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Author: Ross Steele
Publisher: John Benjamins Publishing
ISBN: 9027220441
Category : Language Arts & Disciplines
Languages : en
Pages : 687
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Book Description
This second volume in honour of Michael Halliday contains three sections: The Design of Language, Text and Discourse and Exploring Language as Social Semiotic, and concludes with a recent interview conducted by Paul Thibault in which Halliday provides further insights in his theory of language. The essential design features of language are semantic, lexico-grammatical and phonological. Text for Halliday is a semantic unit expressed by the lexico-grammatical and phonological patterns in language. The papers in the first section study aspects of these three strata of language and the relation between them. The second section deals with units higher than the clause complex and the papers there attempt to integrate the analysis of the lexico-grammatical and phonological systems into higher level discourse units. The papers in the third section develop the notion of language as social semiotic which is central to Haliday s model of language.
Author: Ross Steele
Publisher: John Benjamins Publishing
ISBN: 9027220441
Category : Language Arts & Disciplines
Languages : en
Pages : 687
Get Book Here
Book Description
This second volume in honour of Michael Halliday contains three sections: The Design of Language, Text and Discourse and Exploring Language as Social Semiotic, and concludes with a recent interview conducted by Paul Thibault in which Halliday provides further insights in his theory of language. The essential design features of language are semantic, lexico-grammatical and phonological. Text for Halliday is a semantic unit expressed by the lexico-grammatical and phonological patterns in language. The papers in the first section study aspects of these three strata of language and the relation between them. The second section deals with units higher than the clause complex and the papers there attempt to integrate the analysis of the lexico-grammatical and phonological systems into higher level discourse units. The papers in the third section develop the notion of language as social semiotic which is central to Haliday s model of language.
Author: Branka Arsic
Publisher: Bloomsbury Publishing USA
ISBN: 1501321021
Category : Literary Criticism
Languages : en
Pages : 640
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Book Description
Melville's Philosophies departs from a long tradition of critical assessments of Melville that dismissed his philosophical capacities as ingenious but muddled. Its contributors do not apply philosophy to Melville in order to detect just how much of it he knew or understood. To the contrary, they try to hear the philosophical arguments themselves-often very strange and quite radical-that Melville never stopped articulating and reformulating. What emerges is a Melville who is materialistically oriented in a radical way, a Melville who thinks about life forms not just in the context of contemporary sciences but also ontologically. Melville's Philosophies recovers a Melville who is a thinker of great caliber, which means obliquely but dramatically reversing the way the critical tradition has characterized his ideas. Finally, as a result of the readings collected here, Melville emerges as a very relevant thinker for contemporary philosophical concerns, such as the materialist turn, climate change, and post-humanism.
Author: Jonathan A. Cook
Publisher: Northern Illinois University Press
ISBN: 1501757164
Category : Religion
Languages : en
Pages : 361
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Book Description
In Inscrutable Malice, Jonathan A. Cook expertly illuminates Melville's abiding preoccupation with the problem of evil and the dominant role of the Bible in shaping his best-known novel. Drawing on recent research in the fields of biblical studies, the history of religion, and comparative mythology, Cook provides a new interpretation of Moby-Dick that places Melville's creative adaptation of the Bible at the center of the work. Cook identifies two ongoing concerns in the narrative in relation to their key biblical sources: the attempt to reconcile the goodness of God with the existence of evil, as dramatized in the book of Job; and the discourse of the Christian end-times involving the final destruction of evil, as found in the apocalyptic books and eschatological passages of the Old and New Testaments. With his detailed reading of Moby-Dick in relation to its most important source text, Cook greatly expands the reader's understanding of the moral, religious, and mythical dimensions of the novel. Both accessible and erudite, Inscrutable Malice will appeal to scholars, students, and enthusiasts of Melville's classic whaling narrative.
Author: Herman Melville
Publisher:
ISBN:
Category : Ahab, Captain (Fictitious character)
Languages : en
Pages : 538
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Book Description
Author: Leon Howard
Publisher: Univ of California Press
ISBN: 0520334140
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1951.
