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Author: Samuel Chase Coale
Publisher: University Press of Kentucky
ISBN: 0813185939
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
"The world is so sad and solemn," wrote Nathaniel Hawthorne, "that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves." From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer, Joan Didion, John Gardner, Joyce Carol Oates, William Styron, and John Updike. When viewed from this perspective, certain writers—particularly Cheever, Mailer, Oates, and Gardner—appear in a new and very different light, leading to a considerable reevaluation of their achievement and their place in American fiction. Mr. Coale's long interviews and conversations with John Cheever, John Gardner, William Styron, and others have provided insights and perspectives that make this book particularly valuable to students of contemporary American literature. Coale links contemporary writers to an on-going American romantic tradition, represented by such earlier authors as Melville, Harold Frederic, Faulkner, Flannery O'Connor, and Carson McCullers. He explores the distinctly Manichean matter of much American romance, linking it to America's Puritan past and to the almost schizophrenic dynamics of American culture in general. Finally, he reexamines the post-modernist writers in light of Hawthorne's "shadow" and shows that, however similar they may be in some ways, they differ remarkably from the previous American romantic tradition.
Author: Samuel Chase Coale
Publisher: University Press of Kentucky
ISBN: 0813185939
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
"The world is so sad and solemn," wrote Nathaniel Hawthorne, "that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves." From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer, Joan Didion, John Gardner, Joyce Carol Oates, William Styron, and John Updike. When viewed from this perspective, certain writers—particularly Cheever, Mailer, Oates, and Gardner—appear in a new and very different light, leading to a considerable reevaluation of their achievement and their place in American fiction. Mr. Coale's long interviews and conversations with John Cheever, John Gardner, William Styron, and others have provided insights and perspectives that make this book particularly valuable to students of contemporary American literature. Coale links contemporary writers to an on-going American romantic tradition, represented by such earlier authors as Melville, Harold Frederic, Faulkner, Flannery O'Connor, and Carson McCullers. He explores the distinctly Manichean matter of much American romance, linking it to America's Puritan past and to the almost schizophrenic dynamics of American culture in general. Finally, he reexamines the post-modernist writers in light of Hawthorne's "shadow" and shows that, however similar they may be in some ways, they differ remarkably from the previous American romantic tradition.
Author: Janet Lunn
Publisher: Penguin Group
ISBN: 0307367487
Category : Juvenile Fiction
Languages : en
Pages : 181
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Book Description
A classic children’s book for every Canadian family to treasure for all time – a story of mystery and young love in a richly detailed Canadian historical setting. From the winner of the Governor General’s Award for Children’s Literature comes one of Canada’s best-loved, bestselling books for young readers. In the award-winning follow-up to the beloved children’s classic, The Root Cellar, Janet Lunn brings us an enthralling historical tale of Celtic magic, kindred spirits and the struggles of pioneer life in Upper Canada. Shadow in Hawthorn Bay introduces fifteen-year-old Mary Urquhart, a Scottish girl with a special gift – the gift of “second sight”. One morning, in the spring of 1815, Mary hears her beloved cousin Duncan calling desperately for her help. But Duncan is 3,000 miles away in Upper Canada, and to journey to him means leaving the safety and comfort of home for an unknown wilderness. Answering the call, Mary finds herself battling dark forces in a foreign land. But as she struggles for her survival and independence, she unexpectedly finds friendship – with cheerful Yankee Patty, with Owena, the quiet Indian who recognizes the healing powers in her, and with Luke – so different from “Duncan the black.”
Author: Sydney Hawthorn
Publisher:
ISBN: 9781734900422
Category :
Languages : en
Pages : 282
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Book Description
A Princess. A Warrior. A Slave. A kingdom falling to ruin. And a Queen meant to save them all. Navarre has been at peace for three hundred years, the prophecies of the promised princess no more than a whispered memory of the past. Sheltered from the world around her, naïve Princess Joseline is no stranger to the responsibility and isolation of being heir. But when an attack on her eighteenth birthday reveals the looming return of the legendary demon king, shattering every protective boundary around her, Joseline is thrown full force into the long-forgotten prophecy and the role she plays in his demise. Saved from Aeron's clutches by a secret organization of warriors trained to protect her, Joseline is forced to choose between her curiosity to understand their motives and her duty to her people's safety. Swept into the impending war threatening her country, Joseline must learn at all costs not only to fight, but to control the ancient magical power awakening within her. Her life and the lives of her people depend on it.
Author: Deanna Fernie
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754654797
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Analyzing sculpture in Hawthorne's fiction through the recurring motif of the fragment, in its double guise as ruin and project, Deanna Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.
