Author: Charles Callahan Perkins
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 394
Book Description
Italian Sculptors
Author: Charles Callahan Perkins
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 394
Book Description
Luca Della Robbia. With Other Italian Sculptors
Author: Leader Scott
Publisher: BoD – Books on Demand
ISBN: 3385334845
Category : Fiction
Languages : en
Pages : 130
Book Description
Reprint of the original, first published in 1883.
Publisher: BoD – Books on Demand
ISBN: 3385334845
Category : Fiction
Languages : en
Pages : 130
Book Description
Reprint of the original, first published in 1883.
Ghiberti and Donatello with Other Early Italian Sculptors
Author: Leader Scott
Publisher:
ISBN:
Category : Sculptors (Italian).
Languages : en
Pages : 118
Book Description
Publisher:
ISBN:
Category : Sculptors (Italian).
Languages : en
Pages : 118
Book Description
Luca della Robbia, with other Italian sculptors, by Leader Scott
Author: Lucy E. Baxter
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
Book Description
Italian Sculptors
Author: William George Waters
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 430
Book Description
Ten Contemporary Italian Sculptors
Author:
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Sculptors
Languages : en
Pages : 36
Book Description
SCULPTORS, PAINTERS AND ITALY
Author: Sirpa Salenius
Publisher: il prato publishing house srl
ISBN: 8863360723
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The essays in Sculptors, Painters, and Italy: Italian Influence on Nineteenth-Century American Art examine the influence of Italy in the works of nineteenth-century American sculptors and painters. The focus is on their experience in Italy, their relationship with local workmen, their contact with Italian artists such as the Tuscan Macchiaioli, and the impact of their Italian experience on the formation of American art. The papers in the volume discuss such artists as Horatio Greenough, Thomas Cole, Hiram Powers, Henry Kirke Brown, Elihu Vedder, Edmonia Lewis, and John Singer Sargent. The essays are written by scholars from American universities and museums, and they appear in the following order: Elise Madeleine Ciregna, “’An Example in the Right Direction’: Horatio Greenough’s Life and Work in Italy”; John F. McGuigan Jr, “’A Painter’s Paradise’: Thomas Cole and His Transformative Experience in Florence, 1831-1832”; Rebecca Reynolds, “’No Ordinary Hands’: Hiram Powers’ Artistic and Professionally Related Family”; Karen Lemmey, “’I would just as soon be in Albany as Florence,’ Henry Kirke Brown and the American Expatriate Colonies in Italy, 1842-1846”; Mary K. McGuigan, “A Garden of Lost Opportunities: Elihu Vedder in Florence, 1857-1860”, Marilyn Richardson, “Friends and Colleagues: Edmonia Lewis and Her Italian Circle”; and Kathleen Lawrence, “John Singer Sargent, Italy, and the American Paradox.”
Publisher: il prato publishing house srl
ISBN: 8863360723
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The essays in Sculptors, Painters, and Italy: Italian Influence on Nineteenth-Century American Art examine the influence of Italy in the works of nineteenth-century American sculptors and painters. The focus is on their experience in Italy, their relationship with local workmen, their contact with Italian artists such as the Tuscan Macchiaioli, and the impact of their Italian experience on the formation of American art. The papers in the volume discuss such artists as Horatio Greenough, Thomas Cole, Hiram Powers, Henry Kirke Brown, Elihu Vedder, Edmonia Lewis, and John Singer Sargent. The essays are written by scholars from American universities and museums, and they appear in the following order: Elise Madeleine Ciregna, “’An Example in the Right Direction’: Horatio Greenough’s Life and Work in Italy”; John F. McGuigan Jr, “’A Painter’s Paradise’: Thomas Cole and His Transformative Experience in Florence, 1831-1832”; Rebecca Reynolds, “’No Ordinary Hands’: Hiram Powers’ Artistic and Professionally Related Family”; Karen Lemmey, “’I would just as soon be in Albany as Florence,’ Henry Kirke Brown and the American Expatriate Colonies in Italy, 1842-1846”; Mary K. McGuigan, “A Garden of Lost Opportunities: Elihu Vedder in Florence, 1857-1860”, Marilyn Richardson, “Friends and Colleagues: Edmonia Lewis and Her Italian Circle”; and Kathleen Lawrence, “John Singer Sargent, Italy, and the American Paradox.”
