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Author: Keith Christiansen
Publisher: Trident
ISBN: 9780883639719
Category : Painting, Italian
Languages : en
Pages : 320
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Book Description
This volume presents Italian painting through specific themes, as well as by chronological and regional achievement. With approximately 300 colourplates, this large-format book contains devotional images, portraits, landscapes, allegorical paintings, genre scenes, still life arranements, and abstract compositions. Keith Christiansen is Curator of European Paintings at the Metropolitan Museum of Art in New York. His introduction and twenty eight essays set out in history of Italian Painting and its lasting impact. His thoughtful presentation not only instructs but also delights the reader with anecdotal details and innovative visual connections.
Author: Keith Christiansen
Publisher: Trident
ISBN: 9780883639719
Category : Painting, Italian
Languages : en
Pages : 320
Get Book Here
Book Description
This volume presents Italian painting through specific themes, as well as by chronological and regional achievement. With approximately 300 colourplates, this large-format book contains devotional images, portraits, landscapes, allegorical paintings, genre scenes, still life arranements, and abstract compositions. Keith Christiansen is Curator of European Paintings at the Metropolitan Museum of Art in New York. His introduction and twenty eight essays set out in history of Italian Painting and its lasting impact. His thoughtful presentation not only instructs but also delights the reader with anecdotal details and innovative visual connections.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: Metropolitan Museum of Art (Nova York, Nova York)
Publisher: Metropolitan Museum of Art
ISBN: 0300086229
Category :
Languages : en
Pages : 246
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Book Description
Author: Miklós Boskovits
Publisher:
ISBN: 9780894683985
Category :
Languages : en
Pages :
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Book Description
Author: Giorgio Morandi
Publisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97
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Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Author: John and Mable Ringling Museum of Art
Publisher: Scala
ISBN:
Category : Art
Languages : en
Pages : 556
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Book Description
Presenting a wealth of new research, analysis and previously unpublished documentation, this volume is the first comprehensive examination of the Italian, Spanish and French Old Master paintings in the collections of the John and Mable Ringling Museum of Art. The largest and most significant collection of its kind in the American Southeast, the Ringling's 300-plus Italian, Spanish and French paintings include important works by well-known artists such as Cortona, Piero di Cosimo, Guercino, Rosa, Strozzi, Tiepolo and Veronese; Coypel, Nattier and Raoux; and Cano, Ribera and Velazquez. A rich resource for scholars and enthusiasts alike, this book includes comprehensive entries for each painting with details of technique and materials, provenance, patronage, attribution, date, subject, iconography, conservation history and bibliography, all accompanied by vivid, newly commissioned color photography of each work.
Author: Bryan Keene
Publisher:
ISBN: 9782503586182
Category : Art
Languages : en
Pages : 320
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Book Description
The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, cultural exchange, materiality, politics, patronage, and devotion, contributing to a new understanding of how art was made and experienced in this nodal century. These papers were originally presented at the Andrew Ladis Trecento Conference held at the Museum of Fine Arts in Houston in November of 2018.
Author:
Publisher: Penn State Press
ISBN: 0271043806
Category :
Languages : en
Pages : 326
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Book Description
Author: David Bomford
Publisher: National Gallery London
ISBN: 9780300061444
Category : Art
Languages : en
Pages : 225
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Book Description
In Italy between 1270 and 1370 the whole tradition of European painting underwent a radical and enduring change of direction. This attractive and unusual study of Italian painted panels of the Early Renaissance examines the materials with which this transformation was effected and demonstrates how modern technology has increased our understanding of medieval panel painting. The authors survey the primarily religious function of these works and the professional context in which the artists worked. They provide explanations of the construction of panels and the preparation of wood for painting and of the preparation and application of gold leaf. The substantial sections on pigments and color represent original research done at the Gallery that has enabled the writers to provide the first comprehensive survey of how paints were prepared, mixed, and applied.
Author: Carl Brandon Strehlke
Publisher: Penn State University Press
ISBN: 9780271025377
Category : Painting
Languages : en
Pages : 0
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Book Description
This exhibition catalog examines the 19th-century art collection now in the Philadelphia Museum of Art's holdings that was the collection of John G. Johnson, a Philadelphia lawyer.
