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Author: Anthony V. Riccio
Publisher: SUNY Press
ISBN: 0791481700
Category : Social Science
Languages : en
Pages : 474
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Book Description
Using interviews and photographs, Anthony Riccio provides a vital supplement to our understanding of the Italian immigrant experience in the United States. In conversations around kitchen tables and in social clubs, members of New Haven's Italian American community evoke the rhythms of the streets and the pulse of life in the old ethnic neighborhoods. They describe the events that shaped the twentieth century—the Spanish Flu pandemic, the Great Depression, and World War II—along with the private histories of immigrant women who toiled under terrible working conditions in New Haven's shirt factories, who sacrificed dreams of education and careers for the economic well-being of their families. This is a compelling social, cultural, and political history of a vibrant immigrant community.
Author: Anthony V. Riccio
Publisher: SUNY Press
ISBN: 0791481700
Category : Social Science
Languages : en
Pages : 474
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Book Description
Using interviews and photographs, Anthony Riccio provides a vital supplement to our understanding of the Italian immigrant experience in the United States. In conversations around kitchen tables and in social clubs, members of New Haven's Italian American community evoke the rhythms of the streets and the pulse of life in the old ethnic neighborhoods. They describe the events that shaped the twentieth century—the Spanish Flu pandemic, the Great Depression, and World War II—along with the private histories of immigrant women who toiled under terrible working conditions in New Haven's shirt factories, who sacrificed dreams of education and careers for the economic well-being of their families. This is a compelling social, cultural, and political history of a vibrant immigrant community.
Author: Anthony V. Riccio
Publisher: Excelsior Editions
ISBN: 9780791467732
Category : Social Science
Languages : en
Pages : 472
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Book Description
A compelling social history of a vibrant immigrant community, told through interviews and photographs.
Author: Salvatore J. LaGumina
Publisher: Routledge
ISBN: 1135583331
Category : History
Languages : en
Pages : 733
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Book Description
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Anthony V. Riccio
Publisher: Excelsior Editions
ISBN: 9780791467749
Category : Social Science
Languages : en
Pages : 472
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Book Description
A compelling social history of a vibrant immigrant community, told through interviews and photographs.
Author: Louis J. Gesualdi
Publisher: University Press of America
ISBN: 0761858601
Category : History
Languages : en
Pages : 107
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Book Description
The Italian/American Experience represents a meaningful attempt to inform Italian Americans about their group's varied experiences in America. This collection of eleven works offers readers an in-depth view of Italian American culture and heritage.
Author: Mary Ann McDonald Carolan
Publisher: State University of New York Press
ISBN: 1438450265
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
In The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allen's To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) also resonates with Allen's The Purple Rose of Cairo (1985) as well as with Neil LaBute's Nurse Betty (2000). Tarantino's Kill Bill saga (2003, 2004) plays off elements of Sergio Leone's spaghetti Western C'era una volta il West/Once Upon a Time in the West (1968), a transatlantic conversation about the Western that continues in Tarantino's Oscar-winning Django Unchained (2012). Lee Daniels's Precious (2009) and Spike Lee's Miracle at St. Anna (2008), meanwhile, demonstrate that the neorealism of Roberto Rossellini and Vittorio De Sica, which arose from the political and economic exigencies of postwar Italy, is an effective vehicle for critiquing social issues such as poverty and racism in a contemporary American context. The book concludes with an examination of American remakes of popular Italian films, a comparison that offers insight into the similarities and differences between the two cultures and the transformations in genre, both subtle and obvious, that underlie this form of cross-cultural exchange.
