was regarded as an accepted part of dramatic production.
Author: Ralph Lieberman
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Giorgio Vasari
Publisher: SIU Press
ISBN: 9780809321612
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
From this imposing source, Thomas A. Pallen has created a compendium of theatrical references augmented by related modern Italian scholarship. Vasari's Lives - daunting because of its sheer magnitude - has remained relatively obscure to English-speaking theatre historians.
Author: Oscar G. Brockett
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
A lively, beautifully illustrated history of theatrical stage design from ancient Greek times to the present, coauthored by the world's leading authority, Oscar G. Brockett.
Author: Wheelock Whitney et Co. (New York, N.Y.)
Publisher:
ISBN:
Category : Set designers
Languages : en
Pages : 60
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Book Description
Author: Philip Steadman
Publisher: UCL Press
ISBN: 1787359158
Category : Art
Languages : en
Pages : 418
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Book Description
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