Author: Gabriel Vahanian
Publisher: Wipf and Stock Publishers
ISBN: 1608991482
Category : Religion
Languages : en
Pages : 257
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Book Description
Ephemeral differences notwithstanding, both literature and the Bible are stirred by a common passion for words, all of which are on an equal footing in staging an at once intimate and ultimate passion of the word. Of language and its quest for truth of which each and every word of a dictionary is entrusted, so long as no word per se can lord it over all the other words. Keepers of the word, words cannot keep a secret, bound as they are both to reveal and conceal it at one and the same time. Except for a parrot, language has no mother tongue: it inherits only that which it can translate: the everlasting into the ephemeral, the temporal into the eternal, speaking into writing - into that which happens once and for all. Language is iconic and iconoclastic. It is propitious to God and would-be gods and, conversely, it is equally allergic to idols. Hence the title of this book, borrowed from a line of W.H. Auden's Christmas Oratorio. No sooner is God worshipped than God is turned into an idol. Biblical or not, religious or secular, literature is iconoclastic. ¬Promethean iconoclasm quarrels with God. Ironically less theistic, the paradox of Abrahamic iconoclasm lies in laying bare the duplicity, not so much of God, as of all human all too human conceptions of a God which, falling short of God, becomes an idol that can only be rebuked even by God if not by Abraham, the father of faith. No wonder, Western literature has dealt with the death of God rather than with the living God: its task has consisted in wording a world shaped and left to go adrift by Christian tradition itself gone irrelevant and locked up in a mother tongue no one speaks instead of time and again unleashing and worlding the Word.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 774
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Book Description
Author:
Publisher: Westminster John Knox Press
ISBN: 9780664237493
Category : Bible
Languages : en
Pages : 172
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Book Description
Author: Samuel Otter
Publisher: Univ of California Press
ISBN: 9780520918016
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
In fascinating new contextual readings of four of Herman Melville's novels—Typee, White-Jacket, Moby-Dick, and Pierre—Samuel Otter delves into Melville's exorbitant prose to show how he anatomizes ideology, making it palpable and strange. Otter portrays Melville as deeply concerned with issues of race, the body, gender, sentiment, and national identity. He articulates a range of contemporary texts (narratives of travelers, seamen, and slaves; racial and aesthetic treatises; fiction; poetry; and essays) in order to flesh out Melville's discursive world. Otter presents Melville's works as "inside narratives" offering material analyses of consciousness. Chapters center on the tattooed faces in Typee, the flogged bodies in White-Jacket, the scrutinized heads in Moby-Dick, and the desiring eyes and eloquent, constricted hearts of Pierre. Otter shows how Melville's books tell of the epic quest to know the secrets of the human body. Rather than dismiss contemporary beliefs about race, self, and nation, Melville inhabits them, acknowledging their appeal and examining their sway. Meticulously researched and brilliantly argued, this groundbreaking study links Melville's words to his world and presses the relations between discourse and ideology. It will deeply influence all future studies of Melville and his work.
Author: Harold Kaplan
Publisher: Routledge
ISBN: 1351522817
Category : Literary Criticism
Languages : en
Pages : 501
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Book Description
Democratic Humanism and American Literature illustrates the interplay between democratic assumptions and literary performance in the America's classic nineteenth-century writers--Emerson, Thoreau, Hawthorne, Melville, Cooper, Poe, Whitman, Twain, and James. Harold Kaplan suggests that these major figures' works are linked by the myths of genesis of a new political culture. Challenged by the democratic ideal, and committed to it, they wrote prophetic books in the American liberal tradition and endowed its ethical intelligence. The task of stating a new and undefined freedom was always implicit and often in the foreground of the writing of these nineteenth-century giants. As the author describes the situation, "the free man had to decide in what sense he was bound by nature or could master it; in what sense he was committed to his society and could reconcile his freedom with it." These classic writers devoted their work to examining this dialectic of values; Kaplan sees their complex and polarized democratic consciousness as seminal in the imaginative tradition they generated. What is unique in that tradition of values is the rivalry of criticism with affirmations of faith. "The highly original ethical trait involved here is based on the capacity of a political society to use its negations against itself and survive." The author suggests that in our own time moral judgments are more likely to be the province of activist politics than literature. His new introduction relates the theme of the book to cultural and political developments in the American experience of modernity and adds a discussion of Wallace Stevens and William Carlos Williams to the figures treated in the original edition. Since tendencies to develop ideological and idiosyncratic responses to extrinsic events have grown stronger over time, it is more important than ever for scholars and students alike to recover a "moral imagination"--the force that gave rise to the great literary works of the nineteenth century. To describe that force is Harold Kaplan's goal in Democratic Humanism and American Literature.
