The Gubbio Studiolo and Its Conservation: Italian Renaissance intarsia and the conservation of the Gubbio studiolo PDF Download
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Author: Olga Raggio
Publisher: Metropolitan Museum of Art
ISBN: 0870999257
Category : Architecture
Languages : en
Pages : 514
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Book Description
Author: Olga Raggio
Publisher: Metropolitan Museum of Art
ISBN: 0870999257
Category : Architecture
Languages : en
Pages : 514
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Book Description
Author: Antoine M. Wilmering
Publisher:
ISBN:
Category : Gubbio Studiolo (Palazzo ducale, Gubbio, Italy)
Languages : en
Pages : 262
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Book Description
Author: Olga Raggio
Publisher: Metropolitan Museum of Art
ISBN: 9780300085167
Category : Art
Languages : en
Pages : 504
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Book Description
The Gubbio studiolo, a small private study that is a masterpiece of Italian Renaissance intarsia, was reinstalled in The Metropolitan Museum of Art in 1996. It is valued not only for its perspectival inlay - a tour de force of illusionism - but also for its rich historical associations and beauty. Made for Federico da Montefeltro, a fifteenth-century condottiere, the studiolo has intarsia panels that display a dazzling array of the accoutrements of the duke’s life. This treasure trove is rendered with the most admirable understanding of the laws of perspective. The objects depicted and the shadows that give them such volume are composed of thousands of pieces and slivers of different varieties of wood, each set with uncanny accuracy. This book presents an in-depth discussion of this famous work of art. In the first of the two volumes, Olga Raggio focuses on Gubbio’s political history and architectural and urban development, the achievements of da Montefeltro and his role in the creation of the studiolo, and the history of the studiolo, and Martin Kemp examines the Gubbio perspectival system. In the second volume, Antoine M. Wilmering discusses the conservation of the Gubbio studiolo and the history, materials, and techniques of intarsia work.
Author: Michael Wyatt
Publisher: Cambridge University Press
ISBN: 1139991671
Category : Literary Criticism
Languages : en
Pages : 471
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Book Description
The Renaissance in Italy continues to exercise a powerful hold on the popular imagination and on scholarly enquiry. This Companion presents a lively, comprehensive, interdisciplinary, and current approach to the period that extends in Italy from the turn of the fourteenth century through the latter decades of the sixteenth. Addressed to students, scholars, and non-specialists, it introduces the richly varied materials and phenomena as well as the different methodologies through which the Renaissance is studied today both in the English-speaking world and in Italy. The chapters are organized around axes of humanism, historiography, and cultural production, and cover a wide variety of areas including literature, science, music, religion, technology, artistic production, and economics. The diffusion of the Renaissance throughout Italian territories is emphasized. Overall, the Companion provides an essential overview of a period that witnessed both a significant revalidation of the classical past and the development of new, vernacular, and increasingly secular values.
Author: Olga Raggio
Publisher: Metropolitan Museum of Art New York
ISBN:
Category : Architecture
Languages : en
Pages : 238
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Book Description
![The World of Renaissance Italy [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/CuXNEAAAQBAJ?fife=w80-h100)
Author: Joseph P. Byrne
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 843
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Book Description
Students of the Italian Renaissance who wish to go beyond the standard names and subjects will find in this text abundant information on the lives, customs, beliefs, and practices of those who lived during this exciting time period. The World of Renaissance Italy: A Daily Life Encyclopedia engages all of the Italian peninsula from the Black Death (1347–1352) to 1600. Unlike other encyclopedic works about the Renaissance era, this book deals exclusively with Italy, revealing the ways common Italian people lived and experienced the events and technological developments that marked the Renaissance era. The coverage specifically spotlights marginal or traditionally marginalized groups, including women, homosexuals, Jews, the elderly, and foreign communities in Italian cities. The entries in this two-volume set are organized into 10 sections of 25 alphabetically listed entries each. Among the broad sections are art, fashion, family and gender, food and drink, housing and community, politics, recreation and social customs, and war. The "See Also" sources for each article are listed by section for easy reference, a feature that students and researchers will greatly appreciate. The extensive collection of contemporary documents include selections from a diary, letters, a travel journal, a merchant's inventory, Inquisition testimony, a metallurgical handbook, and text by an artist that describes what the author feels constitutes great work. Each of the primary source documents accompanies a specific article and provides an added dimension and degree of insight to the material.
