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Author: Ryan Lang
Publisher: Oni Press
ISBN: 1637151012
Category : Fiction
Languages : en
Pages : 203
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Book Description
In a feudal Japan where creatures of myth and folklore are real, a demon sets out to reforge an ancient weapon to take over the world. The only person who can stop him is an inches-tall would-be samurai, who also happens to be the final and most important piece of the weapon. Issunboshi: A Graphic Novel is a lush retelling of the classic Japanese folktale reminding us that one is not born a hero–you must discover the courage to become one.
Author: Ryan Lang
Publisher: Oni Press
ISBN: 1637151012
Category : Fiction
Languages : en
Pages : 203
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Book Description
In a feudal Japan where creatures of myth and folklore are real, a demon sets out to reforge an ancient weapon to take over the world. The only person who can stop him is an inches-tall would-be samurai, who also happens to be the final and most important piece of the weapon. Issunboshi: A Graphic Novel is a lush retelling of the classic Japanese folktale reminding us that one is not born a hero–you must discover the courage to become one.
Author: Ryan Lang
Publisher: Oni Press
ISBN: 9781637154298
Category : Fiction
Languages : en
Pages : 0
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Book Description
“A fantastic riff on a simple Japanese folktale, clearly told and lovingly rendered with cinematic aplomb. Will delight brave young readers and fantasy-loving adult readers alike.” —Library Journal, starred review From Russ Manning Award finalist Ryan Lang comes an expansive retelling of the Japanese folktale about Issunboshi, the six-inch high samurai! In a feudal Japan where creatures of myth and folklore are real, a demon sets out to reforge an ancient weapon to take over the world. The only person who can stop him is an inches-tall would-be samurai, who also happens to be the final and most important piece of the weapon. Issunboshi: A Graphic Novel is a lush retelling of the classic Japanese folktale reminding us that one is not born a hero—you must discover the courage to become one.
Author: Icinori
Publisher: Little Gestalten
ISBN: 9783899557183
Category : JUVENILE FICTION
Languages : en
Pages : 40
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Book Description
Equipped with a needle and a rice bowl, Issun Bãoshi, an inch-tall boy, leaves home for the city and finds work as the companion to a nobleman's daughter, whom he uses his wits to save from a gigantic ogre.
Author:
Publisher:
ISBN: 9780896100428
Category : Folk songs, Japanese
Languages : en
Pages : 0
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Book Description
Relates how a one-inch tall young man proves himself as a warrior and wins the hand of a princess.
Author: Sourya
Publisher: Oni Press
ISBN: 1637154534
Category : Young Adult Fiction
Languages : en
Pages : 226
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Book Description
Cartoonist Sourya’s manga and bandes dessinées-inspired adventure continues as Talli trains to master her mysterious powers before her pursuers lay siege to the city in the third exhilarating installment of the Daughter of the Moon series! Talli is a Summoner, a being of immense but mysterious powers granted by the goddess of the moon, and shunned by society for that very power. On the run from the forces of Lord Ulric, who wants to exterminate the Summoners, Talli and her companions take shelter in a mountain stronghold manned by those loyal to the children of the moon. Fara, an elderly Summoner—the first of her own kind that Talli's ever met—begins training her to use her power and, ultimately, the mythical Chimera that appears when her blood is spilled. Isolated with her new teacher and her frequent verbal sparring partner Lélo, a lethargic but incredible swordsman, Talli's ability grows. Further down the mountain, Lord Ulric and his terrifying Special Brigade lay siege on the walls that separate them from their prey. As the gates fall, Talli's loyal knight protector, Alan, bets his life on Captain Nina, forest warriors Max and Maddie make a final stand against improbable odds, and we see the true power of the Summoners for the first time!
Author: Cecile Brun
Publisher: Tuttle Publishing
ISBN: 1462920284
Category : Young Adult Fiction
Languages : en
Pages : 132
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Book Description
*Winner Japan International Manga Award* *Honorable Mention for 2018 Freeman Book Awards for Children's and Young Adult's Literature on East and Southeast Asia* *Short-listed for the 2019 Dwayne McDuffie Award for Kids' Comics* Part fantasy, part travelogue--this graphic novel transports readers to the intersection of the natural and supernatural worlds. Onibi: Diary of a Yokai Ghost Hunter follows the adventures of two young foreigners as they travel to a remote and mysterious corner of Japan. Along the way, they purchase an old camera that has the unique ability to capture images of Japan's invisible spirit world. Armed with their magical camera, they explore the countryside and meet people who tell them about the forgotten ghosts, ghouls and demons who lie in wait ready to play tricks on them. These Yokai, or supernatural beings, are sometimes kind, sometimes mischievous, and sometimes downright dangerous! Readers young and old will enjoy following along on this journey of mystery and discovery. The comic book format will appeal to anime and manga fans, while introducing the ancient spirit world that is such an important part of Japanese culture. With the help of Atelier Sento's gorgeous watercolor and colored pencil artwork, you can't help but feel immersed in this fantasy.
