Italian Renaissance frames : Metropolitan Museum of Art New York,[June 5 - September 2, 1990] PDF Download
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![Italian Renaissance frames : Metropolitan Museum of Art New York,[June 5 - September 2, 1990] PDF](https://books.google.com/books/content/images/frontcover/MGVhwgEACAAJ?fife=w150-h200)
Author:
Publisher:
ISBN: 9780870995897
Category :
Languages : en
Pages : 111
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![Italian Renaissance frames : Metropolitan Museum of Art New York,[June 5 - September 2, 1990] PDF](https://books.google.com/books/content/images/frontcover/MGVhwgEACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN: 9780870995897
Category :
Languages : en
Pages : 111
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Book Description
Author: Timothy J. Newbery
Publisher: Metropolitan Museum of Art
ISBN: 0870995871
Category : Picture frames and framing
Languages : en
Pages : 113
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Book Description
Published in conjunction with the exhibition at the Metropolitan Museum of Art, New York, June to September 1990. Includes a catalogue, an introductory essay, and a glossary without pronunciations. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Timothy J. Newbery
Publisher: Metropolitan Museum of Art New York
ISBN: 9780810934559
Category : Picture frames and framing
Languages : en
Pages : 111
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Book Description
Author: Timothy J. Newbery
Publisher:
ISBN:
Category :
Languages : en
Pages : 111
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Book Description
Author: Eli Wilner
Publisher: Chronicle Books
ISBN: 9780811820707
Category : Art
Languages : en
Pages : 214
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Book Description
Consider the frame as a work of art itself. This in-depth examination of the beauty and diversity of antique American frames is comprised of diverse essays by curators, scholars, artists, and art lovers. The craft of matching frame to work is beautifully illustrated in the 150 images.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394417
Category : Art
Languages : en
Pages : 290
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Book Description
Author: Timothy J. Newbery
Publisher: Metropolitan Museum of Art
ISBN: 1588392694
Category : Cadres (Art)
Languages : en
Pages : 481
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Book Description
The Robert Lehman Collection at The Metropolitan Museum of Art houses one of the finest collections of frames in the world. The collection Robert Lehman bequeathed to the Museum includes nearly 400 frames, most of them Italian and French and dating from the 14th to the 18th century. Although he bought most of these frames to display his paintings and drawings, a number of them were acquired as works of art in their own right. Using the documentary evidence that survives, this volume attempts to place these frames on the pictures and in the interiors for which they were intended. For each frame, the author has provided a profile drawing that is a key to its design, origin, date, and application. This volume is the 13th in a series of 16 on the Robert Lehman Collection. -- Metropolitan Museum of Art website.
Author: Sira Waldner
Publisher: Edicit-Editrice Centro Italia
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588391132
Category : Art, Byzantine
Languages : en
Pages : 682
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Book Description
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 490
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Book Description
Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists. In addition to a group of early German drawings, this collection includes a Saint Paul from a series associated with Jan van Eyck and the famous Scupstoel from the circle of Rogier van der Weyden. It discusses all drawings, placing each in its art historical setting and complementing it with comparative illustrations of related works.
