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Author: Jill Franks
Publisher: McFarland
ISBN: 1476602689
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Country Girls trilogy reveals ways in which Irish Catholic ideologies abject femaleness; her characters internalize this abjection to the point of self-destruction. Doris Lessing's The Golden Notebook pits the protagonist's aspirations to write novels against the Communist Party's prohibitions on bourgeois values. In the third wave, Irish writers express the frustrations of their cultural identity. Nuala O'Faolain's My Dream of You takes her protagonist back to Ireland to heal her psychic wounds. In England, Thatcherism had created a materialistic culture that eroded many feminists' socialist values. Fay Weldon's Big Woman satirizes the demise of second-wave idealism, asking where feminism can go from here.
Author: Jill Franks
Publisher: McFarland
ISBN: 1476602689
Category : Literary Criticism
Languages : en
Pages : 231
Get Book Here
Book Description
This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Country Girls trilogy reveals ways in which Irish Catholic ideologies abject femaleness; her characters internalize this abjection to the point of self-destruction. Doris Lessing's The Golden Notebook pits the protagonist's aspirations to write novels against the Communist Party's prohibitions on bourgeois values. In the third wave, Irish writers express the frustrations of their cultural identity. Nuala O'Faolain's My Dream of You takes her protagonist back to Ireland to heal her psychic wounds. In England, Thatcherism had created a materialistic culture that eroded many feminists' socialist values. Fay Weldon's Big Woman satirizes the demise of second-wave idealism, asking where feminism can go from here.
Author: Theresa O'Connor
Publisher:
ISBN: 9780813014579
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
In an examination of the prose and poetry of Irish women writers from the late eighteenth century through the present, contributors to this collection argue that a hidden tradition of women's comedy has evolved side by side with the canonical comic tradition. They call for a revisionist reading of Ireland's comic intellectual heritage - a reading from the perspectives of two genders - and demand a new kind of double optic - an interpretive frame of reference capable of grappling with difference. This collection will be of particular interest to Joyceans because it examines the influence of Joyce, who has been dismissed by many feminist critics as a pornographer and a champion of patriarchal privilege. It will also be of interest to students of African and African-American literature for its linking of Ireland's comic tradition to that of Africa's - a tradition noted for its use of ethical dialogue and for giving voice to the other.
Author: Deirdre F. Brady
Publisher: Liverpool University Press
ISBN: 1789622662
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life.
Author: Elke D'hoker
Publisher: Peter Lang
ISBN: 9783034302494
Category : Foreign Language Study
Languages : en
Pages : 328
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Book Description
After a decade in which women writers have gradually been given more recognition in the study of Irish literature, this collection proposes a reappraisal of Irish women's writing by inviting dialogues with new or hitherto marginalised critical frameworks as well as with foreign and transnational literary traditions. Several essays explore how Irish women writers engaged with European themes and traditions through the genres of travel writing, the historical novel, the monologue and the fairy tale. Other contributions are concerned with the British context in which some texts were published and argue for the existence of Irish inflections of phenomena such as the New Woman, suffragism or vegetarianism. Further chapters emphasise the transnational character of Irish women's writing by applying continental theory and French feminist thinking to various texts; in other chapters new developments in theory are applied to Irish texts for the first time. Casting the efforts of Irish women in a new light, the collection also includes explorations of the work of neglected or emerging authors who have remained comparatively ignored by Irish literary criticism.
Author: Sally Barr Ebest
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
Through a series of critical and biographical essays, this work offers a feminist literary history of twentieth-century Irish America.
Author: Elke D'hoker
Publisher: Springer
ISBN: 3319302884
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O’Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form.
Author: Kathryn Laing
Publisher:
ISBN: 9781911454212
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
This collection presents international research on the work of Irish women writers at the turn of the twentieth century. These essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period.
Author: Éilís Ní Dhuibhne
Publisher: Syracuse University Press
ISBN: 9781851322510
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Éilís Ní Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ní Ghlinn, Catherine Dunne, Éilís Ní Dhuibhne, Mary O'Donnell, Mary O'Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Fréine, Máiríde Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.
Author: Marian Broderick
Publisher: Univ of Wisconsin Press
ISBN: 9780299195847
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
Writers, killers, nuns, patriots, artists, healers, pirates, politicians, entertainers, saints, courtesans, leaders, revolutionaries, lovers, warriors, witches, record-breakers, and eccentrics are among the eclectic roster of Irishwomen resurrected from the dustbins of history by this "rollicking read" (according to Books Ireland). In times when women were expected to marry and have children, they traveled the world and sought out adventures. In times when women were expected to be seen and not heard, they spoke out against oppression and used every creative means available to express their ideas and beliefs. Editor and writer Marian Broderick provides us with a series of lively portraits of seventy-five unorthodox Irishwomen. In these pages you will meet women you will never forget: Maria Edworth, Lady Jane Wilde, Lady Augusta Gregory, Peig Sayers, Nora Barnacle, Kitty Kiernan, Anne Bonny, Anne Devlin, Mother Jones, Countess Constance Markievicz, Hanna Sheey Skeffington, Fanny and Anna Parnell, Maud Gonne, St. Brighid, Margaret Leeson, Lady Betty, Queen Maeve of Connacht, Molly Brown, Kathleen Behan, Lola Monez, Daisy Bates, Greer Garson, Lilly and Lolly Yeats, and many more. Co-published with the O'Brien Press, Dublin Wisconsin edition is for sale only in the U.S.A., it's territories and dependencies, and Canada.
Author: Rebecca O'Connor
Publisher: Saqi
ISBN: 1846591597
Category : Literary Collections
Languages : en
Pages : 119
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Book Description
The short story is one of Ireland's national treasures, and within these pages are some of its finest practitioners — from such established names as Julia O'Faolain, Claire Keegan and Christine Dwyer Hickey, to the exciting new voices of Judy Kravis, Eithne McGuinness and Cherry Smyth. Here we have stories of dysfunctional marriages, abnormal goings on in rural outposts, urban alienation, and kitchen sink dramas where the woman is no longer tied to the kitchen sink but railing against past wrongs. Issues of domestic violence, child abuse, and abortion are laid startlingly bare. The voices are bold, unsentimental, often very funny, and always deeply affecting. Part of a series showcasing contemporary women writers from around the world.
