Author: Yi-Fu Tuan
Publisher: University of Wisconsin Pres
ISBN: 0299296830
Category : History
Languages : en
Pages : 216
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Book Description
Geography is useful, indeed necessary, to survival. Everyone must know where to find food, water, and a place of rest, and, in the modern world, all must make an effort to make the Earth -- our home -- habitable. But much present-day geography lacks drama, with its maps and statistics, descriptions and analysis, but no acts of chivalry, no sense of quest. Not long ago, however, geography was romantic. Heroic explorers ventured to forbidding environments -- oceans, mountains, forests, caves, deserts, polar ice caps -- to test their power of endurance for reasons they couldn't fully articulate. Why climb Everest? "Because it is there." In this book, the author considers the human tendency -- stronger in some cultures than in others -- to veer away from the middle ground of common sense to embrace the polarized values of light and darkness, high and low, chaos and form, mind and body. In so doing, venturesome humans can find salvation in geographies that cater not so much to survival needs (or even to good, comfortable living) as to the passionate and romantic aspirations of their nature
Author: Timothy M. Costelloe
Publisher: Cambridge University Press
ISBN: 0521143675
Category : History
Languages : en
Pages : 319
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Book Description
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
Author: Kate A. Boorman
Publisher: Henry Holt and Company (BYR)
ISBN: 1250191696
Category : Young Adult Fiction
Languages : en
Pages : 239
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Book Description
"Gripping and breathless, Into the Sublime is equal parts terrifying, claustrophobic, psychological, and cunning." —Wendy Heard, author of She's Too Pretty to Burn and Dead End Girls A new YA psychological thriller from Kate A. Boorman, author of What We Buried, about four teenage girls who descend into a dangerous underground cave system in search of a lake of local legend, said to reveal your deepest fears. When the cops arrive, only a few things are clear: - Four girls entered a dangerous cave. - Three of them came out alive. - Two of them were rushed to the hospital. - And one is soaked in blood and ready to talk. Amelie Desmarais' story begins believably enough: Four girls from a now-defunct thrill-seeking group planned an epic adventure to find a lake that Colorado locals call "The Sublime." Legend has it that the lake has the power to change things for those who risk—and survive—its cavernous depths. They each had their reasons for going. For Amelie, it was a promise kept to her beloved cousin, who recently suffered a tragic accident during one of the group’s dares. But as her account unwinds, and the girls’ personalities and motives are drawn, things get complicated. Amelie is hardly the thrill-seeking type, and it appears she’s not the only one with the ability to deceive. Worse yet, Amelie is covered in someone's blood, but whose exactly? And where's the fourth girl? Is Amelie spinning a tale to cover her guilt? Or was something inexplicable waiting for the girls down there? Amelie's the only one with answers, and she's insisting on an explanation that is more horror-fantasy than reality. Maybe the truth lies somewhere in between? After all, strange things inhabit dark places. And sometimes we bring the dark with us.
Author: Barbara L. Ascher
Publisher: Harper
ISBN: 9780060174422
Category : Psychology
Languages : en
Pages : 256
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Book Description
"Romance is structured yearning. In the romantic moment, we gather and focus that yearning in order to connect with something outside ourselves, believing against all odds that such connection is possible, knowing paradoxically that romance is born in the space between our reach and our grasp." So begins Barbara Lazear Ascher's Dancing in the Dark. Offering enchantment to a disenchanted age, this mesmerizing new book explores our instinctual, ageless romantic impulse and the essential role of romance in our lives, in nature, and in the arts. Barbara Ascher's lyrical and provocative prose expands the idea of romance and reveals its powers to redeem passion in our everyday lives. Ascher seeks out the romantic and explores the connections among sex, religion, family, nature, travel, food, music, art, and architecture, offering unforgettable insights that engage the soul and mind. In her quest for what is transcendent in life, she joins intrepid birders in Central Park, who brave winter cold for a glimpse of the long-eared owl--and for a connection between man and nature. She visits Frank Lloyd Wright's Fallingwater house, and Le Cirque's kitchen to witness sensuous pastrymaking. She travels to great museums to view extraordinary paintings and to discuss romance with Sydney Pollack. She attends a Barbara Cook master class and buys a manual typewriter on which to write. Every page of this book draws us into our deepest humanity. Dancing in the Dark elevates this vital sentiment to a passion-suffused life force, available to all, composed of hope, reverence for the unattainable, and the desire for more. Friendly, humorous, informative, Dancing in the Dark connects life to art, fact to fiction, and present to past.
