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Author: Keith Christiansen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
This volume presents Italian painting through specific themes, as well as by chronological and regional achievement. With approximately 300 colourplates, this large-format book contains devotional images, portraits, landscapes, allegorical paintings, genre scenes, still life arranements, and abstract compositions. Keith Christiansen is Curator of European Paintings at the Metropolitan Museum of Art in New York. His introduction and twenty eight essays set out in history of Italian Painting and its lasting impact. His thoughtful presentation not only instructs but also delights the reader with anecdotal details and innovative visual connections. -- http://www.ebay.com.
Author: Keith Christiansen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
This volume presents Italian painting through specific themes, as well as by chronological and regional achievement. With approximately 300 colourplates, this large-format book contains devotional images, portraits, landscapes, allegorical paintings, genre scenes, still life arranements, and abstract compositions. Keith Christiansen is Curator of European Paintings at the Metropolitan Museum of Art in New York. His introduction and twenty eight essays set out in history of Italian Painting and its lasting impact. His thoughtful presentation not only instructs but also delights the reader with anecdotal details and innovative visual connections. -- http://www.ebay.com.
Author: Joseph Archer Crowe
Publisher: Parkstone International
ISBN: 1783103922
Category : Art
Languages : en
Pages : 200
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Book Description
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.
Author: Metropolitan Museum of Art (Nova York, Nova York)
Publisher: Metropolitan Museum of Art
ISBN: 0300086229
Category :
Languages : en
Pages : 246
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Book Description
Author: Christopher Lloyd
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
In color, the rest in duotone; there are also eighty comparative illustrations.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: Carl Brandon Strehlke
Publisher: Penn State University Press
ISBN: 9780271025377
Category : Painting
Languages : en
Pages : 0
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Book Description
This exhibition catalog examines the 19th-century art collection now in the Philadelphia Museum of Art's holdings that was the collection of John G. Johnson, a Philadelphia lawyer.
Author: National Gallery (Great Britain)
Publisher: National Gallery Publications Limited
ISBN: 9781857099133
Category : Art
Languages : en
Pages : 518
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Book Description
This volume catalogues paintings from Venice made between 1540 and 1600, and includes some of the greatest pictures in the National Gallery, London.
Author:
Publisher: Penn State Press
ISBN: 0271043806
Category :
Languages : en
Pages : 326
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Book Description
Author: Edward J. Olszewski
Publisher: Cambridge Scholars Publishing
ISBN: 1527512843
Category : Art
Languages : en
Pages : 221
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Book Description
This study employs cognitive theory as a heuristic framework to interrogate the agency of female types in select Italian Renaissance paintings, with emphasis on Venus, Medusa, the Amazon, Boccaccio's Lady Fiammetta/Cleopatra, Susanna, the Magdalene, and the Madonna. The study disrupts assumptions about the identity of sitters and readings of paintings as it challenges paradigms of female representation. It interrogates why certain paintings were crafted, by whom and for whom. Works are placed in the context of meta-painting, with stress on the cognitive decisions negotiated between patron and artist. The ludic aspects of several paintings are examined with a fine grain semiotic approach to expand their iconographies. Psychoanalytic readings are unpacked, based on the flawed mythological metaphors and incomplete clinical studies of Sigmund Freud's theorizing. The rubric of female agency is deliberately selected to unify popular but enigmatic master paintings of disparate subjects.
Author: P?r Bokody
Publisher: Routledge
ISBN: 1351563254
Category : Art
Languages : en
Pages : 505
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Book Description
The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutics and iconography, it traces reflexivity in Italian mural and panel painting at the dawn of the Renaissance, and presents novel interpretations of several key works of Giotto di Bondone and the Lorenzetti brothers. The potential influence of the contemporary religious and social context on the program design is also examined situating the visual innovations within a broader historical horizon. The analysis of pictorial illusionism and reality effect together with the liturgical, narrative and typological role of images-within-images makes this work a pioneering contribution to visual studies and premodern Italian culture.
