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Author: Viney K. Agarwala
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 110
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Book Description
Author: Viney K. Agarwala
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 110
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Book Description
Author: Bigamudre Chaitanya Deva
Publisher: Taylor & Francis
ISBN: 9788122407303
Category : Music
Languages : en
Pages : 200
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Book Description
This Book Introduces To Lay Readers The Basic Concepts Of Indian Music To Aid A Fuller Appreciation. Raga. Its Melodic Base, Is Examined First, With Scales And Figures Employed Where Necessary. Chapters On Tone And Rhythm Follow.The Many Forms Of Composition - Kheval, Thumri, Kriti - Are Explained Historically, And The Lives Of The Masters Briefly Touched Upon. Also Discussed Is The Folk Base Of Classical Music - Particularly The Devotional Forms That Abound. Folk And Concert Instruments Of A Wide Range Are Described, And Their Canons Of Classification Expounded.The Author Has Covered Hindustani And Karnatak Music; The Parallel Treatment Not Only Makes For Comprehensiveness, But Brings Out Common Features To The Benefit Of Those Familiar With Either System. The Approach Being Historical, The Study Of Evolving Codes And Canons Leads Naturally To A Consideration Of Music In The Modern Milieu.Illustrated With Over 80 Drawings, The Book Is Intended To Serve As A Primer For Those At Home And Abroad Who Seek The Enrichment India'S Ancient Music Offers.
Author: Emmie Te Nijenhuis
Publisher: BRILL
ISBN: 9004662502
Category : History
Languages : en
Pages : 166
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Book Description
Author: Manorma Sharma
Publisher: APH Publishing
ISBN: 9788176489997
Category : Hindustani music
Languages : en
Pages : 280
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Book Description
Author: Balanand Sinha
Publisher: BFC Publications
ISBN: 9390880181
Category : Juvenile Nonfiction
Languages : en
Pages : 150
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Book Description
The book aims to assess whether the musicians of Varanasi are Traditional or modern. In this context, the generation gap hypothesis was psychologically tested. It appeared that the musicians of Varanasi upheld the traditional values of music as a whole. However, the older and younger generations differed significantly in the context of their professional attitude and outlook.
Author: Peter Lamarche Manuel
Publisher: Temple University Press
ISBN: 9781439905708
Category : Music
Languages : en
Pages : 282
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Book Description
Trinidadian sitarist, composer, and music authority, Mangal Patasar once remarked about tãn-singing, "You take a capsule from India, leave it here for a hundred years, and this is what you get." Patasar was referring to what may be the most sophisticated and distinctive art form cultivated among the one and a half million East Indians whose ancestors migrated as indentured laborers from colonial India to the West Indies between 1845 and 1917. Known in Trinidad and Guyana as "tãn-singing" or "local-classical music" and in Suriname as "baithak gãna" ("sitting music"), tãn-singing has evolved into a unique idiom, embodying the rich poetic and musical heritage brought from India as modified by a diaspora group largely cut off from its ancestral homeland. In recent decades, however, tãn-singing has been declining, regarded as quaint and crude by younger generations raised on MTV, Hindi film music, and disco. At the same time, Indo-Caribbeans have been participating in their countries' economic, political, and cultural lives to a far greater extent than previously. Accompanying this participation has been a lively cultural revival, encompassing both an enhanced assertion of Indianness and a spirit of innovative syncretism. One of the most well-known products of this process is chutney, a dynamic music and dance phenomenon that is simultaneously a folk revival and a pop hybrid. In Trinidad, it has also been the vehicle for a controversial form of female empowerment and an agent of a new, more inclusive, conception of national identity. Thus, East Indian Music in the West Indies is a portrait of a diaspora community in motion. It documents the social and cultural development of a people "without history," a people who have sometimes been dismissed as foreigners who merely perpetuate the culture of the homeland rather than becoming "truly" Caribbean. Professor Manuel shows how inaccurate this characterization is. On the one hand, in the form of tãn-singing, it examines the distinctiveness of traditional Indo-Caribbean musical culture. On the other, in the form of chutney, it examines the new assertiveness and syncretism of Indo-Caribbean popular music. Students of Indo-Caribbean music and curious world-music fans alike will be fascinated by Professor Manuel's guided tour through the complex and exciting world of Indo-Caribbean musical culture. Author note: Peter Manuel, an authority on the music of both North India and the Caribbean, is Associate Professor in the Department of Art, Music, and Philosophy at John Jay College. He is the author of several books, including Popular Musics of the Non-Western World (Oxford University Press), Cassette Culture: Popular Music and Technology in North India, and Caribbean Currents: Caribbean Music from Rumba to Reggae (Temple University Press).
Author: Ritwik Sanyal
Publisher: Taylor & Francis
ISBN: 1000845435
Category : Music
Languages : en
Pages : 422
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Book Description
Dhrupad is believed to be the oldest style of classical vocal music performed today in North India. This detailed study of the genre considers the relationship between the oral tradition, its transmission from generation to generation, and its re-creation in performance. There is an overview of the historical development of the dhrupad tradition and its performance style from the sixteenth to the nineteenth centuries, and of the musical lineages that carried it forward into the twentieth century, followed by analyses of performance techniques, processes and styles. The authors examine the relationship between the structures provided by tradition and their realization by the performer to throw light on the nature of tradition and creativity in Indian music; and the book ends with an account of the ‘revival’ movement of the late twentieth century that re-established the genre in new contexts. Augmented with an analytical transcription of a complete dhrupad performance, this is the first book-length study of an Indian vocal genre to be co-authored by an Indian practitioner and a Western musicologist.
Author: B. K. Nagla
Publisher: Taylor & Francis
ISBN: 1003861059
Category : Social Science
Languages : en
Pages : 290
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Book Description
This book studies the different dimensions of culture change in India. It covers important strands of the ancient and modern intellectual traditions of India and the socio-cultural changes that the country underwent during the colonial, post-independence modernization, and globalization periods in the country. In this context, the authors examine some of the major aspects of culture change observed at the institutional level across the country. They also touch upon cultural diversity and multiculturalism in India and Europe, as well as the dilemmas faced by diasporic Indians in North America. Lucid and topical, this book will be an essential read for students and scholars of sociology, sociology of culture, history, political science, cultural anthropology, Indian sociology, social anthropology, cultural studies, and South Asian studies.
Author: Bruno Nettl
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
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Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: George Ruckert
Publisher: Oxford University Press, USA
ISBN:
Category : Hindustani music
Languages : en
Pages : 128
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Book Description
Music in North India provides a representative overview of this music, discussing rhythm and drumming traditions, song composition and performance styles, and melodic and rhythmic instruments. Drawing on his experience as a sarod player, vocalist, and music teacher, author George Ruckert incorporates numerous musical exercises to demonstrate important concepts. The book ranges from the chants of the ancient Vedas to modern devotional singing and from the serious and meditative rendering of raga to the concert-hall excitement of the modern sitar, sarod, and tabla. It is framed around three major topics: the devotional component of North Indian music, the idea of fixity and spontaneity in the various styles of Indian music, and the importance of the verbal syllable to the expression of the musical aesthetic in North India.
