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Author: Ken Tadashi Ōshima
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 352
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Book Description
Following World War I, a generation of young architects in Japan took part in a movement toward "international architecture," or kokusai kenchiku, designing houses for people who blended Japanese and Western customs in their daily lives, and public buildings--from schools and hospitals to weather stations and golf clubhouses--that encompassed modern forms and new materials, especially earthquake-resistant reinforced concrete, yet systhesized the new with the old.--Ken Tadashi Oshima is assistant professor of architecture at the University of Washington.
Author: Ken Tadashi Ōshima
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 352
Get Book Here
Book Description
Following World War I, a generation of young architects in Japan took part in a movement toward "international architecture," or kokusai kenchiku, designing houses for people who blended Japanese and Western customs in their daily lives, and public buildings--from schools and hospitals to weather stations and golf clubhouses--that encompassed modern forms and new materials, especially earthquake-resistant reinforced concrete, yet systhesized the new with the old.--Ken Tadashi Oshima is assistant professor of architecture at the University of Washington.
Author: Kurt Helfrich
Publisher: Princeton Architectural Press
ISBN: 9781568985831
Category : Architecture
Languages : en
Pages : 392
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Book Description
"Crafting a Modern World examines a missing chapter in the history of mid-century modernism: the story of husband and wife design team Antonin and Noemi Raymond. This is the first comprehensive book in English on the duo that creatively transformed design from 1917 to 1966."--BOOK JACKET.
Author: Harry D. Harootunian
Publisher: Princeton University Press
ISBN: 0691095485
Category : History
Languages : en
Pages : 474
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Book Description
Between the two world wars, Japanese society underwent a massive industrial transformation. The author explores the differences between the United States, England and France which safely modernised and Japan which moved unfortunately towards fascism.
Author: Vimalin Rujivacharakul
Publisher: Hong Kong University Press
ISBN: 9888208055
Category : History
Languages : en
Pages : 342
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Book Description
How did terms like “Asia,” “Eurasia,” “Indochina,” “Pacific Rim” or “Australasia” originate and evolve, and what are their connections to the built environment? In addressing this question,Architecturalized Asia bridges the fields of history and architecture by taking “Asia” as a discursive structure and cultural construct, whose spatial and ideological formation can be examined through the lenses of cartography, built environments, and visual narratives. The first section, on the study of architecture in Asia from the medieval through early modern periods, examines icons and symbols in maps as well as textual descriptions produced in Europe and Asia. The second section explores the establishment of the field of Asian architecture as well as the political and cultural imagining of “Asia” during the long nineteenth century, when “Asia” and its regions were redefined in the making of modern world maps mainly produced in Europe. The third section examines tangible structures produced in the twentieth century as legible documents of these notional constructions of Asia. In exploring the ways in which “Asia” has been drawn and framed both within and without the continent, this volume offers cutting-edge scholarship on architectural history, world history and the history of empires. Written by architectural historians and historians specializing in Asia and European empires, this unique volume addresses the connection between Asia and the world through the lenses of built environments and spatial conceptualizations. Architecturalized Asiawill appeal to readers who are interested in Asian architecture, world architecture, Asian history, history of empires, and world history.
Author: Barry Bergdoll
Publisher: The Museum of Modern Art
ISBN: 9780870707339
Category : Architecture
Languages : en
Pages : 256
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Book Description
Edited by Barry Bergdoll, Peter Christensen. Texts by Barry Bergdoll, Peter Christensen, Ken Tadashi Oshima, Rasmus Waen.
Author: John Gripentrog
Publisher: Rowman & Littlefield
ISBN: 1538149443
Category : History
Languages : en
Pages : 285
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Book Description
In this absorbing account of the origins of the Asia-Pacific War, historian John Gripentrog argues that competing ideologies of world order—chiefly the rift between liberal internationalism and Pan-Asian regionalism—lay at the heart of the conflict. Drawing from a rich diversity of primary and secondary sources, the author also examines the Japanese government’s vigorous cultural diplomacy in the U.S., which sought to win over American hearts and minds and soft-pedal its imperialist ambitions in Asia. The result is a book that both challenges and amplifies standard interpretations of US-Japan relations in the interwar era, while weaving diplomatic, political, intellectual, and cultural history. Moreover, the author’s wide-angle lens offers readers insights into a fascinating assemblage of historical actors—from Japanese and American diplomats, politicians, and military leaders, to cosmopolitan art enthusiasts and major league baseball players.
