Author: Abraham Rees
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 792
Book Description
Nieuw Apostolische Bijbel 4
Author: Apostel Arne Horn
Publisher: Lulu.com
ISBN: 1291897402
Category : Religion
Languages : en
Pages : 438
Book Description
Deze Bijbel is geschreven omdat alle Bijbels niet de deuterocanonieke boeken en de Apocriefe boeken bevatten. (Apocrief is afkomstig van het Griekse woord voor verborgen of geheim. Apocrief is een term waarmee bepaalde boeken worden aangeduid die aanvankelijk door sommigen als onderdeel van het Oude Testament van de Bijbel werden beschouwd, maar uiteindelijk niet in de canon van de Bijbel zijn opgenomen. We kennen Apocriefen van het Oude Testament en Apocriefen van het Nieuwe Testament.)
Publisher: Lulu.com
ISBN: 1291897402
Category : Religion
Languages : en
Pages : 438
Book Description
Deze Bijbel is geschreven omdat alle Bijbels niet de deuterocanonieke boeken en de Apocriefe boeken bevatten. (Apocrief is afkomstig van het Griekse woord voor verborgen of geheim. Apocrief is een term waarmee bepaalde boeken worden aangeduid die aanvankelijk door sommigen als onderdeel van het Oude Testament van de Bijbel werden beschouwd, maar uiteindelijk niet in de canon van de Bijbel zijn opgenomen. We kennen Apocriefen van het Oude Testament en Apocriefen van het Nieuwe Testament.)
The 'Small Landscape' Prints in Early Modern Netherlands
Author: Alexandra Onuf
Publisher: Routledge
ISBN: 135125152X
Category : Art
Languages : en
Pages : 331
Book Description
In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources – including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs – Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.
Publisher: Routledge
ISBN: 135125152X
Category : Art
Languages : en
Pages : 331
Book Description
In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources – including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs – Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.
The City Rehearsed
Author:
Publisher: Routledge
ISBN: 1135232636
Category :
Languages : en
Pages : 310
Book Description
Publisher: Routledge
ISBN: 1135232636
Category :
Languages : en
Pages : 310
Book Description
Early Christian Poetry
Author: J. den Boeft
Publisher: BRILL
ISBN: 9004312897
Category : Religion
Languages : en
Pages : 332
Book Description
This collection of essays deals with the rise and development of early Christian poetry, discussing its techniques and its theoretical foundation. The individual papers concern specimina of Hebrew, Syriac, Greek and Latin poetry and study the various and partly conflicting traditions from which it originated. The biblical examples, e.g. of the Psalms, held great authority, but on the other hand it was impossible to break away from the models of classical Greco-Roman poetry, although these were deemed dangerous because of the pagan content and excessive cult of literary art. The book shows how the problems involved were solved in different ways, which justified the use of pagan literary accomplishments for singing the praises of the Lord.
Publisher: BRILL
ISBN: 9004312897
Category : Religion
Languages : en
Pages : 332
Book Description
This collection of essays deals with the rise and development of early Christian poetry, discussing its techniques and its theoretical foundation. The individual papers concern specimina of Hebrew, Syriac, Greek and Latin poetry and study the various and partly conflicting traditions from which it originated. The biblical examples, e.g. of the Psalms, held great authority, but on the other hand it was impossible to break away from the models of classical Greco-Roman poetry, although these were deemed dangerous because of the pagan content and excessive cult of literary art. The book shows how the problems involved were solved in different ways, which justified the use of pagan literary accomplishments for singing the praises of the Lord.
The Cyclopaedia
Author: Abraham Rees
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 792
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 792
Book Description
Peasant Scenes and Landscapes
Author: Larry Silver
Publisher: University of Pennsylvania Press
ISBN: 0812222113
Category : Art
Languages : en
Pages : 393
Book Description
Larry Silver investigates the origins of new pictorial types and their media as a phenomenon of sixteenth-century Antwerp and interprets several pictorial genres as he charts their evolution and their role in the development and marketing of individual artistic styles.
