Introduction and allegro appassionato, op. 92, for piano and orchestra in G major ; Concert-allegro with introduction, op. 134, for piano and orchestra in D minor PDF Download
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Author: Robert Schumann
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : de
Pages : 96
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Book Description
Author: Robert Schumann
Publisher:
ISBN:
Category : Concertos (Piano)
Languages : de
Pages : 96
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Book Description
Author: Max Vogrich
Publisher:
ISBN:
Category : Piano with orchestra
Languages : en
Pages : 24
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Book Description
Author: Carl Reinecke
Publisher:
ISBN:
Category : Clarinet and piano music
Languages : en
Pages : 32
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Book Description
Author: Robert Schumann
Publisher:
ISBN:
Category : Concertos
Languages : en
Pages : 66
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Book Description
Author: Stephan D. Lindeman
Publisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368
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Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620
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Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: Camille Saint-Saëns
Publisher: Alfred Music
ISBN: 9781457478888
Category : Music
Languages : en
Pages : 20
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Book Description
A Cello solo with Piano Accompaniment composed by Camille Saint-Saëns.
Author: Alexander Stefaniak
Publisher: Indiana University Press
ISBN: 0253022096
Category : Music
Languages : en
Pages : 311
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Book Description
“A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category : Cello and piano music
Languages : en
Pages : 16
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Book Description
Author: Claudia Macdonald
Publisher: Taylor & Francis
ISBN: 1000944875
Category : Music
Languages : en
Pages : 381
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Book Description
Robert Schumann was a unique personality in 19th century music: a celebrated music critic and champion of new composers as well as a talented performer and composer himself, he did much to modernize the literature and performance style for the piano. This book covers the key period of c. 1815-55, exploring how the generation that came after Beethoven was central in reshaping and refining the conception of the concerto style, and particularly the piano concerto. It relates Schumann's own compositional development to his musical environment, recreating the exciting milieu in which Schumann and his contemporaries lived and worked. Written in scholarly, but non-technical language, Robert Schumann and theDevelopment of the Piano Concerto will appeal to college and conservatory teachers and students, as well as music connoisseurs. Also includes 60 musical examples.
