Italian Drawings in the Department of Prints and Drawings in the British Museum: Raphael and his circle, Giulio Romano, G.F. Penni, Perino del Vaga, Giovanni da Udine, Tommaso Vincidor, Polidoro da Caravaggio, Baldassare Peruzzi, Timoteo Viti and Girolamo Genga, also Sebastiano del Piombo

Italian Drawings in the Department of Prints and Drawings in the British Museum: Raphael and his circle, Giulio Romano, G.F. Penni, Perino del Vaga, Giovanni da Udine, Tommaso Vincidor, Polidoro da Caravaggio, Baldassare Peruzzi, Timoteo Viti and Girolamo Genga, also Sebastiano del Piombo PDF Author: British Museum. Dept. of Prints and Drawings
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 230

Get Book Here

Book Description


Michelangelo and His Drawings

Michelangelo and His Drawings PDF Author: Michael Hirst
Publisher: Yale University Press
ISBN: 9780300047967
Category : Art
Languages : en
Pages : 334

Get Book Here

Book Description
Focuses on the drawings of the artist famous for his sculptures and his work on the Sistine Chapel ceiling

Italian Drawings in the Department of Prints and Drawings in the British Museum: -[4] Raphael and his circle, by P. Pouncey and J.A. Gere. Catalogue. Plates

Italian Drawings in the Department of Prints and Drawings in the British Museum: -[4] Raphael and his circle, by P. Pouncey and J.A. Gere. Catalogue. Plates PDF Author: British Museum. Dept. of Prints and Drawings
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 230

Get Book Here

Book Description


Michelangelo Drawings

Michelangelo Drawings PDF Author: Hugo Chapman
Publisher: Yale University Press
ISBN: 9780300111477
Category : Art
Languages : en
Pages : 334

Get Book Here

Book Description
Presents a catalog to accompany an exhibition of drawings by Michelangelo.

Master Drawings of the Italian Renaissance

Master Drawings of the Italian Renaissance PDF Author: Claire Van Cleave
Publisher: Harvard University Press
ISBN: 9780674026773
Category : Art
Languages : en
Pages : 200

Get Book Here

Book Description
"Beginning with an examination of drawing as part of the creative process, and showing how it reveals the artist's mind at work, the author explains in detail the materials and techniques used in Renaissance drawings. It also considers how drawings were used, how they changed stylistically through the period and how they varied in different regions of Italy. It concludes with a brief look at connoisseurship and collecting."--Amazon.

15th and 16th Century Italian Drawings in the Metropolitan Museum of Art

15th and 16th Century Italian Drawings in the Metropolitan Museum of Art PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993143
Category : Drawing
Languages : en
Pages : 334

Get Book Here

Book Description


Italian Renaissance Drawings from the Musée Du Louvre, Paris: Roman, Tuscan, and Emilian Schools, 1500-1575

Italian Renaissance Drawings from the Musée Du Louvre, Paris: Roman, Tuscan, and Emilian Schools, 1500-1575 PDF Author: Roseline Bacou
Publisher: Metropolitan Museum of Art
ISBN: 0870990942
Category : Drawing
Languages : en
Pages : 162

Get Book Here

Book Description


Sixteenth-century Italian Drawings in New York Collections

Sixteenth-century Italian Drawings in New York Collections PDF Author: William Griswold
Publisher: Metropolitan Museum of Art
ISBN: 0870996886
Category : Drawing
Languages : en
Pages : 284

Get Book Here

Book Description
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR

The Drawings of Bronzino

The Drawings of Bronzino PDF Author: Carmen Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588393542
Category : Drawing
Languages : en
Pages : 337

Get Book Here

Book Description
Drawings by the great Italian Mannerist painter and poet Agnolo Bronzino (1503-1572) are extremely rare. This important and beautiful publication brings together for the first time nearly all of the sixty drawings attributed to this leading draftsman of the 16th century. Each drawing is illustrated in color, discussed in detail, and shown with many comparative photographs. Bronzino's technical virtuosity as a draftsman and his mastery of anatomy and perspective are vividly apparent in each stroke of the chalk, pen, or brush. The younger generations of Florentine artists particularly admired Bronzino for his technical virtuosity as a painter, and Giorgio Vasari praised him for his powers as a disegnatore (designer and draftsman).

Michelangelo's Poetry and Iconography in the Heart of the Reformation

Michelangelo's Poetry and Iconography in the Heart of the Reformation PDF Author: Ambra Moroncini
Publisher: Routledge
ISBN: 1317096819
Category : Literary Criticism
Languages : en
Pages : 350

Get Book Here

Book Description
Contextualizing Michelangelo’s poetry and spirituality within the framework of the religious Zeitgeist of his era, this study investigates his poetic production to shed new light on the artist’s religious beliefs and unique language of art. Author Ambra Moroncini looks first and foremost at Michelangelo the poet and proposes a thought-provoking reading of Michelangelo’s most controversial artistic production between 1536 and c.1550: The Last Judgment, his devotional drawings made for Vittoria Colonna, and his last frescoes for the Pauline Chapel. Using theological and literary analyses which draw upon reformist and Protestant scriptural writings, as well as on Michelangelo’s own rime spirituali and Vittoria Colonna’s spiritual lyrics, Moroncini proposes a compelling argument for the impact that the Reformation had on one of the greatest minds of the Italian Renaissance. It brings to light how, in the second quarter of the sixteenth century in Italy, Michelangelo’s poetry and aesthetic conception were strongly inspired by the revived theologia crucis of evangelical spirituality, rather than by the theologia gloriae of Catholic teaching.