Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813150167
Category : Architecture
Languages : en
Pages : 320

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Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity--the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable--its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context -- the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.

Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427

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Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.

Author: Linda P. Gross
Publisher: Arcadia Publishing
ISBN: 1439632618
Category : Photography
Languages : en
Pages : 132

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Book Description
Held in Philadelphia from May 10 through October 10, the 1876 Centennial Exhibition celebrated the 100th anniversary of American independence. Philadelphia hosted 37 nations in five main buildings and 250 additional structures on 285 acres of land. The celebration looked backward to commemorate the progress made over the 100-year period, and it announced to the world that American invention and innovation was on a par with that of our foreign counterparts. Patriotism abounded, as did messages of industrial and commercial prowess that promised a brighter future for all. Over nine million people attended this awesome consumer spectacle, an event that set the tone for a long series of worlds fairs yet to come.

Author: Canada. Commission for the International Exhibition at Philadelphia, 1876
Publisher:
ISBN:
Category :
Languages : en
Pages : 6

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Book Description

Author: United States Centennial Commission
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 796

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Author: United States Centennial Commission
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 198

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Book Description

Author: Frank B Norton
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 330

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Book Description
With nearly 800 stunning illustrations, experience the most comprehensive contemporary visual tour of the great 1876 Centennial Exhibition in Philadelphia. Built to celebrate the 100th anniversary of The United States, the Great Centennial Exhibition of 1876 will forever be remembered as one of the most successful World's Fairs in American history. This massive collection of images, period accounts, and journalism from the era details every step of the Exhibition with digitally scanned engravings enhanced with modern tools from an oversized master source. Millions of visitors enjoyed the Exhibition in Philadelphia's Fairmount Park and now, modern readers can enjoy what they saw through the eyes and the tools of the world's most talented contemporary artists. Witness the construction of the Fair, the crowds, the opening, the parties, the buildings, the triumphs, and the tragedies. The writer's intent was to "furnish a permanent, truthful, and beautiful chronicle of the Congress of Nations assembled in friendly competition in Philadelphia in 1876," and "to afford a complete history of exhibitive effort in the past, and an artistic and discriminating record of the Great Centennial, the entire work illustrated in the highest style of art, and forming altogether a magnificent Memorial of the Colossal Exhibition in Fairmount Park." -Lavishly illustrated with nearly 800 illustrations drawn for this work -Digital remastered and enhanced from an 1876 oversized print -Brand-new cover design created for this enhanced version -Crisp black and white engravings that show details from the event -Contemporary accounts of the fairgrounds, buildings, and events.

Author:
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 468

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Author: International Exhibition of 1876 (Philadelphia, Pennsylvania)
Publisher:
ISBN:
Category :
Languages : en
Pages : 124

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Book Description

Author: Centennial Exhibition. 1876, Philadelphia, Pa..
Publisher:
ISBN:
Category :
Languages : en
Pages : 16

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Book Description