Author: Philip Shaw
Publisher: Routledge
ISBN: 1134493185
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
Author: Roald Hoffmann
Publisher: Oxford University Press
ISBN: 0199750564
Category : Science
Languages : en
Pages : 192
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Book Description
Throughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge. The explorations within Beyond the Finite range from the images taken by the Hubble Telescope to David Bohm's quantum romanticism, from Kant and Burke to a "downward spiraling infinity" of the 21st century sublime, all lucid yet transcendent. Squarely positioned at the interface between science and art, this volume's chapters capture a remarkable variety of perspectives, with neuroscience, chemistry, astronomy, physics, film, painting and music discussed in relation to the sublime experience, topics surely to peak the interest of academics and students studying the sublime in various disciplines.
Author: Frances Ferguson
Publisher: Routledge
ISBN: 1134977417
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
As interest in aesthetic experience evolved in the eighteenth century, discussions of the sublime located two opposed accounts of its place and use. Ferguson traces these two positions - the Burkean empiricist account and the Kantian formalist one - to argue that they had significance of aesthetics, including recent deconstructive and New Historicist criticism.
Author: Thad Vogler
Publisher: Ten Speed Press
ISBN: 0399578617
Category : Cooking
Languages : en
Pages : 306
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Book Description
Spirits expert Thad Vogler, owner of the James Beard Award–winning Bar Agricole, takes readers around the world, celebrating the vivid characters who produce hand-made spirits like rum, scotch, cognac, and mezcal. From the mountains of Mexico and the forbidden distilleries of Havana, to the wilds of Scotland and the pastoral corners of France and beyond, this adventure will change how you think about your drink. Thad Vogler is one of the most important people in the beverage industry today. He’s a man on a mission to bring “grower spirits”—spirits with provenance, made in the traditional way by individuals rather than by mass conglomerates—to the public eye, before they disappear completely. We care so much about the food we eat: how it is made, by whom, and where. Yet we are far less careful about the spirits we drink, often allowing the biggest brands with the most marketing dollars to control the narrative. In By the Smoke and the Smell, Vogler is here to set the record straight. This remarkable memoir is the first book to ask the tough questions about the booze industry: where our spirits come from, who makes them, and at what cost. By the Smoke and the Smell is also a celebration of the people and places behind the most singular, life-changing spirits on earth. Vogler takes us to Normandy, where we drink calvados with lovable Vikings; to Cuba, a country where Vogler lived for a time, and that has so much more to offer than cigars, classic cars, and mojitos; to the jagged cliffs and crystal-clear lochs of Scotland; to Northern Ireland, Oaxaca, Armagnac, Cognac, Kentucky, and California. Alternately hilarious and heartfelt, Vogler’s memoir will open your eyes to the rich world of traditional, small-scale distilling—and in the process, it will completely change the way you think about and buy spirits.
Author: Patricia Hampl
Publisher: HMH
ISBN: 054735083X
Category : Biography & Autobiography
Languages : en
Pages : 229
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Book Description
These meditations inspired by a Matisse painting are “a paean to the act of seeing, celebrating our capacity to be transformed by the truths art holds.” —The New York Times Book Review Named a Chicago Tribune Best Book of the Year and a Los Angeles Times Favorite Nonfiction of the Year Just out of college, Patricia Hampl was mesmerized by a Matisse painting in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue Arabesque, Hampl explores the allure of this lounging woman, immersed in leisure, so at odds with the rush of the modern era. Hampl’s meditation takes us to the Cote d’Azur and to North Africa, from cloister to harem, pondering figures as diverse as Eugene Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisse’s portraits of languid women, she discovers they were not decorative indulgences but something much more. Moving with the life force that Matisse sought in his work, Blue Arabesque is Hampl’s dazzling and critically acclaimed tour de force.
Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
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Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
