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Author: John Renard
Publisher: Mercer University Press
ISBN: 9780865546400
Category : Religion
Languages : en
Pages : 374
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Book Description
Throughout the world and over many centuries, the cultures in which Islam has been a major presence have created stories in word and picture to celebrate the men and women who best exemplify each culture's aspirations. This is the story of how those heroic figures have both shaped and been shaped by the religious tradition called Islam.
Author: John Renard
Publisher: Mercer University Press
ISBN: 9780865546400
Category : Religion
Languages : en
Pages : 374
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Book Description
Throughout the world and over many centuries, the cultures in which Islam has been a major presence have created stories in word and picture to celebrate the men and women who best exemplify each culture's aspirations. This is the story of how those heroic figures have both shaped and been shaped by the religious tradition called Islam.
Author: Sophia Rose Arjana
Publisher: Lexington Books
ISBN: 1498536530
Category : Social Science
Languages : en
Pages : 179
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Book Description
This groundbreaking study examines Muslim female superheroes within a matrix of Islamic theology, feminism, and contemporary political discourse. Through a close reading of texts including Ms. Marvel, Qahera, and The 99, Sophia Rose Arjana argues that these powerful and iconic characters reflect independence and agency, reflecting the diverse lives of Muslim girls and women in the world today.
Author: David B. Edwards
Publisher: Univ of California Press
ISBN: 052091631X
Category : Social Science
Languages : en
Pages : 326
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Book Description
Much of the political turmoil that has occurred in Afghanistan since the Marxist revolution of 1978 has been attributed to the dispute between Soviet-aligned Marxists and the religious extremists inspired by Egyptian and Pakistani brands of "fundamentalist" Islam. In a significant departure from this view, David B. Edwards contends that—though Marxism and radical Islam have undoubtedly played a significant role in the conflict—Afghanistan's troubles derive less from foreign forces and the ideological divisions between groups than they do from the moral incoherence of Afghanistan itself. Seeking the historical and cultural roots of the conflict, Edwards examines the lives of three significant figures of the late nineteenth century—a tribal khan, a Muslim saint, and a prince who became king of the newly created state. He explores the ambiguities and contradictions of these lives and the stories that surround them, arguing that conflicting values within an artificially-created state are at the root of Afghanistan's current instability. Building on this foundation, Edwards examines conflicting narratives of a tribal uprising against the British Raj that broke out in the summer of 1897. Through an analysis of both colonial and native accounts, Edwards investigates the saint's role in this conflict, his relationship to the Afghan state and the tribal groups that followed him, and the larger issue of how Islam traditionally functions as an encompassing framework of political association in frontier society.
Author: Pedram Partovi
Publisher: Taylor & Francis
ISBN: 1315385619
Category : Social Science
Languages : en
Pages : 244
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Book Description
Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.
Author: Yousuf Saeed
Publisher: Taylor & Francis
ISBN: 0429756631
Category : Social Science
Languages : en
Pages : 255
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Book Description
This book highlights the history of Islamic popular devotional art and visual culture in 20th-century India, weaving the personal narrative of the author’s journey through his understanding of the faith. It begins with an introductory exploration of how the basic and universal image of Mecca and Medina may have been imported into Indian popular print culture and what variants it resulted in here. Besides providing a historical context of the pre-print culture of popular Muslim visuality, the book also explores the impact the 1947 Partition of India may have made on the calendar art in South Asia. A significant portion of the book focuses on the contemporary prints of different localised images found in India and what role these play in the users’ lives, especially in the augmentation of their popular faith and cultural practices. The volume also compares the images published in India with some of those available in Pakistan to reflect different socio-political trajectories. Finally, it discusses why such a vibrant visual culture continues to thrive among South Asian Muslims despite the questions raised by the orthodoxy on its legitimacy in Islam, and why images and popular visual cultures are inevitable for popular piety despite the orthodox Muslims’ increasing dissociation from them. This work is one of the first books on Indian Muslim poster art, with rare images and simple narratives, anecdotes about rituals, ceremonies and cultural traditions running parallel to research findings. This second edition contains a new Afterword that discusses challenges to religious plurality arising on account of changing political landscapes, economic liberalisation, technology and new media, and socio-religious developments. It will appeal to the lay reader as well as the specialist and will be especially useful to researchers and scholars in popular culture, media and cultural studies, visual art and performance studies, and sociology and social anthropology.
Author: Shahab Ahmed
Publisher: Princeton University Press
ISBN: 0691178313
Category : Religion
Languages : en
Pages : 628
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Book Description
A bold new conceptualization of Islam that reflects its contradictions and rich diversity What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.
Author: Ian Richard Netton
Publisher: Routledge
ISBN: 1135179603
Category : History
Languages : en
Pages : 872
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Book Description
This Encyclopedia covers the full range of Islamic thought. It takes substantial note of contemporary trends across the Muslim world, and the material on historical Islam has contemporary reference.
Author: Todd Lawson
Publisher: Simon and Schuster
ISBN: 1786072289
Category : Religion
Languages : en
Pages : 321
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Book Description
How do people understand the Quran to be divine revelation? What is it about the text that inspires such devotion and commitment in the reader/believer? Todd Lawson explores how the timeless literary genres of epic and apocalypse bear religious meaning in the Quran, communicating the sense of divine presence, urgency and truth. Grounding his approach in the universal power of story and myth, he embarks upon a fascinating inquiry into the unique power of one of the most loved, widely read and recited books in the world.
Author: Kristian Petersen
Publisher: Oxford University Press
ISBN: 0190634340
Category : History
Languages : en
Pages : 305
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Book Description
During the early modern period, Muslims in China began to embrace the Chinese characteristics of their heritage. Several scholar-teachers incorporated tenets from traditional Chinese education into their promotion of Islamic knowledge. As a result, some Sino-Muslims established an educational network which utilized an Islamic curriculum made up of Arabic, Persian, and Chinese works. The corpus of Chinese Islamic texts written in this system is collectively labeled the Han Kitab. Interpreting Islam in China explores the Sino-Islamic intellectual tradition through the works of some its brightest luminaries. Three prominent Sino-Muslim authors are used to illustrate transformations within this tradition, Wang Daiyu, Liu Zhi, and Ma Dexin. Kristian Petersen puts these scholars in dialogue and demonstrates the continuities and departures within this tradition. Through an analysis of their writings, he considers several questions: How malleable are religious categories and why are they variously interpreted across time? How do changing historical circumstances affect the interpretation of religious beliefs and practices? How do individuals navigate multiple sources of authority? How do practices inform belief? Overall, he shows that these authors presented an increasingly universalistic portrait of Islam through which Sino-Muslims were encouraged to participate within the global community of Muslims. The growing emphasis on performing the pilgrimage to Mecca, comprehensive knowledge of the Qur'an, and personal knowledge of Arabic stimulated communal engagement. Petersen demonstrates that the integration of Sino-Muslims within a growing global environment, where international travel and communication was increasingly possible, was accompanied by the rising self-awareness of a universally engaged Muslim community.
Author: Janet Benge
Publisher: YWAM Publishing
ISBN: 9781576581872
Category : Juvenile Nonfiction
Languages : en
Pages : 280
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Book Description
Curriculum guide for use with the author's Nate Saint, on a wing and a prayer.