A Sisterhood of Sculptors
Author: Melissa Dabakis
Publisher: Penn State Press
ISBN: 0271064676
Category : Art
Languages : en
Pages : 304
Book Description
This project is made possible through support from the Terra Foundation for American Art. When Elizabeth Cady Stanton penned the Declaration of Sentiments for the first women’s rights convention, held in Seneca Falls, New York, in 1848, she unleashed a powerful force in American society. In A Sisterhood of Sculptors, Melissa Dabakis outlines the conditions under which a group of American women artists adopted this egalitarian view of society and negotiated the gendered terrain of artistic production at home and abroad. Between 1850 and 1876, a community of talented women sought creative refuge in Rome and developed successful professional careers as sculptors. Some of these women have become well known in art-historical circles: Harriet Hosmer, Edmonia Lewis, Anne Whitney, and Vinnie Ream. The reputations of others have remained, until now, buried in the historical record: Emma Stebbins, Margaret Foley, Sarah Fisher Ames, and Louisa Lander. At midcentury, they were among the first women artists to attain professional stature in the American art world while achieving international fame in Rome, London, and other cosmopolitan European cities. In their invention of modern womanhood, they served as models for a younger generation of women who adopted artistic careers in unprecedented numbers in the years following the Civil War. At its core, A Sisterhood of Sculptors is concerned with the gendered nature of creativity and expatriation. Taking guidance from feminist theory, cultural geography, and expatriate and postcolonial studies, Dabakis provides a detailed investigation of the historical phenomenon of women’s artistic lives in Rome in the mid-nineteenth century. As an interdisciplinary examination of femininity and creativity, it provides models for viewing and interpreting nineteenth-century sculpture and for analyzing the gendered status of the artistic profession.
Publisher: Penn State Press
ISBN: 0271064676
Category : Art
Languages : en
Pages : 304
Book Description
This project is made possible through support from the Terra Foundation for American Art. When Elizabeth Cady Stanton penned the Declaration of Sentiments for the first women’s rights convention, held in Seneca Falls, New York, in 1848, she unleashed a powerful force in American society. In A Sisterhood of Sculptors, Melissa Dabakis outlines the conditions under which a group of American women artists adopted this egalitarian view of society and negotiated the gendered terrain of artistic production at home and abroad. Between 1850 and 1876, a community of talented women sought creative refuge in Rome and developed successful professional careers as sculptors. Some of these women have become well known in art-historical circles: Harriet Hosmer, Edmonia Lewis, Anne Whitney, and Vinnie Ream. The reputations of others have remained, until now, buried in the historical record: Emma Stebbins, Margaret Foley, Sarah Fisher Ames, and Louisa Lander. At midcentury, they were among the first women artists to attain professional stature in the American art world while achieving international fame in Rome, London, and other cosmopolitan European cities. In their invention of modern womanhood, they served as models for a younger generation of women who adopted artistic careers in unprecedented numbers in the years following the Civil War. At its core, A Sisterhood of Sculptors is concerned with the gendered nature of creativity and expatriation. Taking guidance from feminist theory, cultural geography, and expatriate and postcolonial studies, Dabakis provides a detailed investigation of the historical phenomenon of women’s artistic lives in Rome in the mid-nineteenth century. As an interdisciplinary examination of femininity and creativity, it provides models for viewing and interpreting nineteenth-century sculpture and for analyzing the gendered status of the artistic profession.
The Encyclopedia Americana
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 902
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 902
Book Description
Self Culture for Young People: Music, the fine arts, and the drama
Author: Andrew Sloan Draper
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 438
Book Description