The Industrial and Artistic Technology of Paint and Varnish PDF Download
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Author: Alvah Horton Sabin
Publisher:
ISBN:
Category : Paint
Languages : en
Pages : 504
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Book Description
Author: Ann Marie Shillito
Publisher: Bloomsbury Publishing
ISBN: 1408127776
Category : Crafts & Hobbies
Languages : en
Pages : 160
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Book Description
A cutting-edge survey of industrial techniques available for use by designer-makers, packed with case studies and examples of work by contemporary applied artists. Includes a downloadable design to modify and print and guidance on how to brief a bureau service.
Author: Stephen Hoskins
Publisher: Bloomsbury Publishing
ISBN: 1474248748
Category : Design
Languages : en
Pages : 168
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Book Description
Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.
Author: United States. Patent Office
Publisher:
ISBN:
Category : Industrial design
Languages : en
Pages : 200
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Book Description
Author: JOHN BECK; RYAN BISHOP.
Publisher:
ISBN: 9781478090052
Category : Arts
Languages : en
Pages :
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Book Description
"TECHNOCRATS OF THE IMAGINATION traces the rise of collaborative art and technology labs in the U.S. from WWII to the present. Ryan Bishop and John Beck reveal the intertwined histories of the avant-garde art movement and the military-industrial complex, showing how radical pedagogical practices traveled from Germany's Bauhaus movement to the U.S. art world and interacted with government-funded military research and development in university laboratories. During the 1960s both media labs and studio labs leaned heavily on methods of interdisciplinary collaboration and the power of American modernity to model new modes of social organization. The book's chapters take up MIT's Center for Art, Science, and Technology, Bell Labs's E.A.T. (Experiments in Art and Technology) Salon, and Los Angeles Museum of Art's Art + Technology Program. Their interconnected history illuminates how much of contemporary media culture and aesthetics depends on the historical relationship between military, corporate, and university actors. In light of revived interest in Black Mountain College and other 1960s art and technology labs, this book draws important connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s. The authors situate the rise of collaborative art and technology projects in the 1960s within John Dewey's ideology of scientific democracy, showing how leading thinkers from the Bauhaus movement in Germany immigrated to the U.S. and brought with them a Deweyan model for collaborative and interdisciplinary art and technology research. Over the course of the decade, the U.S. government increased funding to scientific research at university and private laboratories. Beck and Bishop investigate how various art and technology projects incorporated the collaborative and innovative interdisciplinarity of the avant-garde art movement with the corporate funding structure driven by the U.S. government's military and technoscientific interests. Finally, the authors consider the legacy of 1960s art and technology projects. During the 1970s and 80s, defense R&D funding was less motivated by a Cold War corporate state, and was instead restructured according to an entrepreneurial and neoliberal model. At the same time, funding in the art world also became increasingly financialized and globalized. Today's art and technology work happens collaboratively not because of an intellectual commitment to interdisciplinarity, but because of the precarity of the contemporary labor market. This book will interest students and scholars in art history and theory, media studies, history of technology, American studies, cultural studies, and critical university studies"--
Author: New York Public Library
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 90
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Book Description
Author: Alvah Horton 1851- Sabin
Publisher: Wentworth Press
ISBN: 9781363659739
Category : History
Languages : en
Pages : 426
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author:
Publisher:
ISBN:
Category : Engineering
Languages : en
Pages : 450
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Book Description
Author: American Industrial Arts Association
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 344
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Book Description
Author: United States. Office of Education
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 32
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Book Description
Author: United States. Office of Education
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 1090
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Book Description