Author: Frederick Hadland Davis
Publisher: Library of Alexandria
ISBN: 146560796X
Category : Fiction
Languages : en
Pages : 580
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Book Description
Pierre Loti in Madame Chrysanthème, Gilbert and Sullivan in The Mikado, and Sir Edwin Arnold in Seas and Lands, gave us the impression that Japan was a real fairyland in the Far East. We were delighted with the prettiness and quaintness of that country, and still more with the prettiness and quaintness of the Japanese people. We laughed at their topsy-turvy ways, regarded the Japanese woman, in her rich-coloured kimono, as altogether charming and fascinating, and had a vague notion that the principal features of Nippon were the tea-houses, cherry-blossom, and geisha. Twenty years ago we did not take Japan very seriously. We still listen to the melodious music of The Mikado, but now we no longer regard Japan as a sort of glorified willow-pattern plate. The Land of the Rising Sun has become the Land of the Risen Sun, for we have learnt that her quaintness and prettiness, her fairy-like manners and customs, were but the outer signs of a great and progressive nation. To-day we recognise Japan as a power in the East, and her victory over the Russian has made her army and navy famous throughout the world. The Japanese have always been an imitative nation, quick to absorb and utilise the religion, art, and social life of China, and, having set their own national seal upon what they have borrowed from the Celestial Kingdom, to look elsewhere for material that should strengthen and advance their position. This imitative quality is one of Japan's most marked characteristics. She has ever been loath to impart information to others, but ready at all times to gain access to any form of knowledge likely to make for her advancement. In the fourteenth century Kenkō wrote in his Tsure-dzure-gusa: "Nothing opens one's eyes so much as travel, no matter where," and the twentieth-century Japanese has put this excellent advice into practice. He has travelled far and wide, and has made good use of his varied observations. Japan's power of imitation amounts to genius. East and West have contributed to her greatness, and it is a matter of surprise to many of us that a country so long isolated and for so many years bound by feudalism should, within a comparatively short space of time, master our Western system of warfare, as well as many of our ethical and social ideas, and become a great world-power. But Japan's success has not been due entirely to clever imitation, neither has her place among the foremost nations been accomplished with such meteor-like rapidity as some would have us suppose. We hear a good deal about the New Japan to-day, and are too prone to forget the significance of the Old upon which the present régime has been founded. Japan learnt from England, Germany and America all the tactics of modern warfare. She established an efficient army and navy on Western lines; but it must be remembered that Japan's great heroes of to-day, Togo and Oyama, still have in their veins something of the old samurai spirit, still reflect through their modernity something of the meaning of Bushido. The Japanese character is still Japanese and not Western. Her greatness is to be found in her patriotism, in her loyalty and whole-hearted love of her country. Shintōism has taught her to revere the mighty dead; Buddhism, besides adding to her religious ideals, has contributed to her literature and art, and Christianity has had its effect in introducing all manner of beneficent social reforms. There are many conflicting theories in regard to the racial origin of the Japanese people, and we have no definite knowledge on the subject. The first inhabitants of Japan were probably the Ainu, an Aryan people who possibly came from North-Eastern Asia at a time when the distance separating the Islands from the mainland was not so great as it is to-day. The Ainu were followed by two distinct Mongol invasions, and these invaders had no difficulty in subduing their predecessors; but in course of time the Mongols were driven northward by Malays from the Philippines. "By the year A.D. 500 the Ainu, the Mongol, and the Malay elements in the population had become one nation by much the same process as took place in England after the Norman Conquest. To the national characteristics it may be inferred that the Ainu contributed the power of resistance, the Mongol the intellectual qualities, and the Malay that handiness and adaptability which are the heritage of sailor-men." Such authorities as Baelz and Rein are of the opinion that the Japanese are Mongols, and although they have intermarried with the Ainu, "the two nations," writes Professor B. H. Chamberlain, "are as distinct as the whites and reds in North America." In spite of the fact that the Ainu is looked down upon in Japan, and regarded as a hairy aboriginal of interest to the anthropologist and the showman, a poor despised creature, who worships the bear as the emblem of strength and fierceness, he has, nevertheless, left his mark upon Japan. Fuji was possibly a corruption of Huchi, or Fuchi, the Ainu Goddess of Fire, and there is no doubt that these aborigines originated a vast number of geographical names, particularly in the north of the main island, that are recognisable to this day. We can also trace Ainu influence in regard to certain Japanese superstitions, such as the belief in the Kappa, or river monster.
Author: Joe Whitt
Publisher:
ISBN: 9781536478723
Category :
Languages : en
Pages : 0
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Book Description
Long, long ago, sprites were the caretakers of gardens. Every flower was grown by their hand. But when humans appeared and began growing their own gardens, the sprites' magical talents soon became a thing of the past. When Wisteria, an ambitious, kin
Author: Djamila Knopf
Publisher: 3dtotal Publishing
ISBN: 9781912843213
Category : Art
Languages : en
Pages : 152
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Book Description
Join illustrator Djamila Knopf on a magical journey through her life and art, including her Japanese inspiration and storytelling techniques.
Author: Kaj Johansson
Publisher: John Wiley & Sons
ISBN: 1118184874
Category : Design
Languages : en
Pages : 402
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Book Description
The fully revised edition of the most comprehensive and up-to-date reference on print production All graphic designers and illustrators must be familiar with the steps involved in preparing their work for publication. Now completely revised to reflect the latest technology and trends, A Guide to Graphic Print Production, Third Edition is the complete guide to the entire process of print production, from the early stages of conception and planning, to the technical stages of manufacturing and off-press processing. Structured around the graphic print production flow, essential material is included for all aspects of the process including coverage of computers, color management, layouts, digital images, image editing, prepress, paper, printing, finishing and binding, legal issues, environmental issues, and more. A practical reference to keep at your fingertips, this new edition: Covers the entire production process, from conception to manufacturing to archiving Covers new topics, such as variable data printing, sustainability, large/wide format printing, inks, and color management Is full color throughout, with updated images and screenshots Includes sidebars offering design tips, troubleshooting hints, and key points to consider for every stage of design Delivering information that reflects all aspects essential for understanding the ins and outs of digital printing, A Guide to Graphic Print Production, Third Edition is an ideal resource for students and professionals of graphic design, print production, production technology, and visual communication.
