Author: Clotilde Perrin
Publisher:
ISBN: 9781776571987
Category : Big books
Languages : en
Pages : 0
Book Description
Everyone will want to get their hands on this book to lift the flaps, peek in pockets, and reveal all of these fairy-tale villains' secrets For a twist on well-known tales, the giant, the wolf, and the witch each have their own interactive flaps, hiding spots, and a personality card. Dig into this book to see the diabolical thoughts inside the villains' heads, what lurks beneath their disguises, or the victims of their last meals (now comfortably settled inside their stomachs ). Personality cards show strengths and weaknesses, pastimes, physical characteristics, favorite meals and--of course--their favorite books. And if the wolf bites your fingers while you're reading, you can always pull his tail...
Inside the Villains
Author: Clotilde Perrin
Publisher:
ISBN: 9781776571987
Category : Big books
Languages : en
Pages : 0
Book Description
Everyone will want to get their hands on this book to lift the flaps, peek in pockets, and reveal all of these fairy-tale villains' secrets For a twist on well-known tales, the giant, the wolf, and the witch each have their own interactive flaps, hiding spots, and a personality card. Dig into this book to see the diabolical thoughts inside the villains' heads, what lurks beneath their disguises, or the victims of their last meals (now comfortably settled inside their stomachs ). Personality cards show strengths and weaknesses, pastimes, physical characteristics, favorite meals and--of course--their favorite books. And if the wolf bites your fingers while you're reading, you can always pull his tail...
Publisher:
ISBN: 9781776571987
Category : Big books
Languages : en
Pages : 0
Book Description
Everyone will want to get their hands on this book to lift the flaps, peek in pockets, and reveal all of these fairy-tale villains' secrets For a twist on well-known tales, the giant, the wolf, and the witch each have their own interactive flaps, hiding spots, and a personality card. Dig into this book to see the diabolical thoughts inside the villains' heads, what lurks beneath their disguises, or the victims of their last meals (now comfortably settled inside their stomachs ). Personality cards show strengths and weaknesses, pastimes, physical characteristics, favorite meals and--of course--their favorite books. And if the wolf bites your fingers while you're reading, you can always pull his tail...
The Real and the Reflected: Heroes and Villains in Existent and Imagined Worlds
Author:
Publisher: BRILL
ISBN: 1848881061
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
The Real and the Reflected: Heroes and Villains in Existent and Imagined Worlds, unpacks many of the issues that surround heroes and villains. It explores the shadows that fall between the traditional black and white definitions of good and evil.
Publisher: BRILL
ISBN: 1848881061
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
The Real and the Reflected: Heroes and Villains in Existent and Imagined Worlds, unpacks many of the issues that surround heroes and villains. It explores the shadows that fall between the traditional black and white definitions of good and evil.
The Moving Picture World
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 920
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 920
Book Description
Sixguns and Society
Author: Will Wright
Publisher: Univ of California Press
ISBN: 0520340787
Category : Performing Arts
Languages : en
Pages : 228
Book Description
From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consciousness and society. If a myth is popular, it must somehow appeal to or reinforce the individuals who view it by communicating a symbolic meaning to them. This meaning must, in turn, reflect the particular social institutions and attitudes that have created and continue to nourish the myth. Thus, a myth must tell its viewers about themselves and their society. This study, which takes up the question of the Western as an American myth, will lead us into abstract structural theory as well as economic and political history. Mostly, however, it will take us into the movies, the spectacular and not-so-spectacular sagebrush of the cinema. Unlike most works of social science, the data on which my analysis is based is available to all of my readers, either at the local theater or, more likely, on the late, late show. I hope you will take the opportunity, whenever it is offered, to check my findings and test my interpretations; the effort is small and the rewards are many. And if your wife, husband, mother, or child asks you why you are wasting your time staring at Westerns on TV in the middle of the night, tell them firmly—as I often did—that you are doing research in social science. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977. From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consc
Publisher: Univ of California Press
ISBN: 0520340787
Category : Performing Arts
Languages : en
Pages : 228
Book Description
