Author: Jean Paul Barbier-Mueller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Indonesian Primitive Art
Author: Jean Paul Barbier-Mueller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Indonesian Primitive Art
Author: Irwin Hersey
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
An introduction to the tribal art of the numerous groups of the Indonesian archipelago, as it evolved from the Dong-son culture of northern Vietnam and developed as a result of common beliefs in animism, ancestor worship, and customary law (adat).
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
An introduction to the tribal art of the numerous groups of the Indonesian archipelago, as it evolved from the Dong-son culture of northern Vietnam and developed as a result of common beliefs in animism, ancestor worship, and customary law (adat).
INDONESIAN PRIMITIVE ART
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 171
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 171
Book Description
The Death of Authentic Primitive Art
Author: Shelly Errington
Publisher: Univ of California Press
ISBN: 0520920341
Category : Art
Languages : en
Pages : 338
Book Description
In this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death." Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress—from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia—a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished)—to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development. Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies.
Publisher: Univ of California Press
ISBN: 0520920341
Category : Art
Languages : en
Pages : 338
Book Description
In this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death." Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress—from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia—a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished)—to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development. Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies.
Early Indonesian Textiles from Three Island Cultures
Author: Robert J. Holmgren
Publisher: Metropolitan Museum of Art
ISBN: 0870995383
Category : Repetitive patterns (Decorative arts)
Languages : en
Pages : 113
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870995383
Category : Repetitive patterns (Decorative arts)
Languages : en
Pages : 113
Book Description
Contemporary Indonesian Art
Author: Yvonne Spielmann
Publisher: NUS Press
ISBN: 9814722367
Category : Art
Languages : en
Pages : 189
Book Description
Indonesian art entered the global contemporary art world of independent curators, art fairs, and biennales in the 1990s. By the mid-2000s, Indonesian works were well-established on the Asian secondary art market, achieving record-breaking prices at auction houses in Singapore and Hong Kong. This comprehensive overview introduces Indonesian contemporary art in a fresh and stimulating manner, demonstrating how contemporary art breaks from colonial and post-colonial power structures, and grapples with issues of identity and nation-building in Indonesia. Across different media, in performance and installation, it amalgamates ethnic, cultural, and religious references in its visuals, and confidently brings together the traditional (batik, woodcut, dance, Javanese shadow puppet theater) with the contemporary (comics and manga, graffiti, advertising, pop culture). Spielmann's Contemporary Indonesian Art surveys the key artists, curators, institutions, and collectors in the local art scene and looks at the significance of Indonesian art in the Asian context. Through this book, originally published in German, Spielmann stakes a claim for the global relevance of Indonesian art.
Publisher: NUS Press
ISBN: 9814722367
Category : Art
Languages : en
Pages : 189
Book Description
Indonesian art entered the global contemporary art world of independent curators, art fairs, and biennales in the 1990s. By the mid-2000s, Indonesian works were well-established on the Asian secondary art market, achieving record-breaking prices at auction houses in Singapore and Hong Kong. This comprehensive overview introduces Indonesian contemporary art in a fresh and stimulating manner, demonstrating how contemporary art breaks from colonial and post-colonial power structures, and grapples with issues of identity and nation-building in Indonesia. Across different media, in performance and installation, it amalgamates ethnic, cultural, and religious references in its visuals, and confidently brings together the traditional (batik, woodcut, dance, Javanese shadow puppet theater) with the contemporary (comics and manga, graffiti, advertising, pop culture). Spielmann's Contemporary Indonesian Art surveys the key artists, curators, institutions, and collectors in the local art scene and looks at the significance of Indonesian art in the Asian context. Through this book, originally published in German, Spielmann stakes a claim for the global relevance of Indonesian art.
Messages in Stone
Author: Jean Paul Barbier
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 212
Book Description
Numerose sono le isole dell'Insulindia che vantano colossali monumenti e statue di pietra tali da gareggiare con i giganti dell'isola di Pasqua; nonostante ciò queste affascinanti manifestazioni artistiche sono state finora oggetto solo di studi specialistici, rimanendo in gran parte sconosciute al grande pubblico. Il volume, che comprende i saggi di Alan Viaro, Arlette Ziegler, Jean Paul Barbier e Janet Hoskins, analizza le diverse tipologie, significati e funzioni di queste suggestive sculture monumentali attraverso una selezione di cinquanta esemplari delle straordinarie collezioni del Museo Barbier-Mueller. Annotation Supplied by Informazioni Editoriali
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 212
Book Description
Numerose sono le isole dell'Insulindia che vantano colossali monumenti e statue di pietra tali da gareggiare con i giganti dell'isola di Pasqua; nonostante ciò queste affascinanti manifestazioni artistiche sono state finora oggetto solo di studi specialistici, rimanendo in gran parte sconosciute al grande pubblico. Il volume, che comprende i saggi di Alan Viaro, Arlette Ziegler, Jean Paul Barbier e Janet Hoskins, analizza le diverse tipologie, significati e funzioni di queste suggestive sculture monumentali attraverso una selezione di cinquanta esemplari delle straordinarie collezioni del Museo Barbier-Mueller. Annotation Supplied by Informazioni Editoriali
Patterned Splendour
Author: Lesley Pullen
Publisher: ISEAS-Yusof Ishak Institute
ISBN: 9814881856
Category : History
Languages : en
Pages : 328
Book Description
There exist numerous free-standing figurative sculptures produced in Java between the eighth and fifteenth centuries whose dress display detailed textile patterns. This surviving body of sculpture, carved in stone and cast in metal, varying in both size and condition, remains in archaeological sites and museums in Indonesia and worldwide. The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.
Publisher: ISEAS-Yusof Ishak Institute
ISBN: 9814881856
Category : History
Languages : en
Pages : 328
Book Description
There exist numerous free-standing figurative sculptures produced in Java between the eighth and fifteenth centuries whose dress display detailed textile patterns. This surviving body of sculpture, carved in stone and cast in metal, varying in both size and condition, remains in archaeological sites and museums in Indonesia and worldwide. The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.
Art of Island Southeast Asia
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870996975
Category : Art
Languages : en
Pages : 157
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870996975
Category : Art
Languages : en
Pages : 157
Book Description
Arts of Asia
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 458
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 458
Book Description