Author: Richard E. Mezo
Publisher: Universal-Publishers
ISBN: 1581120567
Category : Literary Criticism
Languages : en
Pages : 125
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Book Description
Since its publication in 1860, critics have questioned the artistic value of Hawthorne's The Marble Faun. A revival of critical interest during the 1950's and 1960's has done little to change a generally unfavorable opinion of the work. With a few notable exceptions, most recent critics believe The Marble Faun to be inferior to Hawthorne's other completed romances. Such opinions, however, usually seem to be based upon the personal taste of the individual critic rather than upon any sort of objective artistic standards. The purpose of this study is to examine and evaluate the various critical approaches to The Marble Faun. These interpretations provide the basis for a re-appraisal of the work. A study of the structure, the main themes, and the characters of The Marble Faun reveals that it is not an inferior work of art. In many respects, The Marble Faun reflects the maturity of Hawthorne's artistic and philosophical beliefs. The Marble Faun is a work capable of standing on its own merits. Some critics have misunderstood Hawthorne's aesthetic principles. Hawthorne thought that art should be used to suggest moral values. The power of art, he believed, was in its suggestiveness. The creation of an ideal beauty which has no exact counterpart in the material world suggests the reality of an unknowable divine providence. However, the value of a work of art depends upon the mood of the viewer. The viewer must assist the artist with his sympathy and imagination in an act of continual creation. The work of art will reflect back only those qualities which are brought to it by the viewer. Hawthorne's view of life is similar to the philosophy expressed by modern Christian existentialists. Throughout his writings, Hawthorne's concern for humanity is evident. In The Marble Faun, Hawthorne explores a problem which has become almost an obsession of modern man. This problem is the question of man's moral position in what seems to be a meaningless, if not hostile, universe. The most important theme of The Marble Faun is a consideration of the consequences of man's alienation from other men, from God, and from nature. The structure and the themes of The Marble Faun are developed through the actions of the major characters. Hilda, Miriam, Donatello, and Kenyon are each transformed by a fall from relative innocence into a world of suffering humanity. Donatello's transformation from faun to man is more striking than the transformations of the other three characters, and it is his fall which leads to the question of the felix culpa. Although Hilda and Kenyon are ultimately less mature characters than Donatello and Miriam, they also benefit from their experiences in Rome. Hawthorne's belief in the brotherhood of all men is demonstrated by the experiences of the major characters in The Marble Faun. Whether or not it is their wish, each of these characters must accept the responsibility for his own actions and each must become involved with humanity. It is Hawthorne's deep concern for the human condition, profoundly expressed in his art, which makes The Marble Faun a work of enduring importance to our civilization.
Author: Richard H. Millington
Publisher: Cambridge University Press
ISBN: 9780521002042
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
The Cambridge Companion to Nathaniel Hawthorne offers students and teachers an introduction to Hawthorne s fiction and the lively debates that shape Hawthorne studies today. In newly commissioned essays, twelve eminent scholars of American literature introduce readers to key issues in Hawthorne scholarship and deepen our understanding of Hawthorne s writing. Each of the major novels is treated in a separate chapter, while other essays explore Hawthorne s art in relation to a stimulating array of issues and approaches. The essays reveal how Hawthorne s work explores understandings of gender relations and sexuality, of childhood and selfhood, of politics and ethics, of history and modernity. An Introduction and a selected bibliography will help students and teachers understand how Hawthorne has been a crucial figure for each generation of readers of American literature.
Author: Larry J. Reynolds
Publisher: Oxford University Press
ISBN: 0195124138
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Introduction, Larry J. Reynolds1. Marble and Mud: A Biographical Sketch, Brenda Wineapple2. Mysteries of Mesmerism: Hawthorne's Haunted House, Samuel Coale3. Hawthorne and Children in the Nineteenth Century: Daughters, Flowers, Stories, Gillian Brown4. Hawthorne and the Visual Arts, Rita K. Gollin5. Nathaniel Hawthorne and the Slavery Question, Jean Fagan Yellin6. Illustrated Chronology7. Hawthorne and History: A Bibliographical Essay, Leland S. PersonContributorsIndex.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: Kumiko Mukai
Publisher: Peter Lang
ISBN: 9783039113682
Category : Art
Languages : en
Pages : 252
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Book Description
Among Hawthorne's primary themes, the visual arts have usually been regarded as an afterthought and have only been examined to elucidate his own personal philosophy. Hawthorne's own contemporaries derided him for his 'mediocre' aesthetics and that view has been taken as received wisdom up to the present day. This study reexamines Hawthorne's aesthetics, and suggests that he was much more familiar with the art and artists of the time than has previously been acknowledged by critics. He developed his own eclectic and transatlantic view of art, a view which incorporated decorative arts like embroidery, while maintaining a modest estimation of his own talents. This book examines the full range of visual artists whom Hawthorne portrays. It argues that these portrayals illuminate the artist's dilemma of being fettered by New England Puritanism while at the same time being attracted to the richness and depth of both Victorian aesthetics and the artistic sense of Old World Catholicism. The ambiguous destinies of his artist-characters include misunderstandings and disputes, while at the same time they suggest a reconciliation of the conflicting sentiments and transatlantic perspectives of the writer himself.
Author: Harold Bloom
Publisher: Infobase Learning
ISBN: 1438140061
Category : Criticism
Languages : en
Pages : 232
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Book Description
Provides a collection of critical essays on Hawthorne's The house of the seven gables.
