Inquiries Into the Fundamentals of Aesthetics PDF Download
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Author: Stefan Morawski
Publisher: MIT Press (MA)
ISBN:
Category : Philosophy
Languages : en
Pages : 440
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Book Description
Author: Stefan Morawski
Publisher: MIT Press (MA)
ISBN:
Category : Philosophy
Languages : en
Pages : 440
Get Book Here
Book Description
Author: Stefan Morawski
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
Author: Dabney Townsend
Publisher: Rowman & Littlefield
ISBN: 0810875810
Category : History
Languages : en
Pages : 417
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Book Description
Aesthetics is not a "factual" discipline; there are no aesthetic facts. The word itself is derived from the Greek word for "feeling" and the discipline arises because of the need to find a place for the passions within epistemology--the branch of philosophy that investigates our beliefs. Aesthetics is more than just the study of beauty; it is a study of that which appeals to our senses, most often in connection with the classification, analysis, appreciation, and understanding of art. The A to Z of Aesthetics covers its history from Classical Greece to the present, including entries on non-western aesthetics. The book contains a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the main concepts, terminology, important persons (philosophers, critics, and artists), and the rules and criteria we apply in making judgments on art. By providing concise information on aesthetics, this dictionary is not only accessible to students, but it provides details and facts to specialists in the field.
Author: Edward M. Swiderski
Publisher: Springer Science & Business Media
ISBN: 9400994346
Category : Social Science
Languages : en
Pages : 258
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Book Description
0. 1. GENERAL DESCRIPTION OF THE PROBLEMATIC This study is devoted to an examination of a concept of crucial significance for Soviet aesthetics - the concept of the aesthetic (esteticeskoe). Soviet aestheticians have for some time already been trying to design a concept of the aesthetic that would satisfy, on the one hand, the requirements of aesthe tic phenomena, and, on the other hand, the principles of the Marxist-Leninist world view. The first part of this work shows how the concept of the aesthetic has been and continues to be problematic for Soviet aestheticians. This task is carried out by dwelling, first of all, on the controversies among Soviet aesthe ticians concerning meta-aesthetic issues, viz, the nature and scope of aesthetics as well as its place among other philosophical and non-philosophical disci plines. A particularly clear view of the problems that have traditionally pre occupied Soviet aestheticians is provided by an examination of what they standardly call the 'method of aesthetics', where 'method' is understood in the sense of an explanatory framework rather than in the strict logico-scien tific sense of the term. This discussion will provide the occasion to pass in review the main periods of Soviet aesthetics and the characteristic aspects of each. The chapter on the sources of contemporary Marxist-Leninist aesthetics brings into relief the lack of a homogeneous tradition in the question of the nature of the aesthetic and other related problems.
Author: Emily Brady
Publisher: Oxford University Press
ISBN: 9780198241010
Category : Philosophy
Languages : en
Pages : 266
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Book Description
Aesthetic Concepts is an exploration of key topics in contemporary aesthetics that arise from the seminal work of Frank Sibley (1923-1996). Sibley developed a distinctive aesthetic theory through a number of papers published between 1955 and 1995 (a selection of which, entitled Approach toAesthetics, is also published by OUP). Sibley's theory is grounded in the important and influential distinction he made between aesthetic and non-aesthetic concepts in his ground-breaking paper, 'Aesthetic Concepts'. Thirteen specially written essays by British and American philosophical aestheticians bring Sibley's insight into a contemporary framework, exploring the ways his ideas give rise to important new discussion about issues in aesthetics that greatly interested him. These include: the differences andrelationships between aesthetic concepts and other types of concepts, aesthetic realism and objectivity, methods of aesthetic evaluation in practice and in theory, the boundaries of aesthetics, and aesthetics of nature versus aesthetics of art. This collection will be of interest to scholars inphilosophy, art theory, and art criticism.
Author: Alan Sica
Publisher: Univ of California Press
ISBN: 0520415531
Category : Philosophy
Languages : en
Pages : 324
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Book Description
Despite immediate appearances, this book is not primarily a hermeneutical exercise in which the superiority of one interpretation of canonical texts is championed against others. Its origin lies elsewhere, near the overlap of history, psychoanalysis, aesthetics, and social theory of the usual kind. Weber, Pareto, Freud, W. I. Thomas, Max Scheler, Karl Mannheim, and many others of similar stature long ago wondered and wrote much about the interplay between societal rationalization and individual rationality, between collective furor and private psychopathology—in short, about the strange and worrisome union of “character and social structure” (to recall Gerth and Mills). Pondering the history of social thought in this century can lead to the unpleasant realization that such large-scale questions slipped away, especially from sociologists, sometime before World War II. Or, if not entirely lost, they were so transformed in range and rhetoric that a gap opened between contemporary theorizing and its European background. Perhaps this partly explains Weber’s continuing appeal. By dealing with him, one might again broach topics long at odds with “social science” of the last forty years.—From the Preface This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
Author: WECHSLER
Publisher: Springer Science & Business Media
ISBN: 9780817633790
Category : Science
Languages : en
Pages : 206
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Book Description
Author: Paul Heywood Hirst
Publisher: Taylor & Francis
ISBN: 9780415129473
Category :
Languages : en
Pages : 470
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Book Description
Author: RichardK. Sherwin
Publisher: Routledge
ISBN: 1351553720
Category : History
Languages : en
Pages : 613
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Book Description
What are the consequences when law's stories and images migrate from the courtroom to the court of public opinion and from movie, television and computer screens back to electronic monitors inside the courtroom itself? What happens when lawyers and public relations experts market notorious legal cases and controversial policy issues as if they were just another commodity? What is the appropriate relationship between law and digital culture in virtual worlds on the Internet? In addressing these cutting edge issues, the essays in this volume shed new light on the current status and future fate of law, truth and justice in our time.
Author: Peter Stupples
Publisher: Cambridge Scholars Publishing
ISBN: 1443870927
Category : Art
Languages : en
Pages : 328
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Book Description
This study examines not only the objects and processes that make up the artworlds of human history, but also the social and cultural circumstances, the historicised contexts that bring about their making, frame their functioning, inform their properties and influence their effects, both at the time of their creation and throughout their subsequent biographies. In the short span that “art” has played a part in human life, one may conceive of time as a social river, with a strong current towards the capricious mainstream, and eddies and quiet pools near the banks. The current will flow faster in spate and slower in drought. But it will be forever in motion. It will be unpredictable. Nothing will stop its inexorable force. Art runs in that social river, subject to the flow and chance of time.
