Author: Cindi Strauss
Publisher: Yale University Press
ISBN: 0300247494
Category : Design
Languages : en
Pages : 225
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Book Description
This essential survey of Italian Radical design, a movement that interrogated modern living against the turbulent political climate of the 1960s, is lavishly illustrated with new photography, including rarely seen prototypes and limited-production pieces.
Author: Charlotte Fiell
Publisher: Goodman
ISBN: 9781847960474
Category : Art and design
Languages : en
Pages : 0
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Book Description
Masterpieces of Italian Design is an overview of the past two centuries in Italian design and manufacturing. This new title documents the 110 most pioneering designs to come out of Italy, and explains why, with stunning images (including rare archival photographs, illustrations and patent drawings) and explanatory texts.
Author: Giampiero Bosoni
Publisher: The Museum of Modern Art
ISBN: 9780870707384
Category : Design
Languages : en
Pages : 168
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Book Description
"The story of Italian design, told through works selected from the collection of the museum of modern art, New York."--Cubierta posterior.
Author:
Publisher: White Star Publishers
ISBN: 9788854405844
Category : Design
Languages : en
Pages : 0
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Book Description
Made in Italy has always been synonymous with quality and style. These peculiarities of Italian design are obvious in this volume, which recounts its history through the work of its designers. With the exception of masters of car design, not appearing in this volume, prominent designers for every historical period are presented, in descriptions detailing a synthesis of the project approach and a selection of the most significant products, by now considered veritable icons of contemporary design. Taking as its point of departure furnishings from Modern Architecture and the famous "Lettera 22" typewriter by Marcello Nizzoli, the volume dwells on some of the projects by great masters of Italian design, including Achille Castiglioni, Joe Colombo, Vico Magistretti, Bruno Munari, Ettore Sottsass, Marco Zanuso. Also considered are those laboratories and studios that, in adhering to the Radical Design movement of the 1960s and '70s, proposed projects intended to surprise and disrupt. An entire chapter is dedicated to the protagonists of contemporary Italian industrial design, those capable of reading tendencies and translating them into objects, thus creating the new Italian style that would be exported throughout the world. And the volume closes with an international reference, highlighting the examples of certain foreign designers who were able - indeed, in Italy - to drive their own ideas to success. AUTHOR: DESIGN.DOC is a publishing services agency, conceives and produces complete editorial products for print and other media, for clients in design, furnishings, art, and architecture. The partners' diversity of experience comprises the unique character of the firm, which is devoted to a specialized yet transversal interpretation for every project. ILLUSTRATIONS: 242 colour photographs
Author: Nally Bellati
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 212
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Book Description
Very Good,No Highlights or Markup,all pages are intact.
Author: William Georgi
Publisher: ACTAR Publishers
ISBN: 8492861746
Category : Design
Languages : en
Pages : 194
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Book Description
"This book is a collection of the work of a group of artists who accepted Polyedra's invitation to celebrate the past, present and future of the close collaboration between Swiss and Italian designers"--P. 5.
Author: AA. VV.
Publisher: Gangemi Editore spa
ISBN: 8849247060
Category : Architecture
Languages : en
Pages : 440
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Book Description
Italian Design The Milan Triennale is an Italian State institution which, together with the Municipality of Milan and the Lombardy Region, is charged with preserving and promoting Italian Design as well as carrying out research in framework programs focusing on town-planning, architecture, handicrafts, industrial production, fashion, new media, etc. In its long history, the Milan Triennale has always followed developments in the field of applied arts; from the thirties to the post-war years, during the reconstruction years and the country's economic miracle and later during the economic and energy crisis of the seventies. Since the eighties, Milan has increasingly become an international centre of design. The Triennale played a leading role in organizing important qualitative events that have enhanced the city's image. Last but not least, the foundation of the Museum of Design. To achieve its goals, the Milan Triennale has established its own Research Centre and a Permanent Collection of Italian Design. The 100 objects of Italian Design on show in this exhibition have been selected from the Permanent Collection, a unique qualitative and quantative ensemble of Italy's design legacy. The Permanent Collection is used as a basis for all exhibits on Italian Design at the Triennale or around the world: its intention is to shed new light on the history of industrial production in Italy. The pieces in the Collection illustrate the heterogeneous history of Italian design, the innovation and experimentation that have made it famous and immediately recognisable thanks to the works created by its master designers. Italy is a country with a thriving manufacturing industry that focuses on quality design and products: in fact, design represents one of the country's strategic economic resources. Its "good fortune," and niche position on the international stage and world markets is primarily due to the "system" that has gradually been developed. The system unites design culture and production which are influenced, on the one hand, by the still unrivalled works of the past - for example, those by Leonardo da Vinci - and, on the other, by the vision of a future that goes beyond mere technique and the exploitation of natural resources. The exhibition 100 Objects of Italian Design, organised by the curator of the Collection, Silvana Annicchiarico, uses the objects that have made Italian design famous all over the world to tell this story. The exhibition is a way to discover the history of a country which, thanks to its creativity and design, is once again a leader on the world stage; a role it intends to pursue and develop by welcoming all and every contribution. Davide Rampello President of the Milan Triennale
Author: Nina Börnsen-Holtmann
Publisher: Conran Octopus
ISBN:
Category : Architecture
Languages : en
Pages : 184
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Book Description
Why did Italy, and in particular Milan, become a great centre of international design after World War II? This book examines this question and presents a chronological review of the most beautiful "linea italiana" products from all areas of daily life
Author: Giuseppe Raimondi
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 296
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Book Description
"Superbly illustrated, this book discusses the interrelationships between culture and design in Italy in the 1960s, 1970s, and 1980s. Each decade is introduced with an outline of the popular trends in fashion, cinema, television, and industrial design in the context of Italian politics and society. The author discusses developments in manufacturing and marketing and the effect of economic trends on the design industry. The best of the furniture and design exhibitions and salons of the time are recaptured and their impact on other media is examined. The designs and projects of Franco Albini, Vittorio Gregotti, Gae Aulent, and Ettore Sottsass are among the many that are highlighted. Chairs, lighting, beds, and shelving are displayed in lofts, apartments, and country and suburban houses where conventional decor and cutting-edge furnishings are ingeniously combined. A multitude of products and interiors by the leading Italian designers of the last three decades is documented in beautiful photographs."--
Author: Antje Gamble
Publisher: Taylor & Francis
ISBN: 1000900940
Category : Art
Languages : en
Pages : 150
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Book Description
Enriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950–53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after World War II (WWII). Moving beyond previous studies, this book looks to the archival sources and beyond the history of design for a greater understanding of the stakes of the show. First, the book considers art’s role in this exhibition’s import—prominent mid-century sculptors like Giacomo Manzù, Fausto Melotti, and Lucio Fontana were included. Second, it foregrounds the particular role sculpture was able to play in transcending the boundaries of fine art and craft to showcase innovative formalist aesthetics of modernism without falling in the critiques of modernism playing out on the international stage in terms of state funding for art. Third, the book engages with the larger socio-political use of art as a cultural soft power both within the American and Italian contexts. Fourth, it highlights the important role race and culture of Italians and Italian-Americans played in the installation and success of this exhibition. Lastly, therefore, this study connects an investigation of modernist sculpture, modern design, post-war exhibitions, sociology, and transatlantic politics and economics to highlight the important role sculpture played in post-war Italian and American cultural production. The book will be of interest to scholars working in art history, design history, museum studies, Italian studies, and American studies.
