Author: Utpal Kumar Banerjee
Publisher:
ISBN: 9788182902046
Category : Dance
Languages : en
Pages : 0
Book Description
Indian Contemporary Dance Extravaganza
Author: Utpal Kumar Banerjee
Publisher:
ISBN: 9788182902046
Category : Dance
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9788182902046
Category : Dance
Languages : en
Pages : 0
Book Description
Indian Modern Dance, Feminism and Transnationalism
Author: Prarthana Purkayastha
Publisher: Springer
ISBN: 1137375175
Category : Performing Arts
Languages : en
Pages : 201
Book Description
This book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar.
Publisher: Springer
ISBN: 1137375175
Category : Performing Arts
Languages : en
Pages : 201
Book Description
This book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar.
Dance in India
Author: Judy Van Zile
Publisher: Theodore Front Music
ISBN: 9780913360064
Category : Performing Arts
Languages : en
Pages : 148
Book Description
Publisher: Theodore Front Music
ISBN: 9780913360064
Category : Performing Arts
Languages : en
Pages : 148
Book Description
Mother and child
Author: Rabindranath Tagore
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
Book Description
South Asian Dance
Author: Alessandra Iyer
Publisher: Routledge
ISBN: 1134398182
Category : Performing Arts
Languages : en
Pages : 93
Book Description
Indian Dance is not what it was. The classical dances of the subcontinent have undergone fission, have been deconstructed and have become part of a contemporary dance idiom. Some of the most innovative work has taken place because of interaction with Western dancers or because it was conceived in a Western and/or global context. Thus the British experience-the work and contribution of Indian dance practitioners based in Britain and working primarily in a British/European context-have been very important for the new development of Indian dance.
Publisher: Routledge
ISBN: 1134398182
Category : Performing Arts
Languages : en
Pages : 93
Book Description
Indian Dance is not what it was. The classical dances of the subcontinent have undergone fission, have been deconstructed and have become part of a contemporary dance idiom. Some of the most innovative work has taken place because of interaction with Western dancers or because it was conceived in a Western and/or global context. Thus the British experience-the work and contribution of Indian dance practitioners based in Britain and working primarily in a British/European context-have been very important for the new development of Indian dance.
Dance India Taste
Author:
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 12
Book Description
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 12
Book Description
Humour and satire
Author: Rabindranath Tagore
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
Book Description
Mapping Critical Dance Studies in India
Author: Urmimala Sarkar Munsi
Publisher: Springer Nature
ISBN: 9819973597
Category :
Languages : en
Pages : 303
Book Description
Publisher: Springer Nature
ISBN: 9819973597
Category :
Languages : en
Pages : 303
Book Description
Wish fulfillment foray
Author: Rabindranath Tagore
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description
Pop Empires
Author: S. Heijin Lee
Publisher: University of Hawaii Press
ISBN: 0824878019
Category : Social Science
Languages : en
Pages : 361
Book Description
At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world’s consumers of culture (principally, popular culture) are India and South Korea. “Bollywood” and “Hallyu” are increasingly competing with “Hollywood”—either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.
Publisher: University of Hawaii Press
ISBN: 0824878019
Category : Social Science
Languages : en
Pages : 361
Book Description
At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world’s consumers of culture (principally, popular culture) are India and South Korea. “Bollywood” and “Hallyu” are increasingly competing with “Hollywood”—either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.