Publisher: University of Pennsylvania Press
ISBN: 0812222113
Category : Art
Languages : en
Pages : 393
Book Description
Larry Silver investigates the origins of new pictorial types and their media as a phenomenon of sixteenth-century Antwerp and interprets several pictorial genres as he charts their evolution and their role in the development and marketing of individual artistic styles.
Ad vivum?
Author: Thomas Balfe
Publisher: BRILL
ISBN: 9004393994
Category : Art
Languages : en
Pages : 377
Book Description
The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology – questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors: Thomas Balfe, José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, Joanna Woodall, and Daan Van Heesch.
Publisher: BRILL
ISBN: 9004393994
Category : Art
Languages : en
Pages : 377
Book Description
The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology – questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors: Thomas Balfe, José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, Joanna Woodall, and Daan Van Heesch.
Pleasant Places
Author: Walter S. Gibson
Publisher: Univ of California Press
ISBN: 0520420667
Category :
Languages : en
Pages : 337
Book Description
The variations of pleasure and their expression in Dutch rustic landscapes of the seventeenth century are recurring themes in Walter S. Gibson's engaging new book. Gibson focuses on Haarlem between 1600 and 1635, in his interpretation of Dutch landscapes and emphasizes prints, the medium in which the rustic view was first made available to the general art-buying public. Gibson begins by looking at the origins of the rustic landscape in the sixteenth-century Flanders and its later reformation by Dutch artists, a legacy very much alive today. He next offers a critical review of "scriptural reading," a popular mode of interpreting the Dutch rustic landscape that incorporates Calvinist-influenced moral allegories. Gibson then explores traditional ideas concerning recreation and suggests that the pleasure of rural landscapes, not preaching, constituted their chief appeal for seventeenth-century urban viewers. Using Visscher's Plaisante Plaetsen ("Pleasant Places") as a point of departure, Gibson examines the ways that townspeople, both the day-trippers and owners of country houses, experienced the Dutch countryside. He also discusses the role of staffage and suggests how the representations of peasants might have conditioned the responses of contemporary viewers to rural images. Finally, Gibson considers how scenes of the dilapidated farm buildings, dead trees, and other evidence of material decay may reflect traditional ideas rustic life as imagined by a townsperson. Or how they may represent another way for the artist to engage his urban audience: far removed from the idealized landscapes of a Giorgione, the rustic landscape of a Ruisdael conveys a countryside that was beginning to disappear under the relentless pressures of urbanization. Gibson's multilayered exploration of the rustic landscape enhances our understanding of the Golden Age in Dutch art. His richly illustrated book recalls a countryside now largely gone; at the same time, his evocative language gracefully articulates the role of the Dutch rustic landscape in the history of landscape painting.
Publisher: Univ of California Press
ISBN: 0520420667
Category :
Languages : en
Pages : 337
Book Description
The variations of pleasure and their expression in Dutch rustic landscapes of the seventeenth century are recurring themes in Walter S. Gibson's engaging new book. Gibson focuses on Haarlem between 1600 and 1635, in his interpretation of Dutch landscapes and emphasizes prints, the medium in which the rustic view was first made available to the general art-buying public. Gibson begins by looking at the origins of the rustic landscape in the sixteenth-century Flanders and its later reformation by Dutch artists, a legacy very much alive today. He next offers a critical review of "scriptural reading," a popular mode of interpreting the Dutch rustic landscape that incorporates Calvinist-influenced moral allegories. Gibson then explores traditional ideas concerning recreation and suggests that the pleasure of rural landscapes, not preaching, constituted their chief appeal for seventeenth-century urban viewers. Using Visscher's Plaisante Plaetsen ("Pleasant Places") as a point of departure, Gibson examines the ways that townspeople, both the day-trippers and owners of country houses, experienced the Dutch countryside. He also discusses the role of staffage and suggests how the representations of peasants might have conditioned the responses of contemporary viewers to rural images. Finally, Gibson considers how scenes of the dilapidated farm buildings, dead trees, and other evidence of material decay may reflect traditional ideas rustic life as imagined by a townsperson. Or how they may represent another way for the artist to engage his urban audience: far removed from the idealized landscapes of a Giorgione, the rustic landscape of a Ruisdael conveys a countryside that was beginning to disappear under the relentless pressures of urbanization. Gibson's multilayered exploration of the rustic landscape enhances our understanding of the Golden Age in Dutch art. His richly illustrated book recalls a countryside now largely gone; at the same time, his evocative language gracefully articulates the role of the Dutch rustic landscape in the history of landscape painting.