Author: Laura A. Macaluso
Publisher: Arcadia Publishing
ISBN: 146712687X
Category : Columbus Day
Languages : en
Pages : 96
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Book Description
Author: Neil Thomas Proto
Publisher: SUNY Press
ISBN: 1438479638
Category : Biography & Autobiography
Languages : en
Pages : 472
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Book Description
Biography of the early years of A. Bartlett Giamatti, who would become Yale University’s first non-Anglo-Saxon Protestant president and commissioner of Major League Baseball. In 1977, a thirty-nine-year-old Italian American professor of Renaissance literature, A. Bartlett Giamatti, was chosen as the next president of Yale University, a radical act that was immediately perceived as a threat to the university’s embedded, eugenics-driven, Anglo-Saxon mentality. Eugenics, as practiced in America, and especially at Yale, locked into place those who were deemed “unfit” due to beliefs about their ethnicity, class, and racial character, beliefs that had endured for decades and to which Giamatti’s selection, as an Italian American and therefore, to some, one of the “unfit,” was an open rebuke. In Fearless, Neil Thomas Proto explores the origins of Giamatti’s ethical convictions, including his insistence on fairness, his respect for the duty of responsible citizenship, and his advocacy for people on the margins. Proto argues that these convictions, which would inform Giamatti’s time at Yale as well as his brief tenure as commissioner of Major League Baseball, can be understood only in the context of Giamatti’s family and the deeply entwined and conflicted histories of Yale and New Haven itself—a history that Giamatti, who had been both a student and a professor at Yale and who had Italian American relatives in New Haven, knew very well. Historian Sean Wilentz wrote that “Bart Giamatti was a phenomenon who lived the lives of several men even though his own ended tragically early.” Giamatti confirmed his underlying imperative through to the end of his life: “Rest,” he wrote, “will come by never resting.” Fearless is a story about persistence against forces ugly, embedded, and more pernicious than simply racial and ethnic discrimination, and about the principled embrace of civic duty passed on generationally and used fully as the ethical sword and shield necessary to challenge them. “In Fearless, Neil Proto tells the extraordinary life story and career of A. Bartlett Giamatti as he became a distinguished professor of Renaissance literature, a pathbreaking president of Yale University, and the seventh commissioner of Major League Baseball. Proto writes with the candor, directness, thoroughness, and passionate pursuit of truth that also characterized Giamatti. His compelling biography is a shining achievement.” — Nick Kotz, Pulitzer Prize–winning reporter and author of Judgment Days: Lyndon Baines Johnson, Martin Luther King Jr., and the Laws That Changed America “Neil Proto’s narrative is riveting, thorough, and essential to understanding how unfettered White Anglo Saxon discrimination against Southern and Eastern European immigrants and African Americans—recognized then as ‘eugenics’ and today as ‘White Supremacy’—was taught, supported, and legitimized. Proto especially captures the prejudice and methods intended to repress the aspirations of hard working Southern Italian immigrants—Bart Giamatti’s family among them. Government often led the way. Neighborhoods destroyed. Families displaced. Sterilization justified. Valentine Giamatti learned and taught the civic duty of fairness toward others to his son, Bart, as did the parents, including my own and Neil Proto’s, among the immigrant and migrant families who came to New Haven. That battle for fairness endures today. Proto’s work is like none other I’ve read.” — Congresswoman Rosa DeLauro (D–New Haven) “Through the story of the Giamatti family and the focus on A. Bartlett Giamatti, Proto is able to write a microhistory of a significant part of twentieth-century America. The way he interlocks immigration, race, education, urban history, local politics, academic politics, intellectual history, and biography is splendid. It is a magisterial lesson in civic education and the duty of citizenship. The book is a pleasure to read; one does not want to put it down. The research is impeccable and voluminous.” — Samuele F. S. Pardini, author of In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen
Author: Laura A. Macaluso
Publisher: McFarland
ISBN: 1476673152
Category : Art
Languages : en
Pages : 234
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Book Description
There are nearly 500 public works of art throughout New Haven, Connecticut--a city of 17 square miles with 130,000 residents. While other historic East Coast cities--Philadelphia, Providence, Boston--have been the subjects of book-length studies on the function and meaning of public art, New Haven (founded 1638) has largely been ignored. This comprehensive analysis provides an overview of the city's public art policy, programs and preservation, and explores its two centuries of public art installations, monuments and memorials in a range of contexts.
Author: Norman I. Silber
Publisher: Oxford University Press
ISBN: 0197635113
Category : Judges
Languages : en
Pages : 914
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Book Description
"My behavior is not a Yankee's behavior. It just is not, no matter what. My family was Italian, and different from most other Italian immigrants. We did not need to melt in. We did not need to assimilate, because of who we were and what we came from. While other people were painting themselves red, white, and blue, we talked Italian, absorbed our family's history, and thought of ourselves as being what we always were. In the deepest sense, I was never taught to be a Yankee, which is a fact that comes out in any number of the things that I do and try to accomplish. Some people have the feeling that what I write and say is too subtle, or perhaps manipulative; or that I behave a bit outlandishly; but those people do not put what I do in the context of Italy, in the context of that very old, very subtle, very complicated society, which I come from"--
