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Author: Andrew McClellan
Publisher: Univ of California Press
ISBN: 9780520221765
Category : Architecture
Languages : en
Pages : 308
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Book Description
A narrative history of the founding of the Louvre that also explores the ideological underpinnings, pedagogical aims, and aesthetic criteria of this, the first great national art museum.
Author: Andrew McClellan
Publisher: Univ of California Press
ISBN: 9780520221765
Category : Architecture
Languages : en
Pages : 308
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Book Description
A narrative history of the founding of the Louvre that also explores the ideological underpinnings, pedagogical aims, and aesthetic criteria of this, the first great national art museum.
Author: Andrew McClellan
Publisher: Univ of California Press
ISBN: 0520251261
Category : Architecture
Languages : en
Pages : 368
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Book Description
Art museums, cases of beauty and calm in a fast-paced world, have emerged in recent decades as the most vibrant and popular of all cultural institutions. But as they have become more popular, their direction and values have been contested as never before. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States.
Author: Bette W. Oliver
Publisher: Rowman & Littlefield
ISBN: 0761870288
Category : History
Languages : en
Pages : 109
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Book Description
Jean-Baptiste Pierre LeBrun's life was marked by his intense interest in art, first as an artist, and then from 1770 until his death in 1813, as an art dealer/connoisseur and as a participant in the transformation of the Louvre into a national museum during the French Revolution. He managed to accommodate whichever regime assumed power, from monarchy to republic to empire. He married the artist Elisabeth Vigée in 1776 and together they figured prominently in the pre-revolutionary cultural world of Paris. LeBrun travelled widely, buying art for his gallery and contributing to a number of aristocratic collections. His expertise in attributions of 17th-century Dutch and Flemish paintings was acknowledged internationally, while his reference work on the subject was considered the most comprehensive ever written. LeBrun, the grand-nephew of the illustrious artist Charles LeBrun, became one of the most successful art dealers in Paris. He played an active role in the politics of art between 1789 and 1802, serving as an expert-commissioner in restoration at the national museum. His inventories of artworks, confiscated from all over Europe by Napoleon's armies, have provided a valuable record of the development of the French national museum. In addition, his inventories have been useful in the identification and recovery of Nazi confiscations during World War II. LeBrun's accomplishments during a tumultuous period of political and artistic change present evidence of his contributions to the concept of the modern art museum, notably in the areas of conservation, restoration, and arrangement.
Author: Andrew McClellan
Publisher: John Wiley & Sons
ISBN: 0470776714
Category : Art
Languages : en
Pages : 240
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Book Description
Bringing together essays by museum professionals and academics from both sides of the Atlantic, Art and its Publics tackles current issues confronting the museum community and seeks to further the debate between theory and practice around the most pressing of contemporary concerns. Brings together essays that focus on the interface between the art object, its site of display, and the viewing public. Tackles issues confronting the museum community and seeks to further the debate between theory and practice. Presents a cross-section of contemporary concerns with contributions from museum professionals as well as academics. Part of the New Interventions in Art History series, published in conjunction with the Association of Art Historians.
Author: Michael J. Mulryan
Publisher: Rutgers University Press
ISBN: 1684484898
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
French playwright, novelist, activist, and journalist Louis Sébastien Mercier (1740–1814) passionately captured scenes of social injustice in pre-Revolutionary Paris in his prolific oeuvre but today remains an understudied writer. In this penetrating study—the first in English devoted to Mercier in decades—Michael Mulryan explores his unpublished writings and urban chronicles, Tableau de Paris (1781–88) and Le Nouveau Paris (1798), in which he identified the city as a microcosm of national societal problems, detailed the conditions of the laboring poor, encouraged educational reform, and confronted universal social ills. Mercier’s rich writings speak powerfully to the sociopolitical problems that continue to afflict us as political leaders manipulate public debate and encourage absolutist thinking, deepening social divides. An outcast for his polemical views during his lifetime, Mercier has been called the founder of modern urban discourse, and his work a precursor to investigative journalism. This sensitive study returns him to his rightful place among Enlightenment thinkers.
Author: Kathleen Curran
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
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Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Author: Astrid Swenson
Publisher: Cambridge University Press
ISBN: 1107469112
Category : History
Languages : en
Pages : 433
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Book Description
Where does our fascination for 'heritage' originate? This groundbreaking comparative study of preservation in France, Germany and England looks beyond national borders to reveal how the idea of heritage emerged from intense competition and collaboration in a global context. Astrid Swenson follows the 'heritage-makers' from the French Revolution to the First World War, revealing the importance of global networks driving developments in each country. Drawing on documentary, literary and visual sources, the book connects high politics and daily life and uncovers how, through travel, correspondence, world fairs and international congresses, the preservationists exchanged ideas, helped each other campaign and dreamed of establishing international institutions for the protection of heritage. Yet, these heritage-makers were also animated by fierce rivalry as international tension grew. This mixture of international collaboration and competition created the European culture of heritage, which defined preservation as integral to modernity, and still shapes current institutions and debates.
Author: Eric Storm
Publisher: Princeton University Press
ISBN: 0691233098
Category : History
Languages : en
Pages : 512
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Book Description
"A new global history of nationalism. Today, almost all countries are considered nation-states, but only a handful conform to the original nationalist ideal of a unitary state which governs an ethnically homogenous nation, an ideal which has rarely been realized in the past. Given this disjunction between the ideal and reality, what explains the extraordinary success of the nation-state model - a form of statehood based on popular sovereignty - and the seductive power of the myth of national homogeneity? Most existing studies focus on the activities of nationalist movements, their views on the nation's identity and the wars and revolutions that produced nation-states. This has served to overemphasize the singularity of each case, producing a very fragmented picture overall. In this book, author Eric Storm takes a global approach by examining the structural changes that were engendered by the advance of the nation-state model and the nationalization of culture. Emphasizing how conceptions of the nation changed profoundly over time, the book details how the rise of nationalism fundamentally affected the everyday life of ordinary people across the globe. Storm explores four interrelated topics chronologically: the rise, dissemination, and evolution of the nation-state model, which was first developed during the Atlantic Revolutions; the implications of national citizenship for citizens and the attempt by nation-states to expand the ambit of citizenship, even while more strictly excluding outsiders; the allure of nationalism, as the existence of differentiated nations was increasingly taken for granted in the humanities, social sciences and high culture; and, finally, the process whereby nationalism became ingrained in daily life and the physical environment. In making use of a global comparative approach, Storm makes clear that no nation has been unique; rather, they have all conformed to the nation-state model"--
Author: Elise Goodman
Publisher: University of Delaware Press
ISBN: 0874137403
Category : Art and society
Languages : en
Pages : 180
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Book Description
This study joins the resurgent scholarship presently redressing the neglect of eighteenth-century visual culture since the beginning of the twentieth century. This volume offers nine contextual and cross-disciplinary essays that engage with a rich panoply of discourses ranging from art criticism to biography, to collecting and the art market, to art theory and practice and the institutions that shaped them, to beauty and fashion, sociopolitical and philosophical issues, gender studies, patronage, iconography, and print culture.
Author: Barbara Groseclose
Publisher: Penn State Press
ISBN: 0271046899
Category : Art
Languages : en
Pages : 258
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Book Description
"A collection of essays presenting international perspectives on the narratives and the practices grounding the scholarly study of American art"--Provided by publisher.