From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consciousness and society. If a myth is popular, it must somehow appeal to or reinforce the individuals who view it by communicating a symbolic meaning to them. This meaning must, in turn, reflect the particular social institutions and attitudes that have created and continue to nourish the myth. Thus, a myth must tell its viewers about themselves and their society. This study, which takes up the question of the Western as an American myth, will lead us into abstract structural theory as well as economic and political history. Mostly, however, it will take us into the movies, the spectacular and not-so-spectacular sagebrush of the cinema. Unlike most works of social science, the data on which my analysis is based is available to all of my readers, either at the local theater or, more likely, on the late, late show. I hope you will take the opportunity, whenever it is offered, to check my findings and test my interpretations; the effort is small and the rewards are many. And if your wife, husband, mother, or child asks you why you are wasting your time staring at Westerns on TV in the middle of the night, tell them firmly—as I often did—that you are doing research in social science. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977. From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consc
Villains, Victims, and Violets
Author: Resa Haile
Publisher: Universal-Publishers
ISBN: 1627347267
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Modern writers have reconsidered every subject under the sun through the lens of Sherlock Holmes. The overlooked subject is agency: the opportunities available to these women for independence and control. What we find all too often are the silences around them. And yet, these clients--villains, victims, and Violets--are pivotal in the world of Sherlock Holmes. Perhaps more enigmatic than Holmes’ methods is what Watson sees: the woman in the shadows. Whether lady or lady’s maid, if she does speak, it’s often not recorded in her words. That was life for half the population of Victorian England. A woman’s role was written before she was born; it merely required her to don the starched white apron of a maid, or the rough, stained skirts of a "char"--who did the dirtiest of household jobs—or the fine silk gowns of a lady. Enter Villains, Victims, and Violets to spy and report on these women in their darkest, most vulnerable moments. How does Irene Adler—pursued by a powerful king, and by Sherlock Holmes--outwit them both? Can Lady Hilda conceal the secret that only Holmes unravels? When Violet Hunter takes the last job offered before she loses everything, can Holmes free her and her doppelganger? To understand Holmes’ world is to gaze unsparingly into the lives of its women: the villains and what drives them astray; the victims Holmes races to rescue; and the Violets, who make up the strongest characters from Holmes’ unforgettable cases. The authors pull back the curtain on their private spaces, revealing their "proper" place in a man’s world at the dusk of the 19th century and the dawn of the 20th. Foreword by Nisi Shawl, noted Sherlockian and the James Tiptree Jr. Award-winning and Nebula-nominated author of the brilliant steampunk, feminist, Afrofuturist novel Everfair.
Publisher: Universal-Publishers
ISBN: 1627347267
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Modern writers have reconsidered every subject under the sun through the lens of Sherlock Holmes. The overlooked subject is agency: the opportunities available to these women for independence and control. What we find all too often are the silences around them. And yet, these clients--villains, victims, and Violets--are pivotal in the world of Sherlock Holmes. Perhaps more enigmatic than Holmes’ methods is what Watson sees: the woman in the shadows. Whether lady or lady’s maid, if she does speak, it’s often not recorded in her words. That was life for half the population of Victorian England. A woman’s role was written before she was born; it merely required her to don the starched white apron of a maid, or the rough, stained skirts of a "char"--who did the dirtiest of household jobs—or the fine silk gowns of a lady. Enter Villains, Victims, and Violets to spy and report on these women in their darkest, most vulnerable moments. How does Irene Adler—pursued by a powerful king, and by Sherlock Holmes--outwit them both? Can Lady Hilda conceal the secret that only Holmes unravels? When Violet Hunter takes the last job offered before she loses everything, can Holmes free her and her doppelganger? To understand Holmes’ world is to gaze unsparingly into the lives of its women: the villains and what drives them astray; the victims Holmes races to rescue; and the Violets, who make up the strongest characters from Holmes’ unforgettable cases. The authors pull back the curtain on their private spaces, revealing their "proper" place in a man’s world at the dusk of the 19th century and the dawn of the 20th. Foreword by Nisi Shawl, noted Sherlockian and the James Tiptree Jr. Award-winning and Nebula-nominated author of the brilliant steampunk, feminist, Afrofuturist novel Everfair.
The Villain as Hero in Elizabethan Tragedy
Author: Clarence Valentine Boyer
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 288
Book Description
Domesday, Or, An Actual Survey of South-Britain
Author: Samuel Henshall
Publisher:
ISBN:
Category : Kent (England)
Languages : en
Pages : 290
Book Description
Publisher:
ISBN:
Category : Kent (England)
Languages : en
Pages : 290
Book Description
The New Republic
Author: Herbert David Croly
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 428
Book Description
The Encyclopaedia Britannica
Author: Thomas Spencer Baynes
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 938
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 938
Book Description
Comic Book Crime
Author: Nickie D. Phillips
Publisher: NYU Press
ISBN: 0814767885
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.
Publisher: NYU Press
ISBN: 0814767885
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.