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Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 374
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Book Description
"This is the third volume in an acclaimed series that will publish all of the master drawings at one of America's great museums. It reproduces and documents - with essays by a team of leading scholars - sheets from Italy, France, England, and Spain ranging from the sixteenth through the eighteenth centuries. It features splendid works by some of the greatest draftsmen of all time, among them Michelangelo, Tintoretto, Guercino, Canaletto, Giovanni Battista and Giovanni Domenico Tiepolo, Jacques Callot, Claude Lorrain, Francois Boucher, Maurice Quentin de La Tour, Thomas Gainsborough, John Hoppner, Peter Lely and George Romney as well as others by lesser-known and unidentified artists. Each work is exquisitely reproduced in rich duotone and discussed in an individual essay." "The Detroit Institute of Arts acquired its first two drawings in the year of its founding, 1885, both gifts from James E. Scripps, who went on to be one of the great benefactors of the graphic arts division. Among the other leading figures in the history of the drawing collection have been donors John S. Newberry and Mr. and Mrs. Bernard Walker as well as director William R. Valentiner, who in 1934 made a now-legendary buying trip to Europe, returning with sixty-nine master drawings acquired with a budget of $4,000." "Italian, French, English, and Spanish Drawings and Watercolors represents the combined efforts of a team of leading specialists in the field of master drawings. They provide for each of 231 sheets: attribution, date, medium, dimensions, inscriptions and annotations, condition, provenance, exhibition history, and published references."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 374
Get Book Here
Book Description
"This is the third volume in an acclaimed series that will publish all of the master drawings at one of America's great museums. It reproduces and documents - with essays by a team of leading scholars - sheets from Italy, France, England, and Spain ranging from the sixteenth through the eighteenth centuries. It features splendid works by some of the greatest draftsmen of all time, among them Michelangelo, Tintoretto, Guercino, Canaletto, Giovanni Battista and Giovanni Domenico Tiepolo, Jacques Callot, Claude Lorrain, Francois Boucher, Maurice Quentin de La Tour, Thomas Gainsborough, John Hoppner, Peter Lely and George Romney as well as others by lesser-known and unidentified artists. Each work is exquisitely reproduced in rich duotone and discussed in an individual essay." "The Detroit Institute of Arts acquired its first two drawings in the year of its founding, 1885, both gifts from James E. Scripps, who went on to be one of the great benefactors of the graphic arts division. Among the other leading figures in the history of the drawing collection have been donors John S. Newberry and Mr. and Mrs. Bernard Walker as well as director William R. Valentiner, who in 1934 made a now-legendary buying trip to Europe, returning with sixty-nine master drawings acquired with a budget of $4,000." "Italian, French, English, and Spanish Drawings and Watercolors represents the combined efforts of a team of leading specialists in the field of master drawings. They provide for each of 231 sheets: attribution, date, medium, dimensions, inscriptions and annotations, condition, provenance, exhibition history, and published references."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Stijn Alsteens
Publisher: Yale University Press
ISBN: 0300212054
Category : Art
Languages : en
Pages : 321
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Book Description
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
Author: Perrin Stein
Publisher: Metropolitan Museum of Art
ISBN: 0870998927
Category : Drawing
Languages : en
Pages : 257
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Book Description
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 1588390403
Category : Painting, French
Languages : en
Pages : 610
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Book Description
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
Author: James David Draper
Publisher: Metropolitan Museum of Art
ISBN: 0870998404
Category : Neoclassicism (Art)
Languages : en
Pages : 436
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Book Description
This examination concentrates on the beginnings of Neoclassicism and explores the philosophical and scientific underpinnings of the Enlightenment, in which Pajou played an important part.
Author: Nicholas Turner
Publisher: Getty Publications
ISBN: 0892364807
Category : Art
Languages : en
Pages : 346
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Book Description
V. 3 betr. u. a. Hans Jakob Plepp.
Author:
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 1128
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Book Description
Author: William L. Barcham
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 94
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Author: Carmen C. Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588396371
Category : Art
Languages : en
Pages : 395
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Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 496
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Book Description