Author: Joanne Allen
Publisher: Cambridge University Press
ISBN: 110898343X
Category : Art
Languages : en
Pages : 621
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Book Description
Before the late sixteenth century, the churches of Florence were internally divided by monumental screens that separated the laity in the nave from the clergy in the choir precinct. Enabling both separation and mediation, these screens were impressive artistic structures that controlled social interactions, facilitated liturgical performances, and variably framed or obscured religious ritual and imagery. In the 1560s and 70s, screens were routinely destroyed in a period of religious reforms, irreversibly transforming the function, meaning, and spatial dynamics of the church interior. In this volume, Joanne Allen explores the widespread presence of screens and their role in Florentine social and religious life prior to the Counter-Reformation. She presents unpublished documentation and new reconstructions of screens and the choir precincts which they delimited. Elucidating issues such as gender, patronage, and class, her study makes these vanished structures comprehensible and deepens our understanding of the impact of religious reform on church architecture.
Author: Kenneth Bartlett
Publisher: Hackett Publishing
ISBN: 1624668208
Category : History
Languages : en
Pages : 414
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Book Description
The Italian Renaissance has come to occupy an almost mythical place in the popular imagination. The outsized reputations of the best-known figures from the period—Michelangelo, Niccolo Machiavelli, Lorenzo the Magnificent, Pope Julius II, Isabella d'Este, and so many others—engender a kind of wonder. How could so many geniuses or exceptional characters be produced by one small territory near the extreme south of Europe at a moment when much of the rest of the continent still labored under the restrictions of the Middle Ages? How did so many of the driving principles behind Western civilization emerge during this period—and how were they defined and developed? And why is it that geniuses such as Leonardo, Raphael, Petrarch, Brunelleschi, Bramante, and Palladio all sustain their towering authority to this day? To answer these questions, Kenneth Bartlett delves into the lives and works of the artists, patrons, and intellectuals—the privileged, educated, influential elites—who created a rarefied world of power, money, and sophisticated talent in which individual curiosity and skill were prized above all else. The result is a dynamic, highly readable, copiously illustrated history of the Renaissance in Italy—and of the artists that gave birth to some of the most enduring ideas and artifacts of Western civilization.
Author: Willy Piron
Publisher: Cambridge Scholars Publishing
ISBN: 152750428X
Category : History
Languages : en
Pages : 329
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Book Description
Misericordia International was founded by Elaine C. Block as an association dedicated to the study of choir stalls and their relation to other artistic manifestations during the Middle Ages, and the dissemination of research. From its beginnings, Misericordia International has promoted a bi-annual international conference as a place of scientific exchange among members of the research community interested in this topic from a multidisciplinary perspective. The most recent conference was held from 23 to 26 June 2016 at the Ernst-Moritz-Arndt-University in Greifswald, Germany. The theme of the conference was the workshop context of medieval choir stalls in its broadest sense. Where the iconography of choir stalls has enjoyed a lot of attention from researchers, the process and circumstances of the making of these complex objects have often been rather neglected. Choir stalls were not produced by an individual artist, but were created by a group of craftsmen. This factor raises all kinds of questions. The conference in Greifswald covered an obvious need for research and therefore included much hitherto unknown research material and additional first results based on initial research. In addition to questions about substantive and economic mechanisms of the production of choir stalls, the conference dealt with basic knowledge of craftsmanship. This publication presents the papers held at the conference and is divided into five thematic parts, namely Workshop practices; Early modern choir stalls – Traditions or restart?; Stalls of stone – A forgotten furniture; Travelling craftsmen; and Group of works.
Author: Ingrid Alexander-Skipnes
Publisher: Taylor & Francis
ISBN: 1317192060
Category : Art
Languages : en
Pages : 215
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Book Description
During the early modern period there was a natural correspondence between how artists might benefit from the knowledge of mathematics and how mathematicians might explore, through advances in the study of visual culture, new areas of enquiry that would uncover the mysteries of the visible world. This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective but also examine how mathematics enriched aesthetic theory and the human mind. The contributors explore the portrayal of mathematical activity and mathematicians as well as their ideas and instruments, how artists displayed their mathematical skills and the choices visual artists made between geometry and arithmetic, as well as Euclid’s impact on drawing, artistic practice and theory. These chapters cover a broad geographical area that includes Italy, Switzerland, Germany, the Netherlands, France and England. The artists, philosophers and mathematicians whose work is discussed include Leon Battista Alberti, Nicholas Cusanus, Marsilio Ficino, Francesco di Giorgio, Leonardo da Vinci and Andrea del Verrocchio, as well as Michelangelo, Galileo, Piero della Francesca, Girard Desargues, William Hogarth, Albrecht Dürer, Luca Pacioli and Raphael.