Residential Architecture as Infrastructure
Author: Stephen H. Kendall
Publisher: Routledge
ISBN: 1000456668
Category : Architecture
Languages : en
Pages : 428
Book Description
This edited collection provides an up-to-date account, by a group of well-informed and globally positioned authors, of recently implemented projects, public policies and business activities in Open Building around the world. Countless residential Open Building projects have been built in a number of countries, some without knowledge of the original theory and methods. These projects differ in architectural style, building industry methods, economic system and social aims. National building standards and guidelines have been promulgated in several countries (Finland, China, Japan, Korea), providing incentives and guidance to Open Building implementation. Businesses in several countries have begun to deliver advanced FIT-OUT systems both for new construction and for retrofitting existing buildings, demonstrating the economic advantages of ‘the responsive, independent dwelling.’ This book also argues that the ‘open building’ approach is essential for the reactivation of the existing building stock for long-term value, because in the end it costs less. The book discusses these developments in residential architecture from the perspective of an infrastructure model of built environment. This model enables decision-makers to manage risk and uncertainty, while avoiding a number of problems often associated with large, fast-moving projects, such as separation and distribution of design tasks (and responsibility) and the ensuing boundary frictions. Residential Architecture as Infrastructure adds to the Routledge Open Building Series, and will appeal to architects, urban designers, researchers and policy-makers interested in this international review of current projects, policies and business activities focused on Open Building implementation.
Publisher: Routledge
ISBN: 1000456668
Category : Architecture
Languages : en
Pages : 428
Book Description
This edited collection provides an up-to-date account, by a group of well-informed and globally positioned authors, of recently implemented projects, public policies and business activities in Open Building around the world. Countless residential Open Building projects have been built in a number of countries, some without knowledge of the original theory and methods. These projects differ in architectural style, building industry methods, economic system and social aims. National building standards and guidelines have been promulgated in several countries (Finland, China, Japan, Korea), providing incentives and guidance to Open Building implementation. Businesses in several countries have begun to deliver advanced FIT-OUT systems both for new construction and for retrofitting existing buildings, demonstrating the economic advantages of ‘the responsive, independent dwelling.’ This book also argues that the ‘open building’ approach is essential for the reactivation of the existing building stock for long-term value, because in the end it costs less. The book discusses these developments in residential architecture from the perspective of an infrastructure model of built environment. This model enables decision-makers to manage risk and uncertainty, while avoiding a number of problems often associated with large, fast-moving projects, such as separation and distribution of design tasks (and responsibility) and the ensuing boundary frictions. Residential Architecture as Infrastructure adds to the Routledge Open Building Series, and will appeal to architects, urban designers, researchers and policy-makers interested in this international review of current projects, policies and business activities focused on Open Building implementation.
Gods woord nader bekeken
Author: Apostel Arne
Publisher: Lulu.com
ISBN: 1291955909
Category : Religion
Languages : en
Pages : 202
Book Description
Volgens de opvatting en de uitleg van de kerk door de eeuwen heen is dit het hoofdthema van het Nieuwe Testament en daarmee van het christelijk geloof, namelijk dat Jezus Christus aan het kruis zijn leven heeft gegeven voor de zonden van de mensen en uit de dood is opgestaan en dat men als zondaar aan dit heilswerk van Jezus deel krijgt door het geloof in Hem.
Publisher: Lulu.com
ISBN: 1291955909
Category : Religion
Languages : en
Pages : 202
Book Description
Volgens de opvatting en de uitleg van de kerk door de eeuwen heen is dit het hoofdthema van het Nieuwe Testament en daarmee van het christelijk geloof, namelijk dat Jezus Christus aan het kruis zijn leven heeft gegeven voor de zonden van de mensen en uit de dood is opgestaan en dat men als zondaar aan dit heilswerk van Jezus deel krijgt door het geloof in Hem.