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Author: Irving Layton
Publisher: Highlands [N.C.] : J. Williams
ISBN:
Category : Canadian poetry
Languages : en
Pages : 804
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Book Description
Author: Irving Layton
Publisher: Highlands [N.C.] : J. Williams
ISBN:
Category : Canadian poetry
Languages : en
Pages : 804
Get Book Here
Book Description
Author: Irving Layton
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773506572
Category : Biography & Autobiography
Languages : en
Pages : 388
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Book Description
The events covered by the letters collected here start with Robert Creeley's discovery of Irving Layton and focus on the turbulent circumstances surrounding the publication (by Creeley's Divers Press in Majorca) of In the Midst of My Fever, Layton's first book of poems not published at his own expense and the one that established him as a major poet. Irving Layton and Robert Creeley also recounts the cementing of avant-garde contacts between Canada and the United States through magazines such as Origin, Contact, and CIV/n.
Author: Irving Layton
Publisher: New Directions Publishing
ISBN: 9780811206419
Category : Literary Criticism
Languages : en
Pages : 76
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Book Description
Author: Brian Trehearne
Publisher: University of Toronto Press
ISBN: 9780802044525
Category : Poetry
Languages : en
Pages : 404
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Book Description
During WWII, a number of Canadian poets converged on Montreal and rewrote the story of modern English-Canadian poetry. The book discusses the four major English-Canadian poets to emerge in the 40s; PK Page, AM Klein, Irving Layton and Louis Dudek.
Author: Walter Jackson Bate
Publisher: Harcourt Brace College Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 1084
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Book Description
This anthology is intended for students who are bring introduced to poetry at the college level. The introductions to the poems and poets are brief.
Author: Jason Camlot
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773559817
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, impact their transference and transformation into new forms of presentation and re-presentation. Exploring the production of culture through and outside of the archives that preserve and produce CanLit as an entity, CanLit Across Media asserts that CanLit arises from acts of archival, critical, and creative analysis. Each chapter investigates, challenges, and provokes this premise by examining methods of "unarchiving" Canadian and Indigenous literary texts and events from the 1950s to the present. Engaging with a remediated archive, or "unarchiving," allows the authors and editors to uncover how the materials that document past acts of literary production are transformed into new forms and experiences in the present. The chapters consider literature and literary events that occurred before live audiences or were broadcast, and that are now recorded in print publications and documents, drawings, photographs, flat disc records, magnetic tape, film, videotape, and digitized files. Showcasing the range of methods and theories researchers use to engage with these materials, CanLit Across Media reanimates archives of cultural meaning and literary performance. Contributors include Jordan Abel (University of Alberta), Andrea Beverley (Mount Allison University), Clint Burnham (Simon Fraser University), Jason Camlot (Concordia University), Joel Deshaye (Memorial University of Newfoundland), Deanna Fong (Simon Fraser University), Catherine Hobbs (Library and Archives Canada), Dean Irvine (Agile Humanities), Karl Jirgens (University of Windsor), Marcelle Kosman (University of Alberta), Jessi MacEachern (Concordia University), Katherine McLeod (Concordia University), Linda Morra (Bishop's University), Karis Shearer (University of British Columbia, Okanagan), Felicity Tayler (University of Ottawa), and Darren Wershler (Concordia University).
Author: Irving Layton
Publisher: Erin, Ont. : Porcupine's Quill
ISBN:
Category : Poetry
Languages : en
Pages : 204
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Book Description
Don't let the title fool you; this is not a book of romantic bric-a-brac, a Valentine's Day gift to be lightly given and lightly forgotten. Irving Layton's career was based on an unflinching attention to everything he could discover about the human character, including its less savoury aspects. In the poems of "Dance with Desire" chosen from across the span of his long career, Layton styles himself as a 20th-century Catullus, loving and hating with equal glee, given to passionate excesses and epigrammatic precision, utterly unconcerned with sweet nothings or political correctness. Layton is often charged with being too verbose, with having published far too many substandard poems, and having let his verse grow slack as he grew older. These are all valid criticisms, but they don't really apply to "Dance with Desire" since its very existence depends upon the excesses, embarrassments, and foolishness of the unstifled love that Layton celebrates.'
Author: Edward Halsey Foster
Publisher: Univ of South Carolina Press
ISBN: 9781570030147
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
An experimental school of poetry & its leading proponents.
Author: Philip Rosenberg
Publisher: Saint Martin's Paperbacks
ISBN: 9780312927059
Category : Fiction
Languages : en
Pages : 420
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Book Description
When a trigger-happy cop ends a hostage crisis at a Bronx junior high school involving a troubled student, by shooting the student, he sets off turmoil in the heart of the city. Reprint.
Author: William S. Burroughs
Publisher: Grove/Atlantic, Inc.
ISBN: 0802197221
Category : Fiction
Languages : en
Pages : 194
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Book Description
The Soft Machine introduced us to the conditions of a universe where endemic lusts of the mind and body pray upon men, hook them, and turn them into beasts. Nova Express takes William S. Burroughs’s nightmarish futuristic tale one step further. The diabolical Nova Criminals—Sammy The Butcher, Green Tony, Iron Claws, The Brown Artist, Jacky Blue Note, Izzy The Push, to name only a few—have gained control and plan on wreaking untold destruction. It’s up to Inspector Lee of the Nova Police to attack and dismantle the word and imagery machine of these “control addicts” before it’s too late. This surrealist novel is part sci-fi, part Swiftian parody, and always pure Burroughs.