Author: Kiyonori Kikutake
Publisher: Lars Müller Publishers
ISBN: 9783037784327
Category : ARCHITECTURE
Languages : en
Pages : 0
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Book Description
In cooperation with Harvard University Graduate School of Design
Author: Jonathan M. Reynolds
Publisher: Univ of California Press
ISBN: 9780520921412
Category : Architecture
Languages : en
Pages : 432
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Book Description
Japanese architecture's commanding presence on the world stage can be traced to the struggles of earlier generations of Japan's modernist architects. This first book-length study of Maekawa Kunio (1905-1986) focuses on one of the most distinctive leaders in Japan's modernist architectural community. In a career spanning the 1930s to the 1980s, Maekawa's work and critical writing put him in the vanguard of the Japanese architectural profession. Jonathan Reynolds illuminates Maekawa's role as a bridge between prewar and postwar architecture in Japan, focusing particularly on how he influenced modernism's ambivalence regarding "tradition" and contemporary practice and the importance of technology in modernist design and ideology. Maekawa studied architecture at the prestigious Tokyo Imperial University before moving to Paris in 1928 to work with Le Corbusier. The latter experience had a powerful impact on Maekawa; he became an advocate for Le Corbusier and modernism when he returned to Japan two years later. Throughout his career Maekawa designed residential, commercial, and government buildings in Japan and abroad. He became particularly well known internationally for his approach to public architecture, especially museums and public spaces such as the Tokyo Metropolitan Festival Hall. These projects illustrated the principles that earned Maekawa the respect and admiration of architects the world over. Carefully researched, with numerous illustrations that complement discussions of Maekawa's principal projects, Reynolds's book will be welcomed in the fields of architecture and design. It will also attract readers interested in twentieth-century Japan, for in addition to highlighting Maekawa's architectural career, Reynolds portrays the broader cultural context within which Maekawa and other Japanese architects and artists sought to be heard and recognized.
Author: Alan Tansman
Publisher: Duke University Press
ISBN: 0822390701
Category : History
Languages : en
Pages : 492
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Book Description
This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context and situates them in relation to previous scholarly inquiries into the existence of fascism in Japan. Several contributors examine how fascism was understood in the 1930s by, for example, influential theorists, an antifascist literary group, and leading intellectuals responding to capitalist modernization. Others explore the idea that fascism’s solution to alienation and exploitation lay in efforts to beautify work, the workplace, and everyday life. Still others analyze the realization of and limits to fascist aesthetics in film, memorial design, architecture, animal imagery, a military museum, and a national exposition. Contributors also assess both manifestations of and resistance to fascist ideology in the work of renowned authors including the Nobel-prize-winning novelist and short-story writer Kawabata Yasunari and the mystery writers Edogawa Ranpo and Hamao Shirō. In the work of these final two, the tropes of sexual perversity and paranoia open a new perspective on fascist culture. This volume makes Japanese fascism available as a critical point of comparison for scholars of fascism worldwide. The concluding essay models such work by comparing Spanish and Japanese fascisms. Contributors. Noriko Aso, Michael Baskett, Kim Brandt, Nina Cornyetz, Kevin M. Doak, James Dorsey, Aaron Gerow, Harry Harootunian, Marilyn Ivy, Angus Lockyer, Jim Reichert, Jonathan Reynolds, Ellen Schattschneider, Aaron Skabelund, Akiko Takenaka, Alan Tansman, Richard Torrance, Keith Vincent, Alejandro Yarza
Author: Kevin Nute
Publisher: Routledge
ISBN: 0429751354
Category : Architecture
Languages : en
Pages : 182
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Book Description
The Constructed Other argues that the assumed otherness of Japanese architecture has made it both a testbed for Western architectural theories and a source of inspiration for Western designers. The book traces three recurring themes in Western accounts of Japanese architecture from the reopening of Japan in the mid-nineteenth century to the present day: a wish to see Western architectural theories reflected in Japanese buildings; efforts to integrate elements of Japanese architecture into Western buildings; and a desire to connect contemporary Japanese architecture with Japanese tradition. It is suggested that, together, these narratives have had the effect of creating what amounts to a mythical version of Japanese architecture, often at odds with historical fact, but which has exercised a powerful influence on the development of building design internationally.
