Author:
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 1084
Book Description
Popular Gardening and Living Outdoors
Author:
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 1084
Book Description
Publisher:
ISBN:
Category : Gardening
Languages : en
Pages : 1084
Book Description
A Passion for Daylilies
Author: Sydney Eddison
Publisher: HarperCollins Publishers
ISBN:
Category : Gardening
Languages : en
Pages : 360
Book Description
A celebration of daylillies and the people who grow them provides the history of the flower and its many variations, combining how-to information with portraits of daylilly enthusiasts.
Publisher: HarperCollins Publishers
ISBN:
Category : Gardening
Languages : en
Pages : 360
Book Description
A celebration of daylillies and the people who grow them provides the history of the flower and its many variations, combining how-to information with portraits of daylilly enthusiasts.
What There Is to Say We Have Said
Author: Suzanne Marrs
Publisher: HMH
ISBN: 0547549245
Category : Literary Collections
Languages : en
Pages : 529
Book Description
Letters revealing a lost literary world—and a unique friendship between a brilliant author and a New Yorker editor. For over fifty years, Eudora Welty and William Maxwell, two of our most admired writers, penned letters to each other. They shared their worries about work and family, literary opinions and scuttlebutt, and moments of despair and hilarity. Living half a continent apart, their friendship was nourished and maintained by their correspondence. What There Is to Say We Have Said bears witness to Welty and Maxwell’s editorial relationship—both in Maxwell’s capacity as New Yorker editor and in their collegial back-and-forth on their work. It’s also a chronicle of the literary world of the time; they talk of James Thurber, William Shawn, Katherine Anne Porter, J. D. Salinger, Isak Dinesen, William Faulkner, John Updike, Virginia Woolf, Walker Percy, Ford Madox Ford, John Cheever, and many more. It is a treasure trove of reading recommendations. Here, Suzanne Marrs—Welty’s biographer and friend—offers an unprecedented window into two intertwined lives. Through careful collection of more than three hundred letters as well as her own insightful introductions, she gives us “a vivid snapshot of 20th-century intellectual life and an informative glimpse of the author-editor relationship, as well a tender portrait of devoted friendship” (Kirkus Reviews).
Publisher: HMH
ISBN: 0547549245
Category : Literary Collections
Languages : en
Pages : 529
Book Description
Letters revealing a lost literary world—and a unique friendship between a brilliant author and a New Yorker editor. For over fifty years, Eudora Welty and William Maxwell, two of our most admired writers, penned letters to each other. They shared their worries about work and family, literary opinions and scuttlebutt, and moments of despair and hilarity. Living half a continent apart, their friendship was nourished and maintained by their correspondence. What There Is to Say We Have Said bears witness to Welty and Maxwell’s editorial relationship—both in Maxwell’s capacity as New Yorker editor and in their collegial back-and-forth on their work. It’s also a chronicle of the literary world of the time; they talk of James Thurber, William Shawn, Katherine Anne Porter, J. D. Salinger, Isak Dinesen, William Faulkner, John Updike, Virginia Woolf, Walker Percy, Ford Madox Ford, John Cheever, and many more. It is a treasure trove of reading recommendations. Here, Suzanne Marrs—Welty’s biographer and friend—offers an unprecedented window into two intertwined lives. Through careful collection of more than three hundred letters as well as her own insightful introductions, she gives us “a vivid snapshot of 20th-century intellectual life and an informative glimpse of the author-editor relationship, as well a tender portrait of devoted friendship” (Kirkus Reviews).
Better Homes and Gardens
Author:
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 802
Book Description
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 802
Book Description
Farm Journal and Country Gentleman
Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 2072
Book Description
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 2072
Book Description
Farm Journal
Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 192
Book Description
The American Peony Society Bulletin
Author: American Peony Society
Publisher:
ISBN:
Category : Peonies
Languages : en
Pages : 998
Book Description
Includes reports of the society's meetings.
Publisher:
ISBN:
Category : Peonies
Languages : en
Pages : 998
Book Description
Includes reports of the society's meetings.
Iris Chronicles of the Historical Iris Robins of the American Iris Society
Author:
Publisher:
ISBN:
Category : Irises (Plants)
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Irises (Plants)
Languages : en
Pages : 318
Book Description
Green Light
Author: George Gessert
Publisher: MIT Press
ISBN: 0262291584
Category : Art
Languages : en
Pages : 260
Book Description
How humans' aesthetic perceptions have shaped other life forms, from racehorses to ornamental plants. Humans have bred plants and animals with an eye to aesthetics for centuries: flowers are selected for colorful blossoms or luxuriant foliage; racehorses are prized for the elegance of their frames. Hybridized plants were first exhibited as fine art in 1936, when the Museum of Modern Art in New York showed Edward Steichen's hybrid delphiniums. Since then, bio art has become a genre; artists work with a variety of living things, including plants, animals, bacteria, slime molds, and fungi. Many commentators have addressed the social and political concerns raised by making art out of living material. In Green Light, however, George Gessert examines the role that aesthetic perception has played in bio art and other interventions in evolution. Gessert looks at a variety of life forms that humans have helped shape, focusing on plants—the most widely domesticated form of life and the one that has been crucial to his own work as an artist. We learn about pleasure gardens of the Aztecs, cultivated for intoxicating fragrance; the aesthetic standards promoted by national plant societies; a daffodil that looks like a rose; and praise for weeds and wildflowers.
Publisher: MIT Press
ISBN: 0262291584
Category : Art
Languages : en
Pages : 260
Book Description
How humans' aesthetic perceptions have shaped other life forms, from racehorses to ornamental plants. Humans have bred plants and animals with an eye to aesthetics for centuries: flowers are selected for colorful blossoms or luxuriant foliage; racehorses are prized for the elegance of their frames. Hybridized plants were first exhibited as fine art in 1936, when the Museum of Modern Art in New York showed Edward Steichen's hybrid delphiniums. Since then, bio art has become a genre; artists work with a variety of living things, including plants, animals, bacteria, slime molds, and fungi. Many commentators have addressed the social and political concerns raised by making art out of living material. In Green Light, however, George Gessert examines the role that aesthetic perception has played in bio art and other interventions in evolution. Gessert looks at a variety of life forms that humans have helped shape, focusing on plants—the most widely domesticated form of life and the one that has been crucial to his own work as an artist. We learn about pleasure gardens of the Aztecs, cultivated for intoxicating fragrance; the aesthetic standards promoted by national plant societies; a daffodil that looks like a rose; and praise for weeds and wildflowers.
Natural Gardening Magazine
Author:
Publisher:
ISBN:
Category : Flowers
Languages : en
Pages : 758
Book Description
Publisher:
ISBN:
Category : Flowers
Languages : en
Pages : 758
Book Description