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Author: Martin J. Hopkinson
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Art
Languages : en
Pages : 214
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Book Description
Italian printmakers were at the forefront of contemporary stylistic movements. They pioneered Futurism, Metaphysical Painting and Arte Povera. Morandi, De Chirico and Fontana are just some of the major artists in this medium who are discussed in this book.Independence in Italy in 1861 led to a remarkable revival of high quality printmaking. This catalogue discusses the Italians' engagement with naturalism, realism and symbolism as well as their relationships with other European artists. At the end of the nineteenth century the foundation of the Venice Biennale and a series of prominent international exhibitions had an enormous impact on the Italian work. They were influenced by French, German, Swiss, British and American printmaking.This fully illustrated catalogue is the first publication of its kind and draws from the collection recently founded by The British Museum, supplemented with works from the Estorick, Tate Modern and Victoria and Albert Museum. Included are 123 works by 45 artists, introduced by a general discussion of printmaking in Italy since the beginning of the nineteeenth century.
Author: Martin J. Hopkinson
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Art
Languages : en
Pages : 214
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Book Description
Italian printmakers were at the forefront of contemporary stylistic movements. They pioneered Futurism, Metaphysical Painting and Arte Povera. Morandi, De Chirico and Fontana are just some of the major artists in this medium who are discussed in this book.Independence in Italy in 1861 led to a remarkable revival of high quality printmaking. This catalogue discusses the Italians' engagement with naturalism, realism and symbolism as well as their relationships with other European artists. At the end of the nineteenth century the foundation of the Venice Biennale and a series of prominent international exhibitions had an enormous impact on the Italian work. They were influenced by French, German, Swiss, British and American printmaking.This fully illustrated catalogue is the first publication of its kind and draws from the collection recently founded by The British Museum, supplemented with works from the Estorick, Tate Modern and Victoria and Albert Museum. Included are 123 works by 45 artists, introduced by a general discussion of printmaking in Italy since the beginning of the nineteeenth century.
Author: M. Rosa Vives
Publisher: Edicions Universitat Barcelona
ISBN: 8491687203
Category : Art
Languages : en
Pages : 124
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Book Description
Trilogy about Several Urban View and Landscape Prints presents three essays dedicated to the specific observation of prints, by great artists such as Canaletto, Goya, Hokusai and Picasso, whose main theme is the representation of outdoor space: landscapes and urban views. M. Rosa Vives studies the contextualisation of these prints and their creative and iconographic links with tradition, and with other artists and creative media. The works remind us that engraving has been, and continues to be, an artistic medium with its own language, a particular technology, and a sensorial form of expression and communication. They also recall how, before the advent of photography, engraving was a major force behind the spreading of images and culture.
Author: Norma Broude
Publisher:
ISBN: 9780300035476
Category : Art
Languages : en
Pages : 324
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Book Description
Traces the history of this neglected group of Italian artists, shows examples of their paintings and drawings, and assesses the movement's place in modern art
Author:
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 104
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Book Description
Author: Livio Pestilli
Publisher: Routledge
ISBN: 1351554115
Category : Art
Languages : en
Pages : 229
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Book Description
The presence of the orthopedically impaired body in art is so pervasive that, paradoxically, it has failed to attract the attention of most art historians. In Picturing the Lame in Italian Art from Antiquity to the Modern Era, Livio Pestilli investigates the changing meaning that images of individuals with limited mobility acquired through the centuries. This study evinces that in distinct opposition to the practice of classical artists, who manifested a lack of interest in the subject of lameness since it was considered 'a defect or a deformity' and deformity a 'want of measure, which is always unsightly,' their Early Christian counterparts depicted them profusely, because images of the miraculous healing of the lame became the reassuring sign of universal acceptance and the promise of a more equitable existence in this life or the next. In the Middle Ages, instead, when voluntary poverty came to be associated with the necessary condition of faithfulness to Christ, the indigent lame, along with others who were forced to beg for a living, became the image of the alter Christus. This view was to change in the Renaissance and Baroque periods, when, with the resurgence of classical and Pauline ideals that condemned the idle, representations of the orthopedically impaired became associated with swindlers, freeloaders and parasites. This fascinating story came basically to an end in the Eighteenth century when, with the revival of the Greek ideal of the Beautiful, the lame gradually left center stage to be relegated again to the margins of the visual arts.
Author:
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 736
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Book Description
Author: Mark Antliff
Publisher:
ISBN: 0199937664
Category : Art
Languages : en
Pages : 320
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Book Description
Vorticism addresses the seminal innovations in theatre, literature and poetry as well as Vorticist painting, sculpture, print making, and photography that encompassed the Vorticism art movement.
Author:
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 156
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Book Description
Author: Timothy Wilson
Publisher: Metropolitan Museum of Art
ISBN: 1588395618
Category : Design
Languages : en
Pages : 394
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Book Description
The form of tin-glazed earthenware known as maiolica reveals much about the culture and spirit of Renaissance Italy. Engagingly decorative, often spectacularly colorful, sometimes whimsical or frankly bawdy, these magnificent objects, which were generally made for use rather than simple ornamentation, present a fascinating glimpse into the realities of daily life. Though not as well known as Renaissance painting and sculpture, maiolica is also prized by collectors and amateurs of the decorative arts the world over. This volume offers highlights of the world-class collection of maiolica at the Metropolitan Museum. It presents 135 masterpieces that reflect more than four hundred years of exquisite artistry, ranging from early pieces from Pesaro—including an eight-figure group of the Lamentation, the largest, most ambitious piece of sculpture produced in a Renaissance maiolica workshop—to everyday objects such as albarelli (pharmacy jars), bella donna plates, and humorous genre scenes. Each piece has been newly photographed for this volume, and each is presented with a full discussion, provenance, exhibition history, publication history, notes on form and glaze, and condition report. Two essays by Timothy Wilson, widely considered the foremost scholar in the field, provide overviews of the history and technique of maiolica as well as an account of the formation of The Met's collection. Also featured is a wide-ranging introduction by Luke Syson that examines how the function of an object governed the visual and compositional choices made by the pottery painter. As the latest volume in The Met's series of decorative arts highlights, Maiolica is an invaluable resource for scholars and collectors as well as an absorbing general introduction to a multifaceted subject.
Author:
Publisher:
ISBN:
Category : Book collecting
Languages : en
Pages : 644
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Book